kaliska (16 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New.

Paperback. Zustand: Brand New. 272 pages. 9.18x6.12x0.71 inches. In Stock.

Zustand: New.

Zustand: New.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 54 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Taschenbuch. Zustand: Neu. Eastern European Perspectives on Emotional Intelligence | Current Developments and Research | Lada Kaliská (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2022 | Routledge | EAN 9780367673215 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Zustand: New.

Gebunden. Zustand: New.

Buch. Zustand: Neu. Neuware.

?ód?, 1980. Quarto (29.7 × 21 cm). Original side-stapled card wrappers; 16 pp. of reproduced typescript to rectos and versos. Rubber stamp of ?ód? Kaliska in green to front wrapper. Very good. This untitled anthology of short essays is likely the first publication by ?ód? Kaliska, with the earliest texts dated 1978-1979 and mostly signed by Marek Janiak and Andrzej Kwietniewski. The essays focus on theoretical issues in photography, capturing the group's connection to the Film Work Workshop, a neo-avant-garde group of film and video artists active in ?ód? at the National Film School in 1970-1977. Similar to the members of the Workshop, the texts focus on formal questions raised by photography and its connection to reality. They maintain a serious tone typical of the Polish neo-avant-garde. The group would develop their signature absurdist and playful tone in subsequent years, launching a full attack on the neo-avant-garde at the Osieki 81 plein air festival. As of May 2025, KVK, OCLC show one copy outside of Poland, in North America.

?ód?: O?rodek Dzia?a? Twórczych ?DK, 1987. Quarto (28.5 × 21 cm). Original decorative card folder housing staple-stitched pamphlet; [12] leaves of text and images to rectos and versos. Very good. A catalog of an exhibition of Marek Janiak, one of the founding members of ?ód? Kaliska, a neo-dadaist art collective active from 1979 to this day. Richly illustrated, the catalog includes a list of 40 works on display at the ?ód? House of Culture (?DK) in the spring of 1987. A manifesto-like critique of Conceptualism and Minimalism serves as an introduction to the catalog. Charged with anarchic energy, ?ód? Kaliska positioned itself against official state-sanctioned communist art as well as the self-seriousness of the neo-avantgarde unofficial art. Rejecting all artistic institutions, from 1983 ?ód? Kaliska was part of the Kultura Zrzuty movement which operated out of an attic (Strych), used as a space for exhibitions, performances and talks. Defiant and critical of the avant-gardes, the polemical antics of the group began to receive critical recognition toward the end of the 1980s. The uncharacteristically serious tone of the artist bio included at the end of this catalog suggests that Janiak welcomed this move from the artistic underground toward greater recognition. One of 150 copies printed. As of June 2024, not in KVK, OCLC.

Dar?owo, 1979. Two vintage gelatin silver prints, measuring 9 × 14 cm, each labeled and dated to verso in black ink by Adam Rzepecki. One of the prints with old crease; overall good or better. Two vintage prints documenting one of the first performances of ?ód? Kaliska in 1979 in Dar?owo, titled: "The blocking off of the street with a black ribbon in order to attract attention and cause confusion, with the intention of throwing a white sheet onto those gathered, tying them up, and hitting them on the behind." The mockingly long title captures the absurdist direction in which the group would develop in the coming years, causing scandal and blurring the line between art and jest. The performance was created immediately after the formation of ?ód? Kaliska, when the participating artists (Adam Rzepecki, Andrzej ?wietlik, Marek Janiak, and Andrzej Wielogórski) were removed from taking part in the 5th National Photographic Youth Meetings in Dar?owo after the scandal caused by their first performance. The two images document exactly the two parts of this second performance, one capturing the confusion of the onlookers as the street is blocked with the black ribbon, the other showing a white sheet being thrown over those gathered as the crowd of onlookers continues to build. Art historian Piotr Piotrowski writes: "The concept of anarchism was key for this particular formation since the artists involved were mainly interested in rejecting any form of authority: political (opposition), ideological (nationalism and religion), as well as cultural (institutions and grand art historic narratives). ?ód? Kaliska was not only participating in this anarchist culture but was very active and dynamic. There are many examples of this attitude in the group's art practice. [.] By relying on humor, pastiche, parody and coarse eroticism, their performances and short films were supposed to strip art of its pathos, knock it off its pedestal and tear it out of the frame provided by the historical discourse" (see Art and Democracy in Post-Communist Europe, pp. 130-131). In keeping with the group's principles, most of the members had no formal artistic training. Participants of the group included Marek Janiak, Andrzej Kwietniewski, Adam Rzepecki, Andrzej ?wietlik, Andrzej Wielogórski, with Zofia ?uczko joining in 1983. The photos were likely taken by Andrzej ?wietlik, a photographer who produced most of the documentation of the group's performances. The images are mis-dated to 1978 by Adam Rzepecki, with the actual year of the performance being 1979. The performance was re-staged in Dar?owo in 2009, part of the celebration of the 30th anniversary of ?ód? Kaliska.