kandel lenore (23 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Tapa Blanda. Zustand: Muy bien. Edición Bilingüe Español - Inglés. EXCELENTE ejemplar. 207pp + colofón.

Zustand: New. Num Pages: 276 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 235 x 161 x 26. Weight in Grams: 540. . 2012. Hardcover. . . . . Books ship from the US and Ireland.

Tapa blanda. Zustand: Nuevo.

Zustand: Nuevo. LENORE KANDEL (Nueva York, 1932-San Francisco, 2009) es una poeta de obra escasa pero de recorrido fulgurante asociada a la Generación Beat y al activismo político y cultural del movimiento hippie del San Francisco de la década de 1960. Su estilo desinhibido, sus versos desvergonzados y el uso de la lengua vernácula hacen de Kandel una rara avis en la segunda ola del movimiento Beat en el cual, rodeada de escritores masculinos, incluyó por primera vez la temática de la experiencia sexual femenina. Por ello se le intentó censurar en el juicio por obscenidad más largo de la historia de San Francisco, el único protagonizado por una mujer. En 1970, un grave accidente de moto le dejó lesiones medulares irreversibles y la apartó de la faceta más visible de su poesía. Desde entonces solo publicó algunos poemas sueltos y fue progresivamente olvidada hasta que, en 2012, se divulgó su obra completa en Estados Unidos. Follar con amor' es una selección de poemas escritos a lo largo de más de cincuenta años, traducidos por Annalisa Marí Pegrum, en edición bilingüe, que constituye la primera antología de Lenore Kandel publicada en lengua castellana.

Hardcover. Zustand: Brand New. 242 pages. 9.50x6.25x1.25 inches. In Stock.

Zustand: As-New. ISBN: 0966531310 Paperback, staplebound. As-New. Printed in a limited edition of 500 copies. Repprint of 1966 classic, originally seized and banned as obscene.

Gebunden. Zustand: New. Lenore Kandel (1932&ndash2009) was born in New York City and wrote poetry from childhood. The author of The Love Book (1966) and Word Alchemy (1967), she died at the age of 77.Jack Kerouac immortalized her in his novel Big Sur. A s.

Later printing. Softcover. A controversial collection of poetry that was subject of censorship and a legal trial. A near fine copy in stiff wrappers with blue on the front cover. A very nice copy.

Staplebound Pamphlet. Zustand: Good. Stapled pamphlet, 7.75 in. x 7 in., 7 leaves with 6 poems. Cardstock cover with brown and blue kama sutra imagery to front and back, and white title to front. Light vertical fold at center of entire pamphlet. Edgewear to spine, with bottom four inches of wraps split along spine seam. Light thumbing to bottom corner. Previous owner's bookplate to verso of title page. A couple fingerprints to interior pages. This title was part of an exhibit about Tantra in the British Museum. The sexually provocative imagery led to an explosive obscenity/censorship trial - with a guilty verdict - in San Francisco in 1967.

EA, 80 S., OKart., gut erhalten Sprache: Englisch. Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Softcover. Zustand: Very Good. Magazine. Cover by Wally Berman. (24)pp. Single sheets printed both sides and secured with two staples. Rear cover has two early brown spots, and is lightly tanned at extremities, else a very good copy. An influential mimeograph created by di Prima and LeRoi Jones [Amiri Baraka] featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was distributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. This issue features contributions from Kenore Kandel, LeRoi Jones, Kirby Doyle, Gary Synder, Victor Hernandez Cruz, Michael McClure, Janine Pommy-Vega, Dave Cunliffe, Tina Morris, and Freewheelin Frank, secretary of the San Francisco Hell's Angels chapter, who contributed "The Hymn to Lucifer.".

