larry poons (28 Ergebnisse)

paperback. Zustand: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

96 pp.; 28 x 21 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1976. Essay by Bernice Rose. Artists include Carl Andre, Art & Language, Joseph Beuys, Mel Bochner, James Lee Byars, John Cage, Christo, Chuck Close, Hanne Darboven, Jim Dine, Mark di Suvero, Oyvind Fahlström, Dan Flavin, Richard Hamilton, Michael Heizer, Eva Hesse, David Hockney, Jasper Johns, Donald Judd, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Robert Mangold, Piero Manzoni, Brice Marden, Agnes Martin, Robert Morris, Bruce Nauman, Claes Oldenburg, Blinky Palermo, Panamarenko, Larry Poons, Robert Rauschenberg, Bridget Riley, Dorothea Rockburne, Robert Ryman, Fred Sandback, Richard Serra, Robert Smithson, Frank Stella, Jean Tinguely, Richard Tuttle, Cy Twombly, Andy Warhol, and Lawrence Weiner. Includes notes to the text. Very Good. Light yellowing and rubbing of cover edges with a 3 cm. area of staining from removed pricing sticker on verso and light bumping of bottom edge of verso. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

4 ° Broschur; unpaginiert ca. 14 Seiten; erschien anlässlich der gleichnamigen Ausstellung vom 15.09. bis 28.10.1978; Katalog mit 31 Werken beider Künstler; mit 11 Werkabb., davon vier in Farbe Zustand: Gut, der Einband mit leichten Gebrauchsspuren, der Schnitt minimal fleckig, im Inneren frisch, sehr schöner Band in Ausstattung und Präsentation 600 gr.

Hardcover. Zustand: Brand New. 141 pages. French language. 9.25x10.00x0.75 inches. In Stock.

Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good copy with clean apges. Volume 14. 8vo. Published in Hoboken, 1993. 144 pages.

Hardcover. Zustand: Brand New. 141 pages. French language. 9.25x10.00x0.75 inches. In Stock.

2 Kataloge. 29,8 x 21 cm. (12; 12 S.) Original Karton mit Deckeltitel. Leicht berieben, Deckeltitel Steiner etwas stockfleckig, sonst guter Zustand. Texte jeweils in Deutsch und Englisch, mit 7 sw (Steiner) und 4 farbigen (Poons) Abbildungen. ################## LIEBE KUNDEN, WIR MACHEN UNSERE JÄHRLICHE FRÜHLINGSAKTION MIT MINDESTENS 30% RABATT AUF DEN GESAMTEN BESTAND. DIE ERMÄSSIGUNG GILT AB SOFORT, DER RABATT IST IN DEN ANGEZEIGTEN PREISEN BEREITS ENTHALTEN. ÜBER IHR INTERESSE AN UNSEREN SELTENEN STÜCKEN WÜRDEN WIR UNS WIE JEDES JAHR SEHR FREUEN ###################.

First edition. Oblong softcover. [32 pages.] Exhibition catalog. Features text by Kenworth Moffett. Includes numerous color and black and white illustrations, a chronology by Paul Jimerson, list of previous exhibitions, list of public collections, bibliography, and a checklist. A clean near fine copy in stapled wrappers.

16 pp.; 15.3 x 20.4 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held March 8 - April 5, 1985. Curated and with text by John Link. Introduction by Geo [George] Raica. Artists include Darryl Hughto, Walter Darby Bannard, Lawrence Poons, Larry Zox, Kenneth Noland, Susan Roth, Carl Gliko, Robert Goodnough, James Wolfe, and William Noland. Includes exhibition checklist. Good / Very Good. Rubbing of covers and cover edges. 2.9 cm. of yellow soiling to title page. Contents otherwise clean and unmarked.

