King anthony (721 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Fair. 2nd. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Acceptable. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good.

Paperback. Zustand: Very Good.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardback. Zustand: Good. From the poll tax to ID cards, a groundbreaking look at three decades of outrageous political mishaps.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. I just got off the sunset train I'm from the Angel Town The Golden West Los Angeles Where the sun shines all year round I left a girlie back there She's the sweetest girl I know She said 'Goodbye' I'll wait for you In the Land of the Bungalow from In the Land of the Bungalow by George F. Devereux (1929) The bungalow, in all its various forms, has existed since the early seventeenth century. From its origin as a Bengalese hut, or banggolo, made of mud, thatch, and bamboo, to later developments as a one-story structure surrounded by a colonnaded veranda, and the subtle permutations exhibited in designs such as the Frank Lloyd Wright style prairie house, the bungalow has become one of the most frequently adapted house forms throughout the world and the most popular home style in the United States. It is probably the only dwelling that, in both name and form, exists on every continent (the word bungalow has entered over twenty languages). The first work of its kind, this richly illustrated volume takes readers on an intriguing tour of the cultural history of the bungalow, from its inception as a peasant's simple dwelling place to its present day incarnation as a much-loved suburban home looked upon with affection and pride. Here, in investigating its origins in India, and subsequent development in Britain, North America, Africa, Australia, and continental Europe, Anthony D. King explores the historical forces which, in producing the bungalow, also shaped the modern world: colonialism and industrialization, capitalism and socialism, urbanization and suburbanization. He argues that a global culture of architectural form can be identified with the bungalow, one which accords with the development of our international, capitalistic, and urban culture, and that the bungalow was one of, if not the first, common house types of this culture. In turn, King demonstrates the bungalow's varied manifestations throughout the world: in North America, for exampl, the bungalow illustrates the relationship between ideology and environment, while in Britain we see the role of class interests in shaping town and country planning, and in Africa and India the bungalow reveals the way in which an international market economy can transform the housing and lifestyle of an urban bourgeoisie. Offering the definitive history of a popular house form, this fascinating work provides an engaging look at the ubiquitous bungalow and the social, political, and cultural forces that produced it. Indeed, as this unique book shows, one might expect to hear a happy bungalow owner (whether from a bohemian summer bungalow in the woods of Vancouver or a family home in the suburbs of Jacksonville, Florida) singing a bungalow tune: Far from the city, Somehow it seems, We're sitting pretty in, Our bungalow, Of dreams.…

Paperback. Zustand: Fair. I just got off the sunset train I'm from the Angel Town The Golden West Los Angeles Where the sun shines all year round I left a girlie back there She's the sweetest girl I know She said 'Goodbye' I'll wait for you In the Land of the Bungalow from In the Land of the Bungalow by George F. Devereux (1929) The bungalow, in all its various forms, has existed since the early seventeenth century. From its origin as a Bengalese hut, or banggolo, made of mud, thatch, and bamboo, to later developments as a one-story structure surrounded by a colonnaded veranda, and the subtle permutations exhibited in designs such as the Frank Lloyd Wright style prairie house, the bungalow has become one of the most frequently adapted house forms throughout the world and the most popular home style in the United States. It is probably the only dwelling that, in both name and form, exists on every continent (the word bungalow has entered over twenty languages). The first work of its kind, this richly illustrated volume takes readers on an intriguing tour of the cultural history of the bungalow, from its inception as a peasant's simple dwelling place to its present day incarnation as a much-loved suburban home looked upon with affection and pride. Here, in investigating its origins in India, and subsequent development in Britain, North America, Africa, Australia, and continental Europe, Anthony D. King explores the historical forces which, in producing the bungalow, also shaped the modern world: colonialism and industrialization, capitalism and socialism, urbanization and suburbanization. He argues that a global culture of architectural form can be identified with the bungalow, one which accords with the development of our international, capitalistic, and urban culture, and that the bungalow was one of, if not the first, common house types of this culture. In turn, King demonstrates the bungalow's varied manifestations throughout the world: in North America, for exampl, the bungalow illustrates the relationship between ideology and environment, while in Britain we see the role of class interests in shaping town and country planning, and in Africa and India the bungalow reveals the way in which an international market economy can transform the housing and lifestyle of an urban bourgeoisie. Offering the definitive history of a popular house form, this fascinating work provides an engaging look at the ubiquitous bungalow and the social, political, and cultural forces that produced it. Indeed, as this unique book shows, one might expect to hear a happy bungalow owner (whether from a bohemian summer bungalow in the woods of Vancouver or a family home in the suburbs of Jacksonville, Florida) singing a bungalow tune: Far from the city, Somehow it seems, We're sitting pretty in, Our bungalow, Of dreams.…

Paperback. Zustand: Very Good. Representations of the city have typically focused on urban dichotomies such as renewal or decline, poverty or prosperity, and politics or culture. These simplistic portrayals leave many fundamental questions unanswered. What constitutes a city? What images and discourses are used to construct it? What makes city dwellers succeed or fail? Discussing recent visual, architectural and spatial transformations in New York and other major world cities in relation to the themes of ethnicity, capital, and culture, Re- Presenting the City moves between interpretative representations of the newly emerging metropolis and the theoretical and methodological questions raised by the task of representation itself. Contributors from an wide range of backgrounds--urban planning, philosophy, sociology, folklore studies, cultural studies and architecture--reflect on the construction of both the real and the unreal city, the images, metaphors and discourses through which the contemporary city is represented, and the texts which both mediate our experience of, as well as contribute to producing, the city of the future.…