jules dassin (24 Ergebnisse)

Kl.4°. Doppelblatt mit zahlreichen Abbildungen. Winziger Eckabriss oben (2-3 mm). Gutes Exemplar. Illustrierte Film-Bühne Nr. 2956. Mehrfach ausgezeichneter Klassiker des französichen Film noir, den François Truffaut als den besten Kriminalfilm bezeichnete, den er je gesehen habe. Der amerikanische Regisseur J. Dassin, Sohn eines russisch-jüdischen Emigranten, war nach ersten Hollywooderfolgen 1951 nach Europa emigriert, als er nach einer Denunziation vor das berüchtigte "Komitee für unamerikanische Umtriebe" geladen wurde und dadurch seine Beschäftigungsmöglichkeiten in Hollywood verlor. Tatsächlich war er ab 1930 Mitglied der Kommunistischen Partei der USA gewesen, aber nach Abschluß des Hitler-Stalin-Paktes enttäuscht wieder ausgetreten. Mit Rififi konnte er erst 1955 seinen ersten Film im französischen Exil drehen, da von amerikanischer Seite Druck auf europäische Produzenten ausgeübt wurde, die exilierte Amerikaner beschäftigten und die dadurch befürchten mußten, ihre Filme könnten von den USA boykottiert werden. Dassin war mit der griechischen Schauspielerin, Sängerin und langjährigen griechischen Kulturministerin Melina Mercouri verheiratet und lebte später mit ihr in Griechenland. Sprache: de.

Zustand: Good. Two black & white photo prints. 8 x 10". Movie stills featuring Peter Ustinov, Melina Mercouri. Printed in U.S.A.

Couverture souple. Zustand: bon. R100000063: Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Affiche de cinéma 120 cm x160 cm. Présenté par Paramount. . . . Classification : 0-Affiches Cinéma.

Couverture souple. Zustand: bon. R100000062: Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Affiche de cinéma 40 cm x 54 cm. Présenté par Paramount. . . . Classification : 0-Affiches Cinéma.

Zustand: DISCRETO USATO. Dal soggetto al film ITALIANO Legatura datata, n. 11 di collana, a cura di C. Mangini, copertina coeva tutta-tela, segnata da abrasioni e sbucciature diffuse, molto evidenti al dorso e bordo, pigmento ingiallito e scolorito ombrato da polvere da scaffale, affianca il testo ricco corredo fotografico con cornici ingiallite, fogli velati da ossidazione e fioriture, pulviscolo ruggine con muffe si addensano ai tagli e scivolano a tratti nelle carte. N. pag. 271.

Couverture souple. Zustand: bon. RO30121660: 1962. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 30 pages environ augmentées de nombreuses illustrations- photos en noir et blanc dans et hors texte- publicité de marques d'époque. . . . Classification Dewey : 792-Théâtre.

Zustand: BUONO USATO. Dal soggetto al film ITALIANO Volume n 11, collana cinematografica diretta da Renzo Renzi. A cura di Cecilia Mangini. Illustrazioni presenti nel volume. Il volume rilegato in tessuto si presenta in buono stato di conservazione. Il dorso e le copertine mostrano lievi segni di usura. Le pagine interne sono leggermente ingiallite dal tempo e fruibili. I tagli appena bruniti e regolari. La cerniera è ben salda. Numero pagine 272.

Faltblatt. Zustand: Gut. 4 S., 18*26 cm . Papierbedingt gebräunt, etwas bestoßen, sonst ein gutes und sauberes Exemplar. - Regie: Jules Dassin, Drehbuch: Richard Brooks, Produktion: Mark Hellinger, Musik: Miklós Rózsa, Kamera: William H. Daniels, Schnitt: Edward Curtiss, Darsteller: Burt Lancaster, Hume Cronyn, Charles Bickford, Yvonne De Carlo, Ann Blyth, Ella Raines, Anita Colby, Sam Levene, Jeff Corey, John Hoyt, Jack Overman, Roman Bohnen, Sir Lancelot, Vince Barnett, Jay C. Flippen, Richard Gaines, Frank Puglia, James Bell, Howard Duff, Art Smith, Whit Bissell. Sprache: Deutsch Gewicht in Gramm: 550.

