killip chris (65 Ergebnisse)

Zustand: Sehr gut. 456 S. in gutem Zustand, 580 ISBN 9788495273789 Sprache: Englisch Gewicht in Gramm: 1270 Maße: 17.15 cm x 3.18 cm x 21.59 cm Softcover/Paperback.

Soft cover. Zustand: . 1st Edition. Square crown quarto. Pp. 56. Plates. Original pictorial stiff wrappers. In fine condition. ~ FIRST EDITION. Published to coincide with the exhibition in MOMA, 1990. I-6.

hardcover. Zustand: Sehr gut. Gebraucht - Sehr gut SG - Ungelesenes Mängelexemplar, gestempelt, mit leichten Lagerspuren.

Zustand: New. I wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit. Ironically, my stubbornness in trying to avoid lighting would now have its own unexpected rewards. Because of the desperate amount .

Steidl, Göttingen 2006. 86 pages. Orig. cloth with dust wrapper. Very Good+/Very Good+.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

First edition. 38 x 29 cm. 80 unpaginierte S. Illustrierter OLeinen. Sehr gutes Exemplar. Durchgehend mit 72 meist ganzseitigen schwarz-weiß Abbildungen versehen. Text in Englisch. Zeigt überwiegend englische Punks tanzend in Clubs. Sprache: englisch.

Zustand: NEW.

Paperback. Zustand: Near fine in wraps. First Edition. 22 x 27cm 134pp near fine exhibition catalogue featuring black and white plus colour reproductions plus texts.

Buch. Zustand: Neu. Neuware - Late in 2016 Chris Killip's son serendipitously discovered a box of contact sheets of the photos his father had made at The Station, an anarcho-punk music venue in Gateshead open from 1981 to 1985. These images of raw youth caught in the heat of celebration had lain dormant for 30 years; they now return to life in this book. The Station was not merely a music and rehearsal space, but a crucible for the self-expression of the sub-cultures and punk politics of the time. As Killip recollects: 'When I first went to The Station in April 1985, I was amazed by the energy and feel of the place. It was totally different, run for and by the people who went there. Every Saturday that I could, I photographed there. Nobody ever asked me where I was from or even who I was. A 39-year-old with cropped white hair, always wearing a suit, with pockets stitched inside the jacket to hold my slides. With a 4 × 5 camera around my neck and a Norman flash and its battery around my waist, I must have looked like something out of a 1950s B movie. 1985 was just after the miners strike and there was a lot of youth unemployment. Most of the punks at The Station didn't have a job, and this place, run as a very inclusive collective, was so important to them and their self-worth.'.