[9] pp.; 28 x 21.7 cm.; slide bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Catalogue of serigraphs [screenprints] published by Art Dealers Cooperative and printed by Larry Wright & Merle Leech Art Productions, New York. Artists' include Walter Darby Bannard, Dan Christensen, Darryl Hughto, Larry Poons, Michael Steiner, Larry Zox, Ronald Saypol, Lester Dembitzer, Andrew C. Hilton, Roy V. Titus, David Margolis, Alvin Tannenbaum and Herbert Wasserman. Fair. Significant handling wear with dents and creases to covers and edge wear. 2.5 cm. dog-ear to bottom right corner of recto with a 3 mm. tear. 6.8 cm. yellow stain to verso and yellowing along perimeter with additional light soiling.

Zustand: New. &Uumlber den AutorrnrnRosa Maria Falvo is a writer, editor and curator, specializing in Asia Pacific and Middle Eastern contemporary art. Larry Poons is an American abstract painter, who originally rose to fame for his Op Art works in t.

1. Auflage. 4°. 15 S. OPappband. Sehr gutes Exemplar. Sieben Arbeiten sind ganzseitig farbig abgebildet. Einführender Text (in Englisch) von David Ebony.

Soft cover. Zustand: Near Fine. Large format exhibition catalogue. Full page colour reproductions separated by bound glassine sheets. Three gate-folds. Essays by Frank Stella, Michael Fried and Alex Bacon and detailed chronology of Poon's career. Very slight bend to book at outer corners. Otherwise a fine copy with no marks or fading to covers or inside pages and no reading crease to spine. 71 pages. s132.

Paperback. Zustand: VG. Oblong staple-bound wraps, 64 pages. Quarterly periodical published by the great Judith Aminoff covering the scene mostly below Canal Street. Very Good condition all around. Page 25 features two poems by this bookseller, which he can't rally make heads or tails of.

229 pp.; 27.8 x 21.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed First edition printing of the collected writings of Donald Judd. Judd's uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. His 1965 "Specific Objects" essay, discussions of sculptural thought in the 1960s, is included as well as Judd's notorious polemical essay, "Imperialism, Nationalism, Regionalism." Good. Dusting and discoloration of covers, with concentrated discoloration / sunning of spine. Rubbing of cover edges and corners; 3.5 cm., 3 cm., 3.8 cm., and 3 mm. of soiling to covers. 2 cm. crease to top right corner and light bumping of bottom right corner of recto. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

229 pp.; 27.8 x 21.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed First edition printing of the collected writings of Donald Judd. Judd's uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. His 1965 "Specific Objects" essay, discussions of sculptural thought in the 1960s, is included as well as Judd's notorious polemical essay, "Imperialism, Nationalism, Regionalism." Very Good / Fine. An outstandingly well preserved copy with minimal wear to covers. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Rückenstichheftung. 16 unpaginierte Seiten, Erste Auflage, Einband minimal berieben, ansonsten GUTES EXEMPLAR. Mit zahlreichen zum Teil farbigen Abbildungen. Size: 30 x 21 Cm. 300 Gr.

[64] pp.; 21.3 x 27.7 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1981/1982 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: ".Different Places," by Clement Greenberg; "Portraits Nus," by Bettina Rheims; "New World," by Eric Bogosian; "Two Views," by Robert Mapplethorpe; "Eating Friends," by Holzer/Nadin; "Dagmar," by Paula Court; "Fang-Yi," by Dominique Fourcade; "What's Wrong.?" by Charles Clough; "Low Tech," by Ron Kolm; "Me & Jesus," by Miles Bellamy; "Radioactive Child," by Gary Indiana; "Paint What You Do?," by Michael Corris; "Two or Three Things," by Olivier Mosset; "Conflicting Panaceas," by Thomas Lawson; "New Pantheon," by Terry Fenton; "A Selective View," by Frank Bowling; "Michael Steiner," by Walter Darby Bannard; "Poons' Painting Procedures," by Kenworth Moffett and "Poochadella," by Paula DeLuccia. Front Cover: Larry Poons' New York Studio, 1982, Photo bt William Soghar. Back Cover: Peter Miller, 1982. Good. 1.3 cm., 8 mm., 5 mm. tears to top edge of recto with a 4 cm. crease. Light edge wear to covers and bumping of periodical corners. Light yellowing of pages. Contents clean and unmarked.

