kathrin dreckmann (44 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut Leichte Lagerspuren -From their inception, music videos have served as an important instrument for depicting collective emotional states, cultural affiliations and processes of social change. At the beginning of the 21st century, the utilization of the music video genre changed, with more and more artists using it to address social and political grievances as well as questions of identity. Both the decline of music television as a gatekeeper limiting access and participation as well as the rise of social media have contributed significantly to the growth of the critical and subversive but also utopian potential of music videos. As a result, music videos today offer counter-proposals to heteronormativity, ableism, patriarchalism, racism and other forms of oppression that not only reach a wider audience but also reflect a broader diversity of lifestyles, interests and motivations than was possible during the MTV era. This volume explores transcultural imaginaries in music videos from a variety of angles, providing a broad overview of approaches to negotiating the 'cultural' in the music video genre, both past and present. 316 pp. Englisch.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Softcover/Taschenbuch. Zustand: Wie neu. Wie neu.

Paperback. Zustand: Brand New. 316 pages. 6.38x0.98x8.94 inches. In Stock.

Paperback. Zustand: Brand New. 240 pages. 9.01x6.00x1.00 inches. In Stock.

Zustand: New. Since the 1970s, the medium of video and multimedia art practice has been closely linked to the subcultural and countercultural movements. Art and music videos in particular demonstrate great subversive potential: artists and musicians oppose traditional.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: New.

Paperback. Zustand: Sehr gut. Gebraucht - Sehr gut - ungelesen,als Mängelexemplar gekennzeichnet, mit leichten Mängeln an Schnitt oder Einband durch Lager- oder Transportschaden -From their inception, music videos have served as an important instrument for depicting collective emotional states, cultural affiliations and processes of social change. At the beginning of the 21st century, the utilization of the music video genre changed, with more and more artists using it to address social and political grievances as well as questions of identity. Both the decline of music television as a gatekeeper limiting access and participation as well as the rise of social media have contributed significantly to the growth of the critical and subversive but also utopian potential of music videos. As a result, music videos today offer counter-proposals to heteronormativity, ableism, patriarchalism, racism and other forms of oppression that not only reach a wider audience but also reflect a broader diversity of lifestyles, interests and motivations than was possible during the MTV era. This volume explores transcultural imaginaries in music videos from a variety of angles, providing a broad overview of approaches to negotiating the 'cultural' in the music video genre, both past and present.Waxmann Verlag, Steinfurter Str. 555, 48159 Münster 316 pp. Englisch.

23 cm, 717 g [2020]. 463 Seiten. Oktn. sehr gut. Illustrationen.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Taschenbuch. Zustand: Neu. Queer Pop | Aesthetic Interventions in Contemporary Culture | Bettina Papenburg (u. a.) | Taschenbuch | Großformatiges Paperback. Klappenbroschur | 235 S. | Englisch | 2024 | De Gruyter | EAN 9783111447308 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Neuware -From their inception, music videos have served as an important instrument for depicting collective emotional states, cultural affiliations and processes of social change. At the beginning of the 21st century, the utilization of the music video genre changed, with more and more artists using it to address social and political grievances as well as questions of identity. Both the decline of music television as a gatekeeper limiting access and participation as well as the rise of social media have contributed significantly to the growth of the critical and subversive but also utopian potential of music videos. As a result, music videos today offer counter-proposals to heteronormativity, ableism, patriarchalism, racism and other forms of oppression that not only reach a wider audience but also reflect a broader diversity of lifestyles, interests and motivations than was possible during the MTV era. This volume explores transcultural imaginaries in music videos from a variety of angles, providing a broad overview of approaches to negotiating the 'cultural' in the music video genre, both past and present.Waxmann Verlag, Steinfurter Str. 555, 48159 Münster 316 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware - From their inception, music videos have served as an important instrument for depicting collective emotional states, cultural affiliations and processes of social change. At the beginning of the 21st century, the utilization of the music video genre changed, with more and more artists using it to address social and political grievances as well as questions of identity. Both the decline of music television as a gatekeeper limiting access and participation as well as the rise of social media have contributed significantly to the growth of the critical and subversive but also utopian potential of music videos. As a result, music videos today offer counter-proposals to heteronormativity, ableism, patriarchalism, racism and other forms of oppression that not only reach a wider audience but also reflect a broader diversity of lifestyles, interests and motivations than was possible during the MTV era. This volume explores transcultural imaginaries in music videos from a variety of angles, providing a broad overview of approaches to negotiating the 'cultural' in the music video genre, both past and present.

