kelley jayne (16 Ergebnisse)

softcover. Zustand: Fine copy in fine dust jacket. Profusely illustrated (illustrator). 1st. 8vo, 300 pp.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Zustand: New. **PAPERBACK**.

Zustand: New. In.

Paperback. Zustand: Brand New. new edition. 136 pages. 11.75x8.25x0.87 inches. In Stock.

175 S. Kartoniert. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: eng.

Zustand: New. 2023. New. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: Good. 8vo. 298 pp. Soft printed color wraps with built-in printed orange dustjacket. Good with marginal chipping along dustjacket spine. Color plates. First edition.

Zustand: New. A visual and textual exploration of softwood timber-framed construction in the United States since 1832, highlighting also how this quintessentially American type of construction has come to dominate the USA s built landscape and erased typological and soci.

Taschenbuch. Zustand: Neu. Neuware -From its origins in the Midwest in the early nineteenth century, the technique of light timber framing-also known at the time as 'Chicago construction'-quickly came to underwrite the territorial and ideological expansion of the United States. Softwood construction was inherently practical, as its materials were readily available and required little skill to assemble. The result was a built environment that erased typological and class distinctions: no amount of money can buy you a better 2 x 4. This fundamental sameness paradoxically underlies the American culture of individuality, unifying all superficial differences. It has been both a cause and effect of the country's high regard for novelty, in contrast with the stability that is often assumed to be essential to architecture.GVA Gemeinsame Verlagsauslieferung Göttingen GmbH & Co. KG, Postfach 2021, 37010 Göttingen 252 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware - From its origins in the Midwest in the early nineteenth century, the technique of light timber framing-also known at the time as 'Chicago construction'-quickly came to underwrite the territorial and ideological expansion of the United States. Softwood construction was inherently practical, as its materials were readily available and required little skill to assemble. The result was a built environment that erased typological and class distinctions: no amount of money can buy you a better 2 x 4. This fundamental sameness paradoxically underlies the American culture of individuality, unifying all superficial differences. It has been both a cause and effect of the country's high regard for novelty, in contrast with the stability that is often assumed to be essential to architecture. American Framing is a visual and textual exploration of the social, environmental, and architectural conditions and consequences of this ubiquitous form of construction. For architecture, it offers a story of an American project that is bored with tradition, eager to choose economy over technical skill, and accepting of a relaxed idea of craft in the pursuit of something useful and new-the forming of an architecture that enables architecture. ; Ein 1832 in Chicago vom Architekten George Washington Snow entworfenes Lagerhaus war weltweit der erste Prototyp des modernen Holzrahmenbaus (Balloon Framing). Die leichte Verfügbarkeit des Hauptbaustoffs Holz, die Einfachheit der Konstruktion und die dadurch gegebene Möglichkeit, Holzrahmenbauten überall schnell und auch durch wenig geübte Arbeiter errichten zu können, liessen Balloon Framing rasch zur dominierenden Bauweise quer durch die Vereinigten Staaten werden. Bis heute vermag sie sozio-ökonomische Grenzen im gesellschaftlich tief gespaltenen Amerika ebenso zu verwischen wie die Unterschiede zwischen Bautypologien: Arm und Reich wohnen überall in Häusern derselben Bauweise - wenn auch sehr unterschiedlicher Grösse und Ausstattung -, die zugleich auch Gewerbe aller Art und Grösse unterbringen kann. Dieses englischsprachige Buch bietet eine neue Erkundung des amerikanischen Holzrahmenbaus in Text und Bild. Reich illustriert mit historischen Bildern und Plänen, neu aufgenommenen Fotografien und neu erstellten Konstruktionszeichnungen, geht es der Frage nach, was die Entwicklungsbedingungen dieser in weiten Teilen der USA allgegenwärtigen Bauweise waren und welche Konsequenzen sie für die Architektur und Baukultur des Landes bis heute hat.

Taschenbuch. Zustand: Neu. American Framing | The Same Something for Everyone | Paul Andersen (u. a.) | Taschenbuch | 252 S. | Englisch | 2023 | Park Books | EAN 9783038601951 | Verantwortliche Person für die EU: GVA Gemeinsame Verlagsauslieferung Göttingen GmbH & Co. KG, Carsten Schlieker, Postfach 20 21, 37010 Göttingen, info[at]gva-verlage[dot]de | Anbieter: preigu.

hardcover. Zustand: Sehr gut. 336 Seiten; 9783966800211.2 Gewicht in Gramm: 2.

Zustand: New. KlappentextrnrnSince the firm s founding twenty-five years ago, AKT II have forged an international practice that unifies the cultures and disciplines of architecture and structural engineering. This book is an engine for critical reflection on .

Buch. Zustand: Neu. Matters of Engineering Design: AKT II | Engineering Scale, Engineering Variability, Engineering Attitude, Reverse Engineering, Engineering Craftsmanship | David/Baker, William/Kelley, Jayne et al Basulto | Buch | 336 S. | Englisch | 2022 | ArchiTangle GmbH | EAN 9783966800211 | Verantwortliche Person für die EU: ArchiTangle GmbH, Sonja Bröderdörp, Meierottostr. 1, 10719 Berlin, info[at]architangle[dot]com | Anbieter: preigu.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "On Location: Alan Shields' Works of Paper"; "Marginalia: Will it Last, Does it Matter?," by Thomas McEvilley; "Modern Life: How Scale Works," by Carter Ratcliff; "Turned Out: In America, Love Means Never Having to Say Sari," by Sunil Sethi; "Like Art," by Glenn O'Brien; "Ground Up: The Piazza in the Living Room, Communion by Communication," by Herbert Muschamp; "Remote Control: Lip-Syncing Free Speech," by Barbara Kruger; "Speaker to Speaker: In the Kingdom of the Invisible," by Greil Marcus; "Liberations: The Minus Works of Michelangelo Pistoletto," by Denys Zacharopoulos; "The Cowboy Philospher: Adventures as Metaphor," by Greil Marcus; "Rainer Werner Fassbinder: A Comet Passed by - Energy Burnt Against Oppression," by Wolfram Schutte; "Toward Another Laocoon, Or, the Snake Pit: Sunday in the Park with Art. From the Impressionists to the Neo-expressionists, the Avant-garde's Will to Survive Art Production," by Thomas Lawson; "Barbaric Place: Project for Artforum," by Ettore Sottsass, Jr., with a note by Herbert Muschamp; "Flashes of Understatement: Four Decades of Elmer Bischoff's Reckoning with Paint," by Kenneth Baker. Reviews by Kenneth Baker, Glenn O'Brien, Patricia C. Phillips, Jean Fisher, Jeanne Silverthorne, Suzaan Boettger, John Howell, Ronny Cohen, Charles Hagen, Donald Kuspit, Carlo McCormick, John Yau, Jayne Merkel, Jeff Kelley, Ed Hill, Suzanne Bloom, Colin Gardner, Bill Berkson, Annelie Pohlen, Max Wechsler, Helmut Draxler, Barbara Maestri, Ida Panicelli, Gloria Moure, and Aurora Garcia. Cover: Alan Shields.