jusepe ribera (27 Ergebnisse)

paperback. Zustand: Very Good.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

No Binding. Zustand: Very Good. Engraved By Sands (illustrator). A fine original copper engraved portrait. Mounted and ready to frame. A splended opportunity to purchase a portrait of this eminent personage. He delighted in the horrible, choosing often such subjects as the martyrdom of the saints and painting them with a bold, unsympathetic power.

Zustand: Very good.

HARDCOVER. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Extra Large 4to. in black faux cloth, gilt lettering to spine. 140pp, nicely printed colour plates, bibliography, etc. Text in English throughout . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (merest hint of tanning to leaves) in an almost AS NEW complete Dust Jacket (faintly edge-creased, looks new in its removable transparent protector). An excellent copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

hardcover. Zustand: very good(+). Zustand des Schutzumschlags: very good. Jusepe de Ribera (illustrator). 167 illustrations, including 106 in full color. xiv + 290 pages. Square 4to, white cloth, d.w. (loose fitting and somewhat worn). New York: Metropolitan Museum of Art/Abrams, (1992). Very good(+) copy, with some light discoloration and small stains, in a very good dust wrapper.

hardcover. Zustand: near fine. Zustand des Schutzumschlags: near fine. Jusepe de Ribera (illustrator). 167 illustrations, including 106 in full color. xiv + 290pp., square 4to, white cloth, d.w. New York: Metropolitan Museum of Art/ Abrams, (1992). Slightly bumped at head, still a near fine copy.

125 Láminas en blanco y negro y color. 22.

First Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description: xiv, 290 p : ill. (some col.) ; 31 cm. Subjects: Ribera Jusepe de 1591-1652. Painting, Spanish 17th century. Genre: Art. Language: English. 1 Kg.

Bild-Maße: ca. 37 x 24 cm. -- Schöner Kupferstich von 1786. Unter dem Bild eine kurze Beschreibung des Gemäldes. -- gut erhalten. || Engraving from 1786. With a short description of the painting below the image. in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1500.

125 p 22 cm Contextos de la Colección Permanente 14. Encuadernación editorial en rústica. Estado de conservación: Muy bien. .

Bild-Maße: ca. 34 x 26 cm. -- Kupferstich / reverse copy -- rechte untere Ecke mit geglätteter Quetschfalte, teils mit Knickspuren, sonst gut erhalten. || Copper engraving / reverse copy -- Lower right corner with smoothed crease, partly with traces of creases, otherwise in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1500.

Zustand: Good. 4to. 396 pp. Hard cover. Very Good+. Illustrated paper covered boards. Color and B&W plates throughout. Text in English and Japanese. Extremely Scarce.ISBN: 9784907442217 4907442211.Collection from San Francisco Museum of Modern Art.

Exhibition catalogue. First paperback edition. 280x230mm 208 pages.Illustrated in duotone, some colour. Paperback. Fine. This elegantly designed, fully illustrated volume presents exquisite drawings by Spanish artists over the course of two centuries, featuring works by Ribera, Murillo and Goya from public and private collections in the New York area. Published to accompany a major exhibition at The Frick Collection in New York, this book presents the character, range and depth of the Spanish tradition of drawing from the early 17th to the early 19th century. These extraordinary works share a distinctiveness of technique, subject and mood that sets them apart from Italianate examples produced on the Peninsula in the same period - in other words, they represent a specifically 'Spanish manner'. Although Italian Renaissance principles of figure drawing and perspective were practiced by Spanish draftsmen, the greatest of them also employed techniques of dazzling idiosyncrasy: lines dart and dash freely over the paper as if the hand of the artist could not be restrained, and energetic splotches of ink wash enrich forms. Many of the themes favoured by these artists - fantastic creatures, murderers and martyrdoms, and unusual treatmants of the human body - also distinguish these works. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc., with a picture of the cover available on request. All items are as described and dispatched within 36 hours in a secure package. We are professional booksellers with over 32 years experience, you may order with confidence.

paperback. Zustand: Ottimo (Fine). Catalogo della mostra tenutasi presso il Museo del Prado, Madrid 2 giugno - 16 agosto 1992. Introduzione di Alfonso e Pérez Sanchez. Testi di Josè Milicua, Nicola Spinosa, Renato Rotuolo et al. Illustrazioni a colori e in bianco e nero. Bibliografia e Catalogo delle opere esposte . 4to (cm 30,5x24,5). pp. 528. . Ottimo (Fine). . . . Book.

Hardcover. Zustand: Gut. 8056 [L] Sprache: Deutsch Gewicht in Gramm: 200.

Gebundene Ausgabe. 140 Seiten Gebraucht wie neu Sprache: Deutsch Gewicht in Gramm: 1241.

New York, Metropolitan Museum of Art, [.], [1992]. XIV,290 pp. Col. & b./w. ills. Orig. hardcover (clothbound), d./j. 4to.This publication was published on the occasion of the exhibition of the same name at the Metropolitan Museum of Art in New York, which took place from September 18 to November 29, 1992. - Text in English.

Holzstich nach Ribera, gestochen von W. Thomas. Bildgröße 32,7 x 23,8 cm, Blattgröße 39 x 29 cm.

Holzstich nach Ribera, Bildgröße 19 x 23,5 cm, Blattgröße 29 x 37 cm.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: as new. Wie neu/Like new.

0. Sprache: Deutschu.

Zustand: Good. Stipple and line engraving. 49.5 x 34.4 cm. (sheet). Drystamp of the publisher. Very Good. Light foxing in the margin areas. ?Storia della pittura dal suo risorgimento in Italia, dimostrata coi monumenti della Reale Galleria di Firenze.? OCLC no. 83041262.

Jusepe de Ribera (illustrator). Man with beard holds a skullMade by Charles Jacque after Jusepe de Ribera.Medium: Etching on wove (vellin) paper.Sheet size: 12.5 x 13.2 cm (4.92 x 5.2 inch). Image size: 11.2 x 11.9 cm. (4.41 x 4.69 inch).MAN-BEARD-SKULL | PCO-C44-32BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Charles-Émile Jacque (1813-1894) was a French painter of Pastoralism and engraver who was, with Jean-François Millet, part of the Barbizon School. He first learned to engrave maps when he spent seven years in the French Army.Biography artist: Jusepe de Ribera (1591-1652) was a Spanish painter and printmaker. Ribera, Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was no longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century." Jusepe de Ribera has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto ("the Little Spaniard") by his contemporaries, early historians, and biographers. Condition: good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Jusepe de Ribera (illustrator). '27. SANCTUS BARTHOLOMAEUS APOSTOLUS.'(St. Bartholomew the Apostle)Made by Jacques Coelemans after Jusepe de Ribera.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 24 x 34.5 cm (9.45 x 13.58 inch). Image size: 18.8 x 26 cm. (7.4 x 10.24 inch).SAINT-BARTHOLOMEW-APOSTLEPCO-B6-15BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Jusepe de Ribera (1591-1652) was a Spanish Tenebrist painter and printmaker, also known as Jose de Ribera and Josep de Ribera. He also was called Lo Spagnoletto. Condition: very good, given age. Overall foxing, mostly in margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.