Taschenbuch. Zustand: Neu. Neuware - Since the 1970s, the medium of video and multimedia art practice has been closely linked to the subcultural and countercultural movements. Art and music videos in particular demonstrate great subversive potential: artists and musicians oppose traditional values, exploring and repeatedly transgressing social norms and gender stereotypes.This publication reviews artistic strategies in the context of a history of punk and its offshoots, combining scholarly opinions from the fields of art history, queer theory, media studies, gender studies, postcolonial studies, and cultural studies on an equal footing with field reports from the practice of alternative archives and artistic image essays.

Taschenbuch. Zustand: Neu. Fringe of the Fringe | Queering Punk Media History | Elfi Vomberg (u. a.) | Taschenbuch | Großformatiges Paperback. Klappenbroschur | 228 S. | Englisch | 2023 | Hatje Cantz Verlag | EAN 9783775753883 | Verantwortliche Person für die EU: HATJE CANTZ VERLAG GmbH, Mommsenstr. 27, 10629 Berlin, contact[at]hatjecantz[dot]de | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Music Video and Transcultural Imaginaries | Media - Aesthetics - Social Utopia | Kathrin Dreckmann (u. a.) | Taschenbuch | Populäre Kultur und Musik | 316 S. | Englisch | 2025 | Waxmann Verlag | EAN 9783818800093 | Verantwortliche Person für die EU: Waxmann Verlag GmbH, Steinfurter Str. 555, 48159 Münster, info[at]waxmann[dot]com | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Neuware - The genre of the video clip has been established for more than thirty years, mainly served by the sub genres of video art and music video. This book explores processes of hybridization between music video, film, and video art by presenting current theoretical discourses and engaging them through interviews with well-known artists and directors, bringing to the surface the crucial questions of art practice. The collection discusses topics including postcolonialism, posthumanism, gender, race and class and addresses questions regarding the hybrid media structure of video, the diffusion between content and form, art and commerce as well as pop culture and counterculture. Through the diversity of the areas and interviews included, the book builds on and moves beyond earlier aesthetics-driven perspectives on music video.

Zustand: New. Kathrin Dreckmann, Heinrich-Heine-Universitaet Duesseldorf.|Kathrin Dreckmann, Heinrich-Heine-Universitaet Duesseldorf, Germany. Although digital music videos reach a broad audience and have significantly altered practic.

Gebunden. Zustand: New. Bettina Papenburg, Freie Universitaet, Berlin Kathrin Dreckmann, Heinrich Heine University Duesseldorf, Germany. Popular culture encompasses and draws on a rich history of works by musicians, filmmakers, writer.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Buch. Zustand: Neu. Queer Pop | Aesthetic Interventions in Contemporary Culture | Bettina Papenburg (u. a.) | Buch | VIII | Englisch | 2024 | De Gruyter | EAN 9783110795868 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu.

Buch. Zustand: Neu. Neuware - Popular culture encompasses and draws on a rich history of works by musicians, filmmakers, writers, photographers, and performers who question the contours of traditional sexual and gender identities, including but not limited to members of LGBTQIA\* communities. When encountered on the stage or screen, for instance, in the guise of drag performances, forms of sexual ambiguity often spark fascination. Yet in everyday life in various socio-cultural contexts, sexual and bodily difference in all its forms is still met with hostility, rendering vulnerable those human beings that deviate from the white, male, straight, able-bodied norm. Queer artists today respond to social stigma in multiple creative ways, for example, by transforming negative affect, fostering a politics of care, and rewriting history. This volume considers how feminist, queer, and trans\* musicians, filmmakers, curators, and performance artists contribute to popular culture. It explores the many ways of relating to difference, however this is conceived, that their contributions enable. What affects do their works engender How do they rouse their audience, and to what ends How do they fabricate and circulate provocative messages about new forms of gender, race, class, and desire What other visions do they inspire.

Buch. Zustand: Neu. Neuware - Although digital music videos reach a broad audience and have significantly altered practices of cultural participation, they have not received the scholarly attention that they deserve. Kathrin Dreckmann's study navigates a complex web of disciplinary intersections, methodological frameworks and reception practices in order to evaluate music videos as sites of cultural production, contestation, resistance and identity construction. This interdisciplinary analysis reflects critically on the Eurocentric canon of art history and illuminates practices of citation, appropriation and reimagination of (so-called) high cultures. Dreckmann explores diasporic histories through a postcolonial lens by focusing on artists such as Beyoncé, Little Simz, Lil Nas X and Janelle Monaé and examines the potential of Black, female and queer empowerment. While numerous introductory texts and compendia have laid the groundwork for the field of media and cultural studies, there remains an urgent need for critical reflection on the methodological paradigms that shape the discipline today. This study's interdisciplinary approach reflects and expands on methodologies of media and cultural studies and suggests possibilities for exploring and engaging critically with digital audiovisual media and broader sociopolitical discourses.

Zustand: New.

Hardcover. Zustand: Brand New. 231 pages. 9.50x6.50x0.75 inches. In Stock.