Three vintage studio still photographs and one vintage borderless reference photograph from the 1964 film. One photograph with mimeo snipe affixed to the verso. Based on the 1962 novel, "The Light of Day" by Eric Ambler. Two ex-lovers plan to steal from Topkapi Palace in Istanbul. They hire a man to drive explosives for the burglary, but when the police stop him they assume he is part of an assassination attempt. Winner of one Academy Award for Peter Ustinov as Best Actor. Set in Istanbul, shot on location in Istanbul, Turkey, Kavala, Greece, Paris, France, and Hauts-de-Seine, France. Two photographs 10 x 8 inches, one photograph 7 x 9 inches. Very Good plus, with one photograph with pins holes at the corner and a tear at the bottom right corner. Lee, The Heist Film. Penzler 101.

Vintage borderless reference photograph of director Jules Dassin with actors Melina Mercouri and Anthony Perkins on the set of the 1962 film. Based on Eurypides' Ancient Greek tragedy "Hippolytus," about the wife of a wealthy shipping tycoon who falls in love with her stepson. The fourth collaboration between Dassin and Mercouri, who would go on to marry in 1966. 7 x 9.25 inches. Near Fine.

Pas de couverture. Zustand: Très bon. Carte signée personnellement dans les années 90. + Photo 20x15 cm (tirage récent). Format : 10x15 cm. État : voir scans svp. Provenance : collection personnelle. Authenticité garantie. Signé par l'auteur.

Pas de couverture. Zustand: Bon. Rare - Authentic album page signed in person in 1986 in Paris. + Photo 21x15 cm (recent print). Size : 21x14 cm. Condition : please see scans. Provenance : impressive collection of a Parisian autograph hunter called Thierry (or Terry). Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Vinyl. Zustand: Gut. 1 Vinyl Original Griechische Pressung. Hülle gut, LP sehr gut erhalten. Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** el Gewicht in Gramm: 1100.

Vintage one sheet poster for the 1968 film. An overlooked and important film, one of the first to deal with contemporary Black revolutionaries who rose in the wake of the assassination of Martin Luther King, Jr. Today considered a work that seeded the explosion of Blaxploitation films in the late 1960s and into the 1970s. The story's events surround the death of Martin Luther King, framed as a remake of "The Informer" (John Ford, 1935), in turn based on the 1925 proletarian novel by Liam O'Flaherty. Shot on location in Cleveland, the first US film for noted director Jules Dassin (who had left the US at the height of the McCarthy hearings) in nearly two decades. 26.75 x 41 inches. Folded as issued. Very Good plus. with starting at the center folds. Grant US. Olive Films 425.

Two vintage publicity photographs from the 1947 film. Annotation in manuscript pencil on the versos. A group of prisoners at the strict Westgate Penitentiary plan an escape, but fear their plans will be ruined by sadistic, power-hungry guard Captain Munsey. Director Jules Dassin's important first film, a key noir followed by several others, notably "The Naked City" (1948), "Thieves' Highway" (1949), "Night and the City" (1950), and "Rififi" (1955). From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Small creases at the top left corners, else Near Fine. Criterion Collection 383. Godard, Histoire(s) du cinema. Grant US. Selby US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir.

Vintage borderless reference photograph, with a thin bottom margin, of Burt Lancaster and Ann Blyth from the 1947 film. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. A group of prisoners at the strict Westgate Penitentiary plan an escape, but fear their plans will be ruined by sadistic, power-hungry guard Captain Munsey. Director Jules Dassin's important first film, a key noir followed by several others, notably "The Naked City" (1948), "Thieves' Highway" (1949), "Night and the City" (1950), and "Rififi" (1955). 9.25 x 7.5 inches. Light even toning, else Near Fine. Criterion Collection 383. Godard, Histoire(s) du cinema. Grant US. Selby US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir.

Vintage reference photograph of actors Howard Duff, Ella Raines, and Burt Lancaster, director Jules Dassin, and producer Mark Hellinger on a lunch break on the set of the 1947 film. With a printed mimeo snipe affixed to the verso. Led by Burt Lancaster, a group of prisoners at the strict Westgate Penitentiary plan an escape, but fear their plans will be ruined by sadistic, power-hungry guard Hume Croyn. 10 x 8 inches. Very Good plus, with three hole punch impressions along the left side. Criterion Collection 383. Godard, Histoire(s) du cinema. Grant US. Selby US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir.