[16] pp.; 20.2 x 18.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Erotic poetry by Lenore Kandel. Includes "God/Love Poem" and "To Fuck with Love." ".The police seized copies of a pamphlet of poems entitled 'The Love Book' by Lenore Kandel and arrested a book salesman on a charge of peddling pornography. The book, or rather pamphlet, features a drawing of Duddha and a nude young woman in an intimate pose on the cover. The so-called poems themselves are earthy, and devoted to a single subject, sexual intercourse. Miss Kandel said she was astonished that her work could be considered obscene. She said she was simply treating an Oriental theme under which the male and female 'hold the entire world united.' The police insisted that there was no new crackdown on pornography or obscene literature. They said they just chanced upon the booklet when making a routine call at the bookshop -- as they do at various theaters, arcades, bookstores and stands. 'Love Book' was characterized by [policeman Peter] Maloney as 'definitely obscene under provisions of the California Penal Code. It fits the characteristics of pornography,' added the well read Maloney." -- "Hippie Book Store Owner Is Arrested," San Francisco Examiner, November 16, 1966 Good / Very Good. Minor edge wear along spine. Name of previous owner inscribed in ink on title page. Minor handling wear throughout. Contents are otherwise clean and unmarked.

Soft cover. Zustand: Good. 60 pp . ; ill., ports. ; 28 cm. ; frequency Five no. a year in 1968, 4 no. a year, 1969-1971 ; LC: AP2; N6490; Dewey: 051; OCLC: 1518928 ; colorful, pictorial stiff paper wrappers ; foxing to covers ; Contents : What makes Nixon run? / Warren Boroson -- Galahad's pad / Julio Mitchel -- The hate mail of Captain Levy -- Let's reitre our most overworked four-letter word / L. Eric Hotaling -- Richard Lindner : The Rubens of the Love Generation -- The slaughter of civilians for sport by U.S. Pilots / Lt. Thomas F. Loflin III -- An obscenity bust in--would you believe?--India / Malay Roy Choudhury -- Drawings by Muhammad Ali -- Believe in God : you have teeth! / S. H. Margalith -- The Fugs : Nextness is godlier than cleanliness / Martin Cohen -- Metamorphic jewelry : Last word in found-object art / Ryszard Horowitz -- God/Love poem / Lenore Kandel ; repair to spine ; "Avant Garde was a magazine notable for graphic and logogram design by Herb Lubalin. The magazine had 14 issues and was published from January 1968 to July 1971. From January, 1968, through July, 1971, Ginzburg published Avant Garde. While it could not be termed obscene, it was filled with creative imagery often caustically critical of American society and government, sexual themes, and (for the time) crude language.Avant Garde had a modest circulation but was extremely popular in certain circles, including New York's advertising and editorial art directors. Herbert F. Lubalin (1918-1981), a post-modern design guru, was Ginzburg's collaborator on his four best-known magazines, including Avant Garde, which gave birth to a well-known typeface of the same name. It was originally intended primarily for use in logos: the first version consisted solely of 26 capital letters. It was inspired by Ginzburg and his wife, designed by Lubalin, and realized by Lubalin's assistants and Tom Carnese, one of Lubalin's partners. It is characterized by geometrically perfect round strokes; short, straight lines; and an extremely large number of kerned ligatures. The International Typeface Corporation (ITC) (of which Lubalin was a founder) released a full version in 1970."--wikipedia ; G. Book.

Softcover. Zustand: Near Fine. Magazine. 74pp. Tape bound stiff wrap with a tiny nick on the front wrap, still fine. This literary magazine features the first published appearance of Neal Cassady's "The First Third," which inspired Jack Kerouac's *On The Road*. This 5,000 word excerpt is taken from the 13,000-word "Joan Anderson Letter" sent to Kerouac by Cassady, then subsequently passed on to Allen Ginsberg, and then poet and Ace Books rep, Gerd Stein, who according to legend, lost the original off the side of his house boat. The letter was long thought to be lost, but was rediscovered recently. The surviving portion, printed here, was likely copied by Kerouac himself shortly before he started work on his now classic novel. Following the excerpt is Kerouac's reply letter to Cassady, a gushing letter of praise in which he say Cassady has overshadowed the best writers of the day. "The First Third" was used as the basis for the 1997 film, *The Last Time I Committed Suicide* starring Thomas Janes and Keanu Reeves. The magazine also includes contributions from Charles Bukowski, Kenneth Patchen, Anselm Hollo, Kirby Doyle, John Rechy, Lenore Kandel, David Meltzer, Bob Kaufman, and Grover Lewis.