[16] Bl. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. 1982/700, L0228 Sprache: Niederländisch Gewicht in Gramm: 230.

[unpaginated]; 24 x 18 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Monograph honoring the first ten years of the Leo Castelli Gallery and an exhibition celebrating the anniversary held February 4 - 26, 1967. Edited by David Whitney. Statements by William C. Agee, Lawrence Alloway, John Cage, Otto Hahn, Thomas B. Hess, Ellen H. Johnson, Max Kozloff, Philip Leider, Annette Michelson, Pierre Restnay, Barbara Rose, Robert Rosenblum, William S. Rubin, William Seitz, Alan Solomon, Leo Steinberg, Calvin Tomkins, Yoshiaki Tono. Features year by year indexing of all exhibitions held in the gallery with dates and installation photographs. Including shows by Richard Artschwager, Lee Bontecou, John Chamberlain, Nassos Daphnis, Edward Higgins, Jasper Johns, Donald Judd, Roy Lichtenstein, Robert Morris, Larry Poons, Robert Rauschenberg, James Rosenquist, Salvatore Scarpitta, Frank Stella, Cy Twombly, Andy Warhol and others. Warhol's contribution to catalogue is a collage of photographic portraits of included artists. Fine. Covers and contents clean and unmarked. This copy lacking the bellyband.

Hardcover. Zustand: Very Good. Hartford: The Wadsworth Atheneum, 1964. Complete portfolio of ten color screenprints, including one with collage by Robert Motherwell, each housed in its individual printed paper folder on Mohawk Superfine Cover. Printed by Ives Sillman, New Haven, and bearing the printer s blindstamp. Published by The Wadsworth Atheneum, Hartford, Connecticut. Includes title page, contents list, and justification page, numbered 489 of 500. The portfolio features works by Stuart Davis, Robert Indiana, Ellsworth Kelly, Roy Lichtenstein, Robert Motherwell, George Ortman, Larry Poons, Ad Reinhardt, Frank Stella, and Andy Warhol. Presented in the original cloth-covered clamshell portfolio. Minor stains are present at the edges of some sheets, and the Motherwell collage shows a few small spots along the left collage. Overall in very good condition. References: Stuart Davis, Ivy League: Cole & Meyers p. 79; Robert Indiana, External Hexagon: Sheehan 33; Ellsworth Kelly, Red/Blue: Axsom 2; Roy Lichtenstein, Sandwich and Soda (Lunch Counter): Corlett 35; Robert Motherwell, Untitled: Terenzio/Belknap 5; Frank Stella, Untitled (Rabat): Axsom 1a; Andy Warhol, Birmingham Race Riot: Feldman & Schellmann 3. Sheet size: 24 × 20 in. Portfolio dimensions: 22 × 25½ × 1 in.

100 pp.; 22.5 x 24.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Catalogue for the auction of works from the collection of Robert C. Scull held at Sotheby''s on October 18, 1973. Features works by Lee Bontecou, John Chamberlain, Dan Christensen, Willem de Kooning, Walter De Maria, Jim Dine, Mark di Suvero, Philip Guston, Robert Indiana, Jasper Johns, Franz Kline, Robert Morris, Barnett Newman, Claes Oldenburg, Larry Poons, Robert Rauschenberg, Larry Rivers, James Rosenquist, Lucas Samaras, George Segal, Frank Stella, Ernest Trova, Cy Twombly, Andy Warhol, Tom Wesselmann and Peter Young. ". The sale, held simultaneously in Sotheby Parke Bernet''s main selling gallery, at Madison Avenue and 76th Street, as well as in several television-equipped side galleries, was preceded by a brace of demonstrations attacking Mr. Scull, his taxicabs, and his collecting habits. Despite the uproar a number of record sales were recorded. . Jasper Johns''s works set five different auction records at the sale. His huge canvas, "Double White Map," executed in 1965, brought $240,000. The price was $90,000 higher than the previous high recorded for a Johns painting, reportedly paid by a private - European collector recently. It was double the auction record for a living American artist, which had been held by Georgia O''Keeffe, whose "Poppies" sold for $120,000 last March. It topped the auction record of $75,000 for a work of Pop Art held since 1970 by Roy Lichtenstein, as well as the auction record for any 20th-century American work of art. The previous holder was Yasuo Kuniyoshi with $200,000 for "Little Joe With Cow," sold in March. Johns''s sculpture., "Painted Bronze," consisting of bronze replicas of two Ballantine Beer cans on a platform was sold for $90,000 and established an auction record for a sculpture by a living American artist. Claes Oldenburg''s "Stove," at $45,000, had held the record since 1970. Their entry was not facilitated by a noisy, and well televised, demonstration by the Taxi Rank and File Coalition, a group of cab drivers vying for recognition as an opposing bargaining group for cabbies. They carried signs suggesting that Mr. Scull was a "parasite" who "lived off the backs of cabbies" so he could "be with the beautiful people."."--Fred Ferretti, "Scull''s U.S. Art Brings Record $2 Million," New York Times, October 19, 1973 Good. Scruffing to dust jacket with two long horizontal abrasions over cover image, mild edge wear and light foxing. Mild foxing to endpapers. Sales results and sales estimates stapled to first inside page. Due to size and weight additional shipping charges will be required for international order.

