lang andrew translator (23 Ergebnisse)

Hardcover. Zustand: Very Good - Cash. Zustand des Schutzumschlags: Very Good. Self printed dust jacket? Light reader wear and rubbing to the edges, corners, covers, and pages. Dust jacket is in protective myarl. The book is in great condition! Stock photos may not look exactly like the book.

Paperback. Zustand: Brand New. 61 pages. 5.00x0.14x8.00 inches. In Stock.

Hardcover. 9th edition. 74pp. 14 cm. Very good condition in worn slipcase, short gift inscription on endpaper.

Softcover. Zustand: Very Good. Very good in wrappers, a paperback. 59 pages. Pages brown. Corners rubbed. Shelf rubbing. Staple bound.

Zustand: Very good. - Small narrow octavo [approximately 7-1/4 inches high by 4 inches wide], limp vellum titled in brown on the front cover & spine. There is some very light soiling to the boards. xxi, [i], 65 & [1] pages. Frontispiece & decorations in black & white. Very good. Ninth edition, limited to 925 copies on Van Gelder paper.

Paperback. Zustand: Brand New. 48 pages. Korean language. 5.00x0.13x8.00 inches. In Stock.

Paperback. Zustand: Brand New. 49 pages. Welsh language. 5.00x0.13x8.00 inches. In Stock.

Paperback. Second edition thus. 88 pages. 18 x 10 1/2 cm. Limited edition one of 925 copies printed on Japanese vellum. Frontispiece. Bright, clean copy. Orig. decorated wrappers, yapp edges. Near fine.

Hardcover. Zustand: Good. No Jacket. Some marking to the boards and quarter cloth is rather grubby. A little very light tanning to the pages.

Zustand: Very Good. A beautifully crafted edition of "Aucassin and Nicolete" from the press of Thomas B. Mosher. Mosher was known for his fine press editions and attention to detail in typography and design. Printed on high-quality Van Gelder paper; 4 by 7.25 inches; 88 [1] pages. Bound in cream paper wrappers; printed in brown. Yapp edges. Reprint of the London edition of 1887, with reproduction of the original etched title-page and three woodcut designs (head and tail pieces) by J.P. Jacomb-Hood. One of 925 copies. His edition of this medieval French love story featured elegant typography, often in a smaller, more portable format, which was a hallmark of his publishing style. The physical qualities of Mosher's editions typically included high-quality paper, careful typesetting, and sometimes ornate bindings or covers, making them sought after by collectors and enthusiasts of fine printing from that era. The bindings are tight and square. Text is clean; light, even age-toning. Moderate shelf handling wear with loss on the lover spine. Historical Significance - Aucassin and Nicolete is a medieval French chantefable (a rare blend of prose and verse), likely composed in the late 12th or early 13th century. Notable because it defies many of the conventions of medieval romanceits hero, Aucassin, is reluctant to be a knight, more interested in love than war, and the heroine, Nicolete, is proactive, intelligent, and often rescues herself. The work is often attributed to an anonymous trouvère from Picardy and is preserved in a single manuscript housed in the Bibliothèque Nationale in Paris. Its unique mixture of prose and lyrical interludes suggests it was meant to be performed, alternating between narration and song, making it a highly engaging medieval text. Unlike most epic or courtly tales of the time, Aucassin and Nicolete has a playful, almost satirical quality, gently mocking the traditional tropes of chivalric literature. Themes: Love vs. Duty; Role Reversals; Parody of Chivalric Ideals; Cultural Tensions; Fairy-Tale Elements. Lang's translation helped revive interest in Aucassin and Nicolete among English-speaking audiences, and his elegant prose ensured the tale's lasting literary appeal. Andrew Lang, the Scottish folklorist and translator, published Aucassin and Nicolete as part of his interest in medieval literature and fairy tales. His translation is notable for: its Lyrical and Poetic Quality; Romantic and Picturesque Style; Medieval Spirit with a Modern Touch. Ref: hathitrust Part of the Old World Series by the publisher.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: No Dust Jacket. Hood, Jacoomb. (illustrator). First Edition. Special Limited Edition, first issue in this format. Size: 12mo - over 6¾" - 7¾" tall. Text body is clean and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. Limited to 925 copies on Van Gelder paper, this is a direct reprint of the 1887 edition. The original etched title page, (with a curious error in its date) and three woodcut designs, by Jacomb Hood, are also reproduced in the old world edition. Vellum spine with paper label, pale green paper over boards, covers extend beyond fore-edges to enclose the pages completely; deckle edges. Spine soiled a little, covers lightly soiled where handled. Otherwise near fine. In a slipcase which is Fair. Illustrator: Hood, Jacoomb. Quantity Available: 1. Shipped Weight: 1 lb 6 oz. Category: Fiction Classic & Modern; Books; Picture 2: title page. Pictures of this item not already displayed here available upon request. Inventory No: 001134.

