kirwan patrick (13 Ergebnisse)

paperback. Zustand: Very Good. Halloween Horrors: 13 Tales of Terror (Anthologies of Terror) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Zustand: Good. SIGNED BY PATRICK KIRWAN - Octavo, black cloth titled & decorated in gilt. Unpaginated. There is very light staining to the endpapers & preliminaries. Good. Number 216 of 250 copies numbered and signed by the author.From the library of pressman Fridolf Johnson with his book label on the front pastedown.A title in the Grayson Books series edited by John Hackney and made and printed by The Garden City Press Ltd., Letchworth, Herts., U.K.

paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Very Good. 1922. Hardcover. Very good copy in good dustwrappers. DW has light shelf wear. In Mylar, remains very good. . . . . Books ship from the US and Ireland.

Zustand: Very Good. 1922. Hardcover. Very good copy in good dustwrappers. DW has light shelf wear. In Mylar, remains very good. . . . .

tapa dura. Zustand: Bien. Geografía de Oceanía y de las regiones polares (919.8/.9) Luis de Caralt. Barcelona. 1965. 22 cm. 401 p., 3 h. lám., map. Encuadernación en tapa dura de editorial con sobrecubierta ilustrada. Colección 'Colección "Cultura Historica"'. Versión de Ramón Margalef Llambrich. Regiones polares. Historia . Sobrecubierta deslucida. (=3310137=) LD168.

Vintage studio still photograph from the 1937 film. With one provenance stamp on the verso. A group of British soldiers who just finished their tour in India are told they are going to be immediately redeployed. 10 x 8 inches. Near Fine.

Hardcover. Zustand: Near fine. Dust Jacket Included. First Edition. London, Grayson & Grayson, 1935 (first edition). Octavo, [64] pages (last 3 blank). Black cloth lettered and decorated in gilt; top edge dyed green, others uncut; boards slightly bowed; a near-fine copy with the very good unclipped dustwrapper (with slight loss to silverfish to the front panel). Number 155 of only 285 copies signed by the author. The sixth book in the Grayson Books series, edited by John Hackney.

Shooting script for the 1958 British film. Annotation in manuscript ink of copy number "64" on front wrapper. Laid in are two loose pink revision pages and 36 bound pink revision pages. Based on the 1957 novel by Catherine Cookson. John Gregson, in a memorable performance, stars as Dublin trash collector James Ignatius Rooney, who competes as a Gaelic sportsman on the weekends. Set in and shot on location in Dublin, Ireland. Tall blue titled wrappers, noted as SHOOTING SCRIPT on the front wrapper. Title page present, dated 13th August, 1957, with credits for author Catherine Cookson and screenwriter Patrick Kirwan. 113 leaves, with last page of text numbered 112. Mimeograph duplication, rectos only, with pink revision pages laid in, one undated, one dated 21.11.57 and 36 dated 2.9.57. Pages Near Fine, wrapper Very Good with chipping, closed tears, and creasing at the extremities and spine, bound with prong binding. Loose revision pages Very Good plus, with toning and creasing at outer edge. Bound revision pages with some creasing to first leaf else Near Fine, bound with a single flat metal brad.