Vintage publicity photograph from the 1948 film, showing Howard Duff and Dorothy Hart. Provenance stamp and annotations in manuscript pencil on the verso. One of the most important noir films of the 1940s, in that it was the first to use location shooting in New York City, an approach that would become common in the decade to follow. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Approximately 8 x 10 inches, trimmed irregularly. Pinholes at each corner, else about Near Fine. National Film Registry. Arrow Academy. Criterion Collection 380. Grant US. Selby US Canon. Silver and Ward Classic US. Spicer Classic US.

Collection of 6 vintage photographs from the 1947 film. 5 are studio still photographs, and one is a reference photograph. Criterion Collection 383. 8 x 10 inches. Near Fine. Grant US. Selby Masterwork US. Silver Classic Noir. Spicer US.

100 : 150 mm. Reproduziertes Brustbild im Halbprofil. Gesamtgröße: 100 : 150 mm, das Portrait entsprechend kleiner. - Nach ersten Erfolgen in Hollywood zog er zu Beginn der McCarthy-Ära nach Europa, wo er seine Karriere fortsetzte. Zu seinen bekanntesten Werken zählen die in Europa entstandenen Filme Rififi, Sonntags nie! und Topkapi. Er heiratete in zweiter Ehe die griechische Schauspielerin und spätere Politikerin Melina Mercouri und nahm nach Jahren im französischen Exil die griechische Staatsbürgerschaft an.

Two vintage publicity photographs from the 1947 film, one showing actors Ann Blyth, Ella Raines, Anita Colby, and Yvonne De Carlo walking on the set with producer Mark Hellinger, the other showing De Carlo alone. Printed mimeo snipe affixed to the verso of one. A group of prisoners at the strict Westgate Penitentiary plan an escape, but fear their plans will be ruined by sadistic, power-hungry guard Captain Munsey. Director Jules Dassin's important first film, a key noir followed by several others, notably "The Naked City" (1948), "Thieves' Highway" (1949), "Night and the City" (1950), and "Rififi" (1955). From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. 8 x 10 inches. Very Good plus. Criterion Collection 383. Godard, Histoire(s) du cinema. Grant US. Selby US. Selby US Masterwork. Spicer US. Silver and Ward Classic Noir.

Collection of 16 vintage lobby cards from the French release of the 1964 US film. Based on the 1962 novel by Eric Ambler, about a con man forced to help a group of thieves steal a jeweled dagger from an Istanbul museum. Peter Ustinov won a Best Supporting Actor Oscar for his role in the film. 9 x 11.75 inches. Near Fine.

An extraordinary archive of ephemera from the 1968 neo-noir film, the centerpiece of which is a large piece of original artwork by production designer Alexander Trauner. Also included are one US one sheet poster, one US half sheet poster, one US insert poster, one US pressbook, one Australian daybill poster (with the alternate title "Up Tight"), and one German A1 poster (with the alternate title "Black Power"). An overlooked and exceedingly important African American neo-noir film, the first to portray contemporary Black revolutionaries who rose in the wake of the assassination of Martin Luther King Jr., and a predecessor to the explosion of Blaxploitation films in the late 1960s and 1970s. Loosely based on the 1935 John Ford film "The Informer," in turn based on the 1925 proletarian novel by Liam O'Flaherty. Shot on location in Cleveland, "Uptight" was the first American production for director Jules Dassin (who had left the US at the height of the McCarthy hearings) in nearly two decades. The scenario drawing depicts a meeting of Black revolutionaries at their headquarters in an abandoned Cleveland bowling alley, following a gun heist and murder. Signed in the lower right corner with the designer's Hungarian birth surname, "Trau." Executed in gouache, ink, watercolor, pen, and pencil. Seen by very few upon its release, the film was restored and released on blu-ray in 2014 by the curated label Olive Films. A copy of the disc is included with the items on offer. All pieces about Near Fine or better, with the artwork showing a small watercolor tide mark at one corner. Artwork 17 x 24 inches. US one sheet 27 x 41 inches. US half sheet 22 x 28 inches. US insert poster 14 x 36 inches. US pressbook 15 x 12 inches. Australian daybill 13 x 30 inches, folded as issued. German A1 poster 23 x 33 inches, folded as issued. Letter with full provenance regarding the Trauner artwork is included. Grant US. Parrish and Hill 226.

Bildseitig signiert "Jules Dassin 2 Sept 1960". Signatur des Verfassers.