Hardcover. Zustand: Fair. No Jacket. Ex-library hardback, no D/J, usual stamps and markings. Published in 1972 by Kennikat Press, Port Washington, NY. Boards a little grubby, small marks to a couple of pages but otherwise a good, clean copy. Ready for immediate dispatch from UK. 22C*.

Stiff wraps in a slipcase. Zustand: Near Fine. A beautifully crafted edition of "Aucassin and Nicolete" from the press of Thomas B. Mosher. Mosher was known for his fine press editions and attention to detail in typography and design. Printed on high-quality Van Gelder paper; 3 by 7.5 inches; [i-xxiv] p., 1 l., 3065 [1] pages. Bound in cream paper wrappers; printed in brown. Reprint of the London edition of 1887, with reproduction of the original etched title-page and three woodcut designs (head and tail pieces) by J.P. Jacomb-Hood. Third Mosher edition; one of 925 copies. His edition of this medieval French love story featured elegant typography, often in a smaller, more portable format, which was a hallmark of his publishing style. The physical qualities of Mosher's editions typically included high-quality paper, careful typesetting, and sometimes ornate bindings or covers, making them sought after by collectors and enthusiasts of fine printing from that era. Appears unread, with some pages un-opened [not cut on the edges] The bindings are tight and square. Text is clean; light, even age-toning. Moderate shelf handling wear with a chip on the top and an age-spot on the rear of the jacket, the issued slipcase has wear and has been reinforced with clear tape on the spine and edges. Historical Significance - Aucassin and Nicolete is a medieval French chantefable (a rare blend of prose and verse), likely composed in the late 12th or early 13th century. Notable because it defies many of the conventions of medieval romanceits hero, Aucassin, is reluctant to be a knight, more interested in love than war, and the heroine, Nicolete, is proactive, intelligent, and often rescues herself. The work is often attributed to an anonymous trouvère from Picardy and is preserved in a single manuscript housed in the Bibliothèque Nationale in Paris. Its unique mixture of prose and lyrical interludes suggests it was meant to be performed, alternating between narration and song, making it a highly engaging medieval text. Unlike most epic or courtly tales of the time, Aucassin and Nicolete has a playful, almost satirical quality, gently mocking the traditional tropes of chivalric literature. Themes: Love vs. Duty; Role Reversals; Parody of Chivalric Ideals; Cultural Tensions; Fairy-Tale Elements. Lang's translation helped revive interest in Aucassin and Nicolete among English-speaking audiences, and his elegant prose ensured the tale's lasting literary appeal. Andrew Lang, the Scottish folklorist and translator, published Aucassin and Nicolete as part of his interest in medieval literature and fairy tales. His translation is notable for: its Lyrical and Poetic Quality; Romantic and Picturesque Style; Medieval Spirit with a Modern Touch. Ref: hathitrust Part of the Old World Series by the publisher.

Cloth. Zustand: Very Good. Selwyn Image (illustrator). First edition. A first edition third impression of The Monk of Fife, illustrated by the noteworthy Selwyn Image. In the publisher's original cloth binding. Ink inscription to the front free end paper. 4 full page engravings, and illustrations in the text, by the important British artist Selwyn Image (1849-1930). This work details the adventures of a young Scot in France with Joan of Arc. Andrew Lang (1844-1912) was a poet, novelist, and literary critic, best known as a collector of folk and fairy tales. In the publisher's original cloth binding. Externally smart, with some bumping to the boards, extremities and spine. Internally, firmly bound. Pages are clean, except for the occasional spot, and some offsetting to the end papers. Very Good. book.

