Kovacs andrás (72 Ergebnisse)

Soft cover. Zustand: Very Good. Very good copy in softcover. Light wear at fore-edge. White spine with black titles.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Illustrierter Hardcover. Zustand: Sehr gut erhalten. 85 S. Size: 190 g. Buch.

Paperback. Very good. 211 pp.

Hardcover/gebunden. Zustand: leichte Gebrauchsspuren. Ungarisch / Deutsch / Englisch / Französisch Illustr. Pappeinband - SOFORTVERSAND AUF RECHNUNG! Ein schönes, sauberes Exemplar - fast wie neu - Internationaler Versand In deutscher Sprache. 85 S. 8°.

Zustand: New. 2013. Paperback. Series: Directors' Cuts. Num Pages: 256 pages, 25. BIC Classification: APFB; APFR. Category: (P) Professional & Vocational. Dimension: 233 x 158 x 12. Weight in Grams: 326. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. illustrated edition. 432 pages. 9.50x6.25x1.25 inches. In Stock.

Zustand: New. In English.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. A study of European art cinema's postwar heyday. This book presents an argument that cinematic modernism was not a unified movement. It traces the emergence of art cinema as a historical category. It explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Series: Cinema and Modernity. Num Pages: 432 pages, 102 halftones. BIC Classification: 1D; 3JJPG; 3JJPK; APFA. Category: (P) Professional & Vocational. Dimension: 228 x 153 x 26. Weight in Grams: 606. . 2008. Paperback. . . . . Books ship from the US and Ireland.…

Zustand: New. pp. 371.

Paperback. Zustand: Brand New. 384 pages. 9.29x6.54x0.87 inches. In Stock.

Zustand: New. In English.

Paperback. Zustand: Brand New. 183 pages. 9.25x6.25x0.75 inches. In Stock.

420x165mm, 195pages, photos n/b, Bel exemplaire. Envois Europe : TVA inclus dans montant final. Exceptions taxes postales locales à la charge de l'acheteur (~2 EUR). Si nécéssaire, contact via notre page d'accueil / Shipping to Europe : VAT included in total amount. Local postal fees apply to buyers in Europe (~2 EUR). Contact us via our homepage if needed.…

Zustand: gut Großformatiges Paperback / leichte Gebrauchsspuren.

Zustand: New. In English.

Zustand: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. illustrated edition. 432 pages. 9.50x6.25x1.25 inches. In Stock.

24 x 16. 494 Seiten. OKart. Ungelesenes, noch in Original-Folie eingeschweisstes Buch. Sprache: Englisch Gewicht in Gramm: 950.

24 x 16. 494 Seiten. OKart. Guter/Sehr guter Zustand. Sprache: Englisch Gewicht in Gramm: 950.

24 x 16. 494 Seiten. OKart. Guter/Sehr guter Zustand. Sprache: Englisch Gewicht in Gramm: 950.

Zustand: NEW.

Rústica. Zustand: Muy Buen estado. Idioma español.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In the last two decades a large amount of previously secret documents on Jewish issues emerged from the newly opened Communist archives. The selection of these papers published in the volume and stemming mostly from Hungarian archives will shed light on a period of Jewish history that is largely ignored because much of the current scholarship treats the Shoah as the end of Jewish history in the region. The documents introduced and commented by the editor of the volume, András Kovács, will give insight into the conditions and constraints under which the Jewish communities, first of all, the largest Jewish community of the region, the Hungarian one had to survive in the time of the post-Stalinist Communist dictatorship. They may shed light on the ways how 'Jewish policy' of the Soviet bloc countries was coordinated and orchestrated from Moscow and by the single countries. The archival material will prove that the ruling communist parties were restlessly preoccupied with the 'Jewish question.' This preoccupation, which kept the whole issue alive in the decades of communist rule, explains to a great extent its open reemergence in the time of transition and in the post-communist period.…

Zustand: New.

Zustand: New. In English.

Zustand: New. A study of European art cinema s postwar heyday. This book presents an argument that cinematic modernism was not a unified movement. It traces the emergence of art cinema as a historical category. It explains the main formal characteristics of modern styles.

Taschenbuch. Zustand: Neu. Neuware - Casting fresh light on the renowned productions of auteurs like Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinema's postwar heyday. Spanning from the 1950s to the 1970s, András Bálint Kovács's encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovács begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernism's origins but also its stylistic, thematic, and cultural avatars, Screening Modernism ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film.…

Taschenbuch. Zustand: Neu. Neuware - The Cinema of Béla Tarr is a critical analysis of the work of Hungary's most prominent and internationally best known film director, written by a scholar who has followed Tarr's career through a close personal and professional relationship for more than twenty-five years. András Bálint Kovács traces the development of Tarr's themes, characters, and style, showing that almost all of his major stylistic and narrative innovations were already present in his early films and that through a conscious and meticulous recombination of and experimentation with these elements, Tarr arrived at his unique style. The significance of these films is that, beyond their aesthetic and historical value, they provide the most powerful vision of an entire region and its historical situation. Tarr's films express, in their universalistic language, the shared feelings of millions of Eastern Europeans.…