First edition, first printing. Signed by the author. Limited editions. Complete in twelve volumes. Publisher's original cloth, each with an unique design in gilt to the upper board and titles in gilt to the spine, in dustwrapper. Each volume with a frontispiece illustration. Volume 1, H. E. Bates: The Duet. Numbered 95 of 285 copies. Black cloth. Illustrated with line drawings within the text. A very good or better copy, just a couple of foxing spots to the prelims, in a very good dustwrapper that is toned to the spine and nicked and creased at the edges; Volume 2, A. L. Pavey: At Home. Numbered 68 of 285 copies. Brick red cloth. A very good copy, a few spots of foxing to the prelims and text block edge, the dustwrapper toned to the spine and nicked and creased at the edges; Volume 3, Rhys Davies: One of Noah's Early Days. Numbered 71 of 285 copies. Dark grey cloth. A very good copy with light spotting, the dustwrapper toned to the spine and nicked and creased at the edges; Volume 4, John Collier: Variation on a Theme. Numbered 34 of 285 copies. Green cloth. A very good copy, spotted to the prelims, the dustwrapper toned, nicked and chipped at the spine, the edges a little nicked and creased; Volume 5, John Hampson: Man About the House. Numbered 5 of 285 copies. Grey cloth. A near fine copy, faintly spotted to the prelims, the dustwrapper toned to the spine and a little nicked and creased to the edges; Volume 6, Patrick Kirwan: The Life and Death of St. Herbault. Numbered 39 of 285 copies. Black cloth. A near fine copy, the prelims with faint spotting, the dustwrapper toned to the spine and a little nicked and creased at the edges; Volume 7, H. A. Manhood: Maiden's Fury. Numbered 3 of 285 copies. Pink cloth. A very good or better copy, with some spotting to the prelims, the dustwrapper toned to the spine and with a few closed tears and some creasing to the edges; Volume 8, James Hanley: At Bay. Numbered 38 of 285 copies. Blue cloth. A very good or better copy, with some spotting to the prelims, the dustwrapper toned to the spine and with a few closed tears and some creasing to the edges; Volume 9, Arthur Calder-Marshall: A Pink Doll. Numbered 9 of 285 copies. Pink cloth. A very good copy, with some spotting to the prelims, the dustwrapper toned to the spine and with a few closed tears and some creasing to the edges; Volume 10, Seàn O'Fàolain: There's a Birdie in the Cage. Numbered 13 of 285 copies. Green cloth. A very good or better copy, with some spotting to the prelims, the dustwrapper with a few nicked to the somewhat toned spine; Volume 11, Graham Greene: The Bear Fell Free. Numbered 7 of 285 copies. Greyish brown cloth. A very good copy, with some spotting to the prelims, the dustwrapper toned to the spine and with a few nicks and closed tears to the edges and fold corners; Volume 12, T. F. Powys: Make Thyself Many. Numbered 1 of 285 copies. Blue cloth. A very good or better copy, with some spotting to the prelims, the dustwrapper toned and with some creasing to the head of the spine. Each volume is signed by the author on the limitation page. The 12 titles in the Grayson Books series were issued in a limited edition of 285 copies, of which 250 were for sale to the public. All books feature an original work of short fiction and were published in 1935. The series was edited by John Hackney. It is uncommon to encounter a complete set. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Limited Edition. The Complete Grayson Books Series. London: Grayson and Grayson, 1935. Edited by John Hackney. Limited numbered first editions, all signed by the respective author. Twelve Volumes. Octavo. Publisher's cloth stamped in gilt; original illustrated dust jackets. Minor edgewear, head and foot of spines pushed. Endpapers illustrated with publisher's device; some foxing. Internally generally clean and tight; scattered foxing and light soiling, text block edges toned and foxed with minor wear. Dust jackets with minor to moderate edgewear with some losses, chipping to head and foot of spines with some losses, spines sunned, scattered foxing. Very good to near fine books with very good dust jackets. John Hampson. Man About the House. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 122, signed by the author. Graham Greene. The Bear Fell Free. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 152, signed by the author. Seán O'Fáolain. There's a Birdie in the Cage. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 153, signed by the author. H.A. Manhood. Maiden's Fury. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 127, signed by the author. T. F. Powys. Make Thyself Many. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 151, signed by the author. L. A. Pavey. At Home. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 179, signed by the author. Patrick Kirwan. The Life and Death of St. Herbault. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 125, signed by the author. John Collier. Variation on a Theme. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 143, signed by the author. H. E. Bates. The Duet. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 193, signed by the author. Arthur Calder-Marshall. A Pink Doll. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 234, signed by the author. Rhys Davies. One of Norah's Early Days. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 155, signed by the author. James Hanley. At Bay. London: Grayson & Grayson, 1935. Limited first edition of 285 copies of which this is number 219, signed by the author. Signed by Author(s).

Paperback. Zustand: Good. Large tall 4to. Thin card folder with a typesscript held by string at the to punched holes of the spine. 14 inches by 8. 24 recto pages, headed 'Dialogue Sheets' i.e. the dialogue of the film without scenes or directions. The script pages are clean and sound, the buff covers is somewhat used and chipped with the title written in ink on the front. The 1940 movie directed by Walter Summers was based on the book Edgar Wallace - it tells the story of Scotland Yard inspector Larry Holt (Hugh Williams) who is asked to investigate the case of five bodies that have been found in The Thames apparently drowned, during the last eight months, The investigation takes him to the Greenwich Insurance Co with whom many of the dead held policies. This is run by Feodor Orloff (Bela Lugosi), a former doctor who was driven out of his profession and deemed insane by many of his colleagues. Clues lead Holt to Dearborn's Home for the Destitute Blind where each of the policy holders have made charitable donations upon Orloff's request. There Holt comes to believe that each policy holder is being murdered for their money.

Draft script for the 1959 film, seen here under the working title "The Big Birthday." Copy belonging to producer Alec Snowden, with his name in manuscript ink on several leaves, and his extensive annotations in manuscript pencil and ink on virtually every page (and many page versos as well). Bound in before and after the script are approximately 50 production documents, including crew contact sheets, shooting schedules, post-production notes, and documents regarding soundtrack. Laid in with the script is a promotional booklet for Ireland-based production studio Ardmore Studios. Based on Hugh Leonard's 1956 play "The Big Birthday," about a BBC producer's troubled attempts to make a documentary about an Irish supercentenarian's upcoming birthday. Actor Barry Fitzgerald's final film. Set in Ireland. Housed in a tall blue spring binder. Lacking title page, presumably as issued. 96 leaves, with last page of text numbered 82. Mimeograph duplication, rectos only, with green revision pages throughout, dated variously between July 12, 1958, and July 30, 1958. Pages Near Fine, binder Very Good plus.