Hardcover. Zustand: Very Good. Limited Edition. Limited edition of just 550 copies. Full vellum hardback with gilt lettering and gilt rules. Showing well, sharp corners, no splits. Contents clean and tidy, just showing a couple of labels at the endpaper. Size: 195mm x 130mm; collation: pp. lxxxvi; 65. Illustrated. Scarce.

The 7th book in the 2nd series, this being #206 of 1500 copies. Signed by the illustrator Vojteck Preissig. Translated with an introduction by Andrew Lang. Printed and bound by The State Printing Office of Czechoslovakia. Hand-set in Preissig Antiqua (First use) on Zanders special hand-made paper. Bound in full tan silk, 80 pages. VG+ book showing some wear to spine. Original DJ, missing spine section in a very good slipcase Print info from 1985 Bibliography and Snyman - Grossman LEC Checklist #19.

Stiff boards. Zustand: Very good. xxiii, [1], 65, [9] pages. Notes. Appendix. One of the publisher's Old World Series. Cover is seven inches by 4 and a quarter inches. Interior is seven inches by about 4 inches. The present edition is a direct reprint of that very scarce little volume Aucassin & Nicolete Done into English by Andrew Lang, London, 1887 published by Davis Nutt in the Strand). This Old World edition of Aucassin and Nicolete would be incomplete without Mr. Edmund Clarence Stedman's finely wrought translation of the best known passage of this antique story. It originally appeared in A Masque of Poets, (Boston, 1878) and hand not been included in his collected works. Andrew Lang (31 March 1844 - 20 July 1912) was a Scottish poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St. Andrews are named after him. Aucassin et Nicolette (12th or 13th century) is an anonymous medieval French chantefable, or combination of prose and verse (literally, a "sung story", similar to a prosimetrum). The work probably dates from the late 12th or early 13th century, and is known from only one surviving manuscript, discovered in 1752 by medievalist Jean-Baptiste de La Curne de Sainte-Palaye (BnF, Fonds Français 2168). Stylistically, the chantefable combines elements of many Old French genres, such as the chanson de geste (e.g., The Song of Roland), lyric poems, and courtly novels-literary forms already well-established by the 12th century. It is the only known chantefable, and thus from this work the term chantefable is coined from the concluding lines: "No cantefable prent fin" ("Our chantefable is drawing to a close"). The story begins with a song which serves as prologue; and then prose takes up the narrative. It recounts the tale of Aucassin, son of Count Garin of Beaucaire, who so loved Nicolette, a Saracen maiden, who had been sold to the Viscount of Beaucaire, baptized and adopted by him, that he had forsaken knighthood and chivalry and even refused to defend his father's territories from enemies. Accordingly, his father ordered the Viscount to send Nicolette away, but instead the Viscount locked her in a tower of his palace. Aucassin is imprisoned by his father to prevent him from going after his beloved Nicolette. But Nicolette escapes, hears Aucassin lamenting in his cell, and comforts him with sweet words. She flees to the forest outside the gates, and there, in order to test Aucassin's fidelity, builds a rustic home to await his arrival. When he is released from prison Aucassin hears from shepherd lads of Nicolette's hiding-place, and seeks her bower. The lovers, united, resolve to leave the country. They board a ship and are driven to the (fictional) kingdom of "Torelore", whose king they find in child-bed while the queen is with the army. After a three years' stay in Torelore they are captured by Saracen pirates and separated. The wind blows Aucassin's boat back to Beaucaire - where he succeeds to Garin's estate. Meanwhile another wind carries Nicolette to "Cartage" (perhaps a play on Carthage or Cartagena). The sight of the city reminds her that she is the daughter of its king. She informs the king and soon it is planned that she should marry a Saracen king. She avoids this by disguising herself as a minstrel. She then sets sail for Beaucaire to rejoin her beloved Aucassin. There, before Aucassin who does not immediately recognize her, she sings of her own adventures and the love between them. Finally, in due time she makes herself known to him, and the two marry. The story ends by saying that now the two have found (lasting) happiness the narrator has nothing left to say. Sixth Edition (Limited, consisting of 925 copies).

