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Verlag: Bloomsbury Publishing Plc, 1969
ISBN 10: 0485111039ISBN 13: 9780485111033
Anbieter: Better World Books, Mishawaka, IN, USA
Buch Erstausgabe
Zustand: Good. 1st. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Verlag: Cambridge University Press, 2010
ISBN 10: 0521135540ISBN 13: 9780521135542
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
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Mehr entdecken Softcover
Verlag: Oxford Univ. Press
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Zustand: Used - Very Good. 1969. Hardcover. Cloth, d.j., in an acetate cover. Some shelf-wear. Else clean copy. Very Good.
Verlag: Liverpool University Press, 1999. 0853235538, 1999
ISBN 10: 0853235538ISBN 13: 9780853235538
Anbieter: Rothwell & Dunworth (ABA, ILAB), Dulverton, Vereinigtes Königreich
Buch
8vo. Original pictorial card covers (softback) (Fine). Pp. 333 (no inscriptions).
Verlag: London: The Athlone Press, 1969
Anbieter: BookLovers of Bath, Peasedown St. John, BATH, Vereinigtes Königreich
Hardback in Dust Wrapper. Hardback in dust wrapper (black boards with gilt titling to the spine) Physically 8¾" x 5¾" (0.8 kg); (viii) 284pp; Index; Bibliography; || The book is on my shelves and will be carefully packed and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and my beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the bookshop Jack Russells get their supper! My Book #190173|| Condition: Very Good in Good Dust Wrapper. A little rubbing to the edges of the dust wrapper, nicked at the foot of the lower panel. Text complete, clean and tight.
Verlag: Oxford University Press, New York, 1969
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First edition. Octavo. 284pp. Light offsetting on endpapers, topedge foxed, near fin a near fine lightly age-toned dust jacket with short tear on spine head.
Verlag: Laurence King Verlag GmbH, 2018
ISBN 10: 3962440011ISBN 13: 9783962440015
Anbieter: medimops, Berlin, Deutschland
Buch
Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Verlag: Faber & Faber 2017-11-02, London, 2017
ISBN 10: 0571338585ISBN 13: 9780571338580
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
hardback. Zustand: New. Language: ENG.
Verlag: London The Athlone Press, Universty of London 1969, 1969
ISBN 10: 0485111039ISBN 13: 9780485111033
Anbieter: Chaucer Bookshop ABA ILAB, Canterbury, Vereinigtes Königreich
Buch Erstausgabe
FIRST EDITION 8vo. clothbound hardback in price-clipped dust jacket. 284pp. A clean copy with no previous owners' markings or inscriptions. Light foxing to prelims. Light edgewear and soiling to dust jacket. Overall VG in Good+ dust jacket. (Shelf 75) ISBN: 0485111039 PLEASE NOTE: Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.
Verlag: Cambridge Cambridge University Press 1986, 1986
ISBN 10: 0521324564ISBN 13: 9780521324564
Anbieter: Chaucer Bookshop ABA ILAB, Canterbury, Vereinigtes Königreich
Buch Erstausgabe
FIRST EDITION 8vo. hardback with dust jacket. 225pp. A clean copy with no previous owners' markings or inscriptions. Dust jacket has not been price-clipped. Very slight foxing to foredge. Very slight soiling to dust jacket. VG/VG. (Shelf 6/73) ISBN: 0521324564 PLEASE NOTE: Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.
Verlag: Laurence King Publishing, 2022
ISBN 10: 1913947874ISBN 13: 9781913947873
Anbieter: moluna, Greven, Deutschland
Buch
Brettspiel. Zustand: New. Über den AutorJoseph Brooker is Professor of Modern Literature in the Department of English, Theatre and Creative Writing at Birkbeck, University of London, with a specialism in Modernism and Irish writers.Michael .
Amsterdam/Den Haag, Gemeentemuseum, 2007. 79 pp. Col. ills. Orig. hardcover.
Verlag: Aschenbach & Hofland Galleries, 2007
ISBN 10: 905330567XISBN 13: 9789053305676
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Buch
Hardcover. Zustand: Sehr gut. 79 p.: Ill., Supplement. Lediglich der Einband ist leicht berieben. Sonst aber ein sehr gutes und sauberes Exemplar/ Only the binding is minimally rubbed. Otherwise, however, a very good and clean copy. - In a world in which film and television is ubiquitous, illusionist spaces present themselves predominantly as animated and thus as narrative. Everything moves, or can start moving. Everything lives, or belongs to the domain of the living. Everything relates to everything, or can be related to something else. It is this implied interaction between human beings and objects that imposes a narrative coherence to almost any form of illusionist space. It is especially in contrast with this "hysterically" animated world that the paintings of Michael Kirkham induce an uncanny experience. Again and again we question to what extent his illusionist spaces actually are animated. Are the figures we see represented in his paintings supposed to be human beings? Or are they puppets or automatons, comparable to the puppet Olympia in the famous story "The Sandman" by E.T.A. Hoffmann? Are the eyes of the figures supposed to see something, or are their gazes empty and their eyes of glass? It is precisely this ambiguity in Kirkham's work that makes us think of the work of the German artist Oskar Schlemmer or the English artist L.S. Lowry. But our hesitance or uncertainty is not restricted to the ambiguity between alive and lifeless. In most of the early paintings, the space in which the figures are situated is highly undefined. Although we see pieces of furniture such as a bed or a couch, it usually remains rather unclear whether we are confronted with an interior or an outside space. In the rare cases that we see more than one figure represented in a painting, it is a so not really clear whether something is or has been going on between them. In e.g. Couple on Bed (Sleeping) 2001 as well as in Couple on Bed 2001 we see a naked man next to a naked woman. Inclined as we are to read situations like these as narrative, we tend to think of a couple having just made love. But looking more carefully, we realize that nothing in the painting indicates that the man and the woman have been involved with each other. We simply see them lying or sitting next to each other. Is this a genre painting, comparable to a love scene by Fragonard or Boucher? Or should we see these paintings as still lifes: two bodies on a bed? The ambiguities in Kirkham's work imply more than a lack of clarity or an arbitrary possibility of choice. They cause a feeling of discomfort, of anxiety, or even of threat. It is because of this "gloomy" effect that the expression "uncanny" is so adequate to describe the impression these works leave on the viewer. Sigmund Freud, in his profound analysis of the uncanny experience, mentions some situations that almost literally fit the paintings of Kirkham.1 He mentions wax sculptures, puppets and automatons as case in which it is not clear for viewers whether they are seeing something alive or dead. But he also mentions epileptic fits or certain fits of madness as events that create the impression that a mechanical or automatic process is occurring behind the usual mental activity. In literature such as gothic stories it is usually haunted houses where the uncanny is experienced. Inside the intimate and safe space of the home, events happen which suggest the presence of an alien force or person. However, Freud comes to the conclusion that what imposes itself as strange or alien is in fact not strange at all. It is not unknown, but rather something that is familiar and known that has been repressed. ISBN 9789053305676 Sprache: Englisch Gewicht in Gramm: 782.
Verlag: University of Chicago Press 2014-02-11, Chicago, Illinois, 2014
ISBN 10: 022607918XISBN 13: 9780226079189
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
hardback. Zustand: New. Language: ENG.