Softcover. Zustand: Fine. Magazine. Cover by Wally Berman. (24)pp. Single sheets printed both sides and secured with two staples. Fine. An influential mimeograph created by di Prima and LeRoi Jones [Amiri Baraka] featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was distributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. This issue features contributions from Kenore Kandel, LeRoi Jones, Kirby Doyle, Gary Synder, Victor Hernandez Cruz, Michael McClure, Janine Pommy-Vega, Dave Cunliffe, Tina Morris, and Freewheelin Frank, secretary of the San Francisco Hell's Angels chapter, who contributed "The Hymn to Lucifer.".

First edition. [10 pp]. Fine in illustrated wrappers. Conforms to all the true first edition points but a variant issue with the cover printed in brown ink on white stock. The subject of one of the many major American censorship trials of its day.

Zustand: Fine. First edition, very early issue with cover printed in brown (rather than black) ink with no blue overprinting, text printed sideways, publisher specified on verso of rear endpaper but partial with no address (first issue apparently has no publisher listed there). [10] pp. printed on rectos only. Illustrated wraps with pale green endpapers. Basically Fine with tiny corner crease to one page, hint of shelf wear. An attractive copy of an uncommon banned book. It was the author's first, which became a cause celebre in the Haight Ashbury scene when it was banned as obscene.

Zustand: Near Fine. First edition. Complete first edition set of all 12 issues of the San Francisco Oracle, plus the second and third editions of the 7th issue and additional variant of the 10th issue. Bookended by the Oracle's single-issue predecessor P. O. Frisco and single-issue successor Harbinger (virtually the 13th issue of the Oracle) for a total of 17 broadsides, each 12 - 52 pp. Near Fine with typical toning and minimal soiling and edgewear, subscription creases to several issues, and light foxing to covers of Harbinger and fourth issue of Oracle. A spectacular run of the voice of Haight-Ashbury. P. O. Frisco, which lived and died in a single issue published September 2,1966, began with articles including "Concentration Camps Ready for 'Subversives,'" "The Craft of Masturbation," and "Lenny Bruce: what can you say?." Features on culture and politics were supplemented by an art page and a recipe for hashish brownies. After the individualists on staff won a power struggle with the collectivists, the paper was reborn as the San Francisco Oracle just three weeks later. The style was more distinctly psychedelic, with a focus on personal liberty, and the back cover was printed with the editors' "Prophecy of a Declaration of Independence": "We hold these experiences to be self evident, that all is equal, that the creation endows us with certain inalienable rights, that among them are: the freedom of body, the pursuit of joy, and the expansion of consciousness." Over the next two years, the paper's contributors included the countercultural icons Timothy Leary, Ken Kesey, Allen Ginsberg, Laurence Ferlinghetti, Gary Snyder, Alan Watts, and Buckminster Fuller. The issues had themes like "Aguarian Age" and "Youth Quake" and combined articles and poetry with hand-drawn advertisements for health food stores, music sellers, and hippie fashion boutiques. The publishers introduced split-fountain color printing with the sixth issue to create a rainbow roller effect, and the newspaper's graphics and layout came to define the look of hippie culture. The worker-owned paper folded in 1968, and staff members who had relocated to Middletown put out a singe issue called Harbinger which was effectively the thirteenth and final issue of the Oracle. At its peak, the paper was printed in a run of 125,000 copies, and made an outsized impact on American culture as the rest of the country looked toward Haight-Ashbury. The editor Allen Cohen later wrote: "It began as a dream and ended as a legend.".

Zustand: Fine. First Edition. [1966]. The correct first edition, self published by the poet. Bound in original printed wraps, not over-printed in blue and verso of the rear free endpaper is blank; this was printed later the same year by Stolen Paper Review Editions and went through various printings under that imprint. Fine, with minor browning to rear cover. An attractive copy of an uncommon banned book, it became a cause celebre in the Haight Ashbury scene when it was banned as obscene.