Zustand: Wie neu. Steidl, Göttingen, 2006. First edition, first printing. Wonderful photobook by the maker of the legendary "In Flagrante" (Martin Secker and Warburg, London, 1988; Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675). Cloth with jacket. 350 x 208 mm. 128 pages. With 50 tritone illustrations. With an essay by Clive Dilnot. Text: english. Condition: Book inside and outside new, mint, unread. Dustjacket with slightest trace of use with no tears or other defects. Overall near mint, like new condition! "I wanted to show the manufacturing process as clearly as I could and to do so in this factory meant it would have to be lit. Ironically, my stubborness in trying to avoid lighting would now have its own unexpected rewards. Because of the desperate amount of time that I had spent there, I knew in a visual way the processes of the factory; the rhythms and cycles of the machines, the movement and steps that the operators had to take, the movement that the processes predetermined for them. I began again, rephotographing the factory using lights, sometimes three or four lights triggered by remote control devices. The main light, the one balanced to light the subject, was often held on a pole by my friend, away from the camera, mimicking the fashion techniques that I knew from my past. I now understood and knew what I wanted to do. The workplace had become, in a real sense for me, a theatre and I embraced the look of these new photographs with their relation to fashion, film noir, and even Soviet realism. For me this 'look' seemed a more telling way to record and document this enforced ritual."***************Steidl, Göttingen, 2006. Erstausgabe. Originalausgabe. Wunderschönes Fotobuch vom Macher des legendären "In Flagrante" (Martin Secker and Warburg, London, 1988; Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675). Hardcover mit Schutzumschlag. 350 x 208 mm. 128 Seiten. Mit 50 Fotos in schwarz-weiss. Mit einem Essay von Clive Dilno. Text: englisch. Zustand: Buch innen wie aussen neu, ungelesen, verlagsfrisch. Schutzumschlag mit nur leichtesten Gebrauchsspuren, aber ohne Mängel wie Risse. Insgesamt sehr guter, nahezu neuwertiger Zustand! "Ich wollte den Herstellungsprozess so genau wie möglich darstellen und in einer Fabrik bedeutet das, dass diese entsprechend beleuchtet sein müsste. Meine Starrsinn, der mich immer dazu veranlasst hat, künstliche Beleuchtung zu vermeiden, zahlte sich hier, ironischerweise, endlich aus. Ich verbrachte soviel Zeit in der Fabrik, dass ich die Abläufe, zumindest visuell, verinnerlichte: Der Rhythmus der Maschinen, die genauen Schritte, die deren Betreiber einhalten muss, zu denen sie von dem Prozess gezwungen wurden. Später fotografierte ich die Fabrik erneut, diesmal unterstützt durch künstliche Lichtquellen, manchmal drei oder vier ferngesteuerte Lampen zur gleichen Zeit. Das Licht, das zur Ausleuchtung des Hauptmotivs genutzt wurde, wurde oftmals von einem Freund an einem Stab weg von der Kamera gehalten, wie in den Modefotografien, die ich früher gemacht habe. Jetzt verstand ich, was ich tat. Auf eine gewisse Art hatte sich die Werkstatt in ein Theater verwandelt und ich nahm die Bilder dementsprechend auf, in der Tradition von Mode, Film Noir oder auch sowjetischem Realismus. Für mich funktioniert dieser "Look" perfekt als Dokumentation und Zeugnis dieser erzwungenen Rituale." (Chris Killip) Sprache: Englisch Gewicht in Gramm: 1600.

First edition. Hardcover. First printing. 88 pages. Text in English. Introduction by Chris Killip. Essay by Clive Dilnot. Attractive collection of black and white photographs. A very fine copy in very fine dust jacket. As new and still in the publisher's shrinkwrap.

First edition. Softcover. 62 pages. January 1971. Cover by Douglas Faulkner. Features images by Sol Mednik, Chris Killip, Axel Kayser, Alexander Van Pieterson, Marc Ghusoland, Karl-Rainer Muller, Douglas Faulkner. A clean very near fine copy in wrappers.

First edition. Softcover. February 1970. Photographers in this issue include: Bruce Forster, Clive Barda, Van Deren Coke, Chris Killip, David Hoffman, and Paul Hill. A near fine copy in stapled wrappers with some light wear.

Softcover. Zustand: Fine. First edition. Quarto (10-1/4" x 9"). 56pp. Illustrated with photographs (some in color). A fine, as new copy still in publisher's original shrinkwrap. The five artists whose works are illustrated in this catalogue, Chris Killip, Graham Smith, John Davies, Martin Parr, and Paul Graham, are representative of a new approach to social documentary photography. (OCLC) Contents: British photography from the Thatcher years / by Susan Kismaric -- Plates: Chris Killip -- Graham Smith -- John Davies -- Martin Parr -- Paul Graham -- Selected exhibitions and bibliographies. (OCLC) Note: "Published on the occasion of the exhibition "British photography from the Thatcher years" . the Museum of Modern Art, New York, February 14-April 28, 1990"--Title page verso/ "Selected exhibitions and bibliographies": pages 48-55.

26*23 cm. OBroschur. 56 S. Einband leicht berieben und leicht bestossen. Deckel leicht gewölbt. Sonst gut. L27-4 Sprache: Englisch Gewicht in Gramm: 450.