4°, 8 Bll. geheftet, mit zahlreichen s/w und farbigen Abbildungen. Orig.-Karton. Erste Asugabe.- Mit Notizen zu den Arbeiten von Christian Rathke.- Einband minimal berieben. Ansonsten gutes Exemplar.

Hardcover/Softcover. AE-5205 Ehemaliges Bibliotheksexemplar mit entsprechenden Merkmalen in gutem Zustand. Sprache: Deutsch Gewicht in Gramm: 550.

[2] pp.; 28 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Announcement for performances held March 4, [1963]. Performers include George Brecht, Larry Poons, Ben Patterson, Henry Geldzahler, Walter DeMaria, Sally Gross, Pati Miushinski [Patty Oldenburg], Judy Patterson, Charlotte Tokayer, John Ahern, Murray Berkowitz, Emilio Cruz, Miles Forst, Red Grooms, Robert Morris, Claes Oldenburg, Le Roi Jones and John Herbert MacDowell. Lighting by Nik Cernovich. Good / Fair. Hand address, mailed copy with mailing marks and stamp on verso. Staple holes on top and bottom edges. Horizontal crease at center from fold for mailing. Wear to edges and yellowing at corners.

[2] pp.; 35.3 x 27.6 cm. (unfolded) ; 13.8 x 17.7 cm. (folded); black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Folded exhibition announcement poster published in conjunction with opening held November 5, 1963. Printed on verso with return address. Good. Mailed copy with mailing marks and mailing wear including a torn closure sticker on verso. Light rubbing at edges, corners and fold lines.

[1] pp.; 28 x 21.5 cm; duotone; edition size unknown; unsigned and unnumbered; offset-printed Single-sided handbill / flyer published in conjunction with performance held August 1, 1960. Performance included works by Alfred [Al] Hansen, Dick [Richard] Higgins, Jackson Mac Low, Larry [Lawrence] Poons, La Monte Young, and Raymond Edward Johnson performed by The Audio Visual Group of The Living Theatre. Very Good. Bright and clan, shallow long dog-ear at top right corner and very small (1 x 2 mm.) loss at top center. Folded in three as issued.

[1] pp.; 36 x 25.4 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster / announcement for performances held at Hunter College Playhouse, New York City, February 3, [1963]. Musical Director, Richard Maxfield, and lighting designer Nicola Cernovich. Dancers include Valda Setterfield, Yvonne Rainer, Diana Munzer, Arlene Rothlein, David Gordon, Fred Herko, Aileen Passloff, Deborah Hay, Elizabeth Keen, Barbara Lloyd, Linda Sidon, and Maryann Tobier. Designs by Remy Charlip, Red Grooms, Al Hansen, Robert Indiana, Larry Poons, Lucas Samaras, Robert Watts, and Robert Whitman. Very Good. Folded in four, mailed copy with mailing marks and stamp on verso, hand addressed in ink.