One of 250 Large Paper copies of the second edition. Title coin vignette on china. 1 vols. 8vo. NCBEL 3: 1441 Original dark blue cloth, spine lettered and ruled in gilt, gilt rules on covers. Some light rubbing of cloth, light offsetting from tissue onto title, else a very good copy from the library Charles Bain Hoyt with bookplate Title coin vignette on china. 1 vols. 8vo One of 250 Large Paper copies of the second edition.

Softcover. Limited edition 811/1500. Octavo, Two volumes in portfolio and slipcase (xxix, 308 ; 376 pages). In Good minus condition with a Good minus portfolio inside a Fair slipcase. Slipcase and portfolio in green marbled paper. Slipcase has edge wear, with long tear to top edge. Portfolio has title label on spine, wear to hinges, toning to spine, spotting to interior. Spine is green with black print on title label. Dust jackets wrapped in cellophane. Text blocks have spotting to edges, deckle edges, large owner stamp on front endpapers, intermittent spine breaks. Illustrated with b&w frontispieces and plates. Signed ink ink by the illustrator on the limited edition page. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Column C. 1372052. FP New Rockville Stock.

Soft cover. Zustand: Good. 1st Edition. Publisher's brown suede with embossed cover design. 8vo. 91pp. Velvet-lined inside covers. Copy #68 of 100 copies illumined by hand and signed by Elbert Hubbard and by the illuminator Anna Paine. A scarce and early limited Roycroft title with a variant cover not repeated in the trade edition. A good to very good copy with some light rubbing and wear to the covers. The spine is a bit rubbed and worn with some chipping at the tips. The spine lettering appears to be highlighted in faint white. The endsheets have some light soiling else the text is very good and clean.

Hard Cover. LIMITED EDITION: No 29 of only 50 copies on Japan paper. Octavo, pp. 152. Decorative title page, head- and tail-pieces and initials by Selwyn Image. Scarlet stiff vellum paper wraps, yapp edges and gilt titles to spine. Spine very slightly sunned; boards very lightly surface soiled and faintly creased. Printed bookplate of Paul H Kelly to front paste-down; no annotation or inscriptions. A Very Good copy. Translated from the edition of the Abbe J.J. Bourasse, Tours, 1858.

Hardcover. Zustand: Good. W. Russell Flint (illustrator). 315 pages. No. 155 of 530 copies. cream cloth boards unmarked. endpapers tanned. rough cut text edge show some foxing. publisher's prospectus tipped in.A substantial, impressive volume, in bevelled lin en boards measuring 11.5 x 9.5. With gilt moroccan labels on the spine. Top Edges Gilded. Text on handmade watermarked laid English paper with deckle edges.

Zustand: Good. 2 volumes. [36], 92, [4] pp & [x], 28, [4] pp. 20 mounted color plates by W. Russell Flint with printed tissue guards. (4to) original linen-backed pale blue boards, paper labels on spines and covers, top edges gilt, printed dust jackets. No. 160 of 500 copies.Original set on Riccardi hand-made paper. Gotham Book Mart ticket to volume 1 rear pastedown.OCLC Number / Unique Identifier:328106379: Each volume has a separate title page.Collation: v.1: xxxv, 92 p., 1 l., 15 leaves of plates (col. & mounted) incl. front. v.2: xii, 28 p. 1 l., 5 leaves of plates (col. & mounted) incl. front."Of this Edition of Theocritus, Bion and Moschus, have been printed in the Riccardi Fount on handmake Riccardi Paper 500 copies; upon Vellum 12 copies, of which 10 are for sale. In two volumes."--v.1, prelim."Of the engraved Title-page, the lettering has been designed by Edith M. Engall, and the central ornament by W. Russell Flint."--v.1, prelim Plates accompanied by guard-sheets with explanatory letter-press printed in redRiccardi Press printing device on one of the last fly-leaves; Riccardi Press watermark also visible on same page.Condition:Jacket spine and edges sunned, some tape repairs, volume paper labels foxing, light shelfwear; some rare minor foxing in volume; near fine in good jackets.