First edition. Softcover. January 1972. This issue feaures black and white images by Erich Salomon and Jim Arnould. Also includes images from Leonard Freed's work in Germany and Chris Killip's work on the Isle of Man. A near fine copy in stapled wrappers with some very minor wear.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 2nd Edition. Killip's seminal collection of photographs of the Lynemouth seacoal beach community. First published to accompany exhibitions at the Museum fur Photographie Braunschweig and the GwinZegal. 111 pages, illustrations. Second edition, 2015. Black cloth boards, unclipped dust jacket (now in a removable protective sleeve). No inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

First edition and first printing. Hardcover. 88 pages. Text in English. Introduction by Chris Killip. Essay by Clive Dilnot. Attractive collection of 50 tritone illustrations. A fine copy in a very near fine dust jacket. Signed and inscribed by Killip.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Well-illustrated catalogue published to accompany an exhibition at Museum Folkwang, 4 February - 15 April 2012. 137 pages, illustrations. Text in German and English. First edition, first printing. Grey cloth boards, unclipped dust jacket (now in a removable protective sleeve). Minimal shelf wear to jacket edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Hardcover. Zustand: Good. 2nd Edition. Steidl reprint of this seminal work by the renowned photographer, Chris Killip. The book is in good condition, but small tear to rear dust jacket. Quite a large book, so might incur supplementary charges for any overseas delivery.

Zustand: Good. Good; Softcover; Moderate overall wear to the covers with a few light scratches and thumb-creases; Moderate wear to the covers; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (11.75" - 12.75" tall); White covers with black & white photo-illustration & title in black lettering; 1988, Martin Secker & Warburg Ltd; 90 pages; "In Flagrante," by Chris Killip.

Gebunden. Zustand: New. A collection of photographs by Chris Killip, taken over repeated trips to Ireland between 1993 and 2005, that convey the dedication and community of the modern pilgrims journey as they make their way across shingled mountainsides to take part in age-old rit.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Fine copy in oblong hardcover with fine jacket. Signed by Killip on half-title page. Signed by Author(s).

Zustand: Good. Good++; Softcover; First paperback edition; Covers are clean and glossy with a few light scratches and light handling-marks; Clean textblock edges; Name on the front endpaper, otherwise endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (11.75" - 12.75" tall); White covers with black & white photo-illustration & title in black lettering; 1988, Martin Secker & Warburg Ltd; 90 pages; "In Flagrante," by Chris Killip.

First edition and first printing. Oblong hardcover. 96 pages. A collection of images from Killip taken on numerous trips to Ireland between 1993 and 2005. Includes 121 images with 78 in color with this marking the first publication of his color photographs. A fine copy in a fine dust jacket. Signed by Killip on the title page. Uncommon as such.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. ex-library hardback with dust jacket in protective sleeve, binding open in places but intact, usual library stamps/markings, otherwise good clear text/illustrations. In Flagrante by Chris Killip with ah essay by John Berger & Sylvia Grant, 96pp, 50 b&w photograhs all free from library stamps, 1sr edition published 1988 by Martin Secker & Warburg, isbn0436233584, this book of fifty photographs by one of Europe's most outstanding and uncompromising photographers, this view of Britain in the eighties reflects the stark reality of industrial society in decline, the essay which follows the photographs is the result of an unique and remarkable collaboration between John Berger and Sylvia Grant, weighing 1kg & measuring 260x310x15mm, ready for immediate despatch from UK. MS2A*.

First edition thus. Hardcover. A newly formated and larger version of Killip's classic book "In Flagrante" which was first published in 1988. The original edition was included in Parr and Badger's "The History of the Photobooks Volume Two" on page 299. Includes 50 black and white images. A fine copy in black cloth boards and in a fine dust jacket. Signed by Killip on the title page. A lovely copy.

Zustand: Very Good. Very Good; Softcover; Covers are clean and glossy with just a few light scratches and handling-marks; Unblemished textblock edges; The endpapers and text pages are all clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (11.75" - 12.75" tall); 1.4 lbs; White covers with black & white photo-illustration & title in black lettering; 1988, Martin Secker & Warburg Ltd; 90 pages; "In Flagrante," by Chris Killip.

Thames & Hudson, London 2009. 996 pages. Orig. cloth without dust wrapper. Very Good+.