Judd thomas (36 Ergebnisse)

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

No Binding. Zustand: Very Good. ORIGINAL articles, disbound from journal; no covers; in very good condition. Journal.

Paperback. Zustand: Brand New. 200 pages. 9.06x6.14x0.87 inches. In Stock.

preloaded_digital_audio_player. Zustand: Good. PLAYAWAY ** DIGITAL AUDIO PLAYAWAY EDITION ** withdrawn from the library collection. A PLAYAWAY is a Compact Digital Audio Player already pre-loaded with your audio book. PLAYAWAY IS EASY TO USE! Just plug in the earphones, press the power button ON and begin to listen and enjoy. Included is a NEW BATTERY and NEW EARBUDS. Light weight with a powerful purpose. Take along on your next journey. Makes a sensitive get well gift! Enjoy the convenience and versatility of the PLAYAWAY for all your travel and leisure needs.…

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

paperback. Zustand: Good. original wraps show minor wear and tear, chipping on the spine ends. pages tanned.

Paperback. Zustand: Fair. 1. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

503 pp.; 29.8 x 22 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Martin-Gropius-Bau, Berlin, May 8 - July 25, 1993. Traveled to the Royal Academy of Arts and the Saatchi Gallery, London, September 16 - December 12, 1993. Edited and with essays by Christos M. Joachimides, Norman Rosenthal, with co-ordinating editing by David Anfam. Additional essays by Brooks Adams, Richard Armstrong, John Beardsley, Neal Benezra, Achille Bonito Oliva, Arthur C. Danto, Abraham A. Davidson, Wolfgang Max Faust, Mary Emma Harris, Thomas Kellein, Donald Kuspit, Mary Lublin, Karal Ann Marling, Barbara Moore, Francis V. O'Connor, Stephen Polcari, Carter Ratcliff, Irving Sandler, Wieland Schmied, Peter Selz, Gail Stavitsky, and Douglas Tallack. Artists include Carl Andre, Richard Artschwager, Jean-Michel Basquiat, Jonathan Borofsky, James Lee Byars, Alexander Calder, John Chamberlain, Joseph Cornell, John Covert, Stuart Davis, Willem de Kooning, Charles Demuth, Arthur Dove, Marcel Duchamp, Dan Flavin, Sam Francis, Robert Gober, Arshile Gorky, Dan Graham, Philip Guston, David Hammons, Keith Haring, Marsden Hartley, Eva Hesse, Gary Hill, Jenny Holzer, Edward Hopper, Jasper Johns, Donald Judd, Mike Kelley, Ellsworth Kelly, Franz Kline, Jeff Koons, Sol LeWitt, Roy Lichtenstein, Robert Mangold, Brice Marden, Agnes Martin, Robert Morris, Gerald Murphy, Bruce Nauman, Barnett Newman, Georgia O'Keeffe, Claes Oldenburg, Jackson Pollock, Martin Puryear, Robert Rauschenberg, Man Ray, Ad Reinhardt, James Rosenquist, Mark Rothko, Edward Ruscha, Robert Ryman, Julian Schnabel, Richard Serra, Charles Sheeler, Cindy Sherman, David Smith, Frank Stella, Clyfford Still, James Turrell, Cy Twombly, Bill Viola, Andy Warhol, and Lawrence Weiner. Includes exhibition checklist, a list of artists in the exhibition, biographies of the artists, selected bibliography, author biographies, and an index of names. Text in English. Good. 5.5 cm. dog-ear to bottom right corner of recto and 9.5 cm. crease to top right corner of recto with bumping of corners. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

dj. First Edition. First edition and first printing. Hardcover. 327 pages. The first monograph on the Chinati Foundation's art collection.Features text contributions by Marianne Stockebrand, Rudi Fuchs, Thomas Kellein, Nicholas Serota, Richard Shiff, and Rob Weiner. Includes illustrations of works by Carl Andre, John Chamberlain, Dan Flavin, Roni Horn, Donald Judd, Richard Long, and others. A clean and tight very near fine copy in cloth boards and in very near fine dust jacket.…

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: Near Fine. dj. First edition. First printing of this beautifully-illustrated reflection on the mission and work of Donald Judd's Chinati Foundation, the first comprehensive look at the organization's collection and spaces, which are dedicated to large-scale contemporary works. 11.5'' x 9.5''. Original dark grey cloth boards. Original unclipped (no price) color pictorial dust jacket. Illustrated in color and black and white. 328 pages. Jacket with a bit of bumping to corners and spine ends. Couple of tiny spots of soil to cloth. Sharp and bright overall. Near fine in near fine dust jacket.…

Zustand: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

270 pp.; 28.5 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 29, 2000 - January 21, 2001. Texts by Enrico Lunghi and Jan Debbaut. Artists include Marcel Broodthaers, Nïele Toroni, Mario Merz, Jannis Kounellis, A.R. Penck, Richard Long, Gilbert & George, Giulio Paolini, Luciano Fabro, Giovanni Anselmo, Gerhard Richter, Daniel Buren, Jan Dibbets, André Cadere, Hanne Darboven, Art & Language, Stanley Brouwn, Robert Ryman, Ian Wilson, Joseph Kosuth, On Kawara, Douglas Huebler, Robert Barry, Dan Graham, Bruce Nauman, Sol LeWitt, Lawrence Weiner, Donald Judd, Edward Ruscha, Carl Andre, Michelangelo Pistoletto, Jan Vercruysse, René Daniëls, Jean-Marc Bustamante, Didier Vermeiren, Rodney Graham, Harald Klingelhöller, Reinhard Mucha, Thomas Schütte, Franz West, Martin Kippenberger, and Mike Kelley. includes exhibition checklist, artist texts, list of the artists. Covers by Lawrence Weiner. Texts in English and French. Very Good. Bumping of top right corner of recto and top left corner of verso. Rubbing and yellowing of covers. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …

Zustand: New. In English.

Zustand: Used. pp. 352.

328 pp.; 29.8 x 25 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Large-scale monograph edited and with text by Marianne Stockebrand. Additional texts by Donald Judd, Rudi Fuchs, Thomas Kellein, Nicholas Serota, Richard Shiff, and Rob Weiner. "This handsome publication is the first comprehensive presentation of the Chinati Foundation''s collection in more than twenty years. The book describes how Judd developed his ideas of the role of art and museums from the early 1960s onward, culminating in the creation of Chinati (and including its two predecessors--his buildings in New York and his residence in Marfa). The individual installations at Chinati are presented in chronological order with stunning photography these include work by John Chamberlain, Dan Flavin, David Rabinowitch, Roni Horn, Ilya Kabakov, Richard Long, Carl Andre, Claes Oldenburg, and Coosje Van Bruggen, as well as Judd himself. His installations at Marfa include 15 outdoor works in concrete and 100 aluminum pieces housed in two carefully renovated artillery sheds. The book also features writings by Judd relating to Chinati and Marfa, and a complete catalogue of the collection." --publisher''s statement. Fine. In publisher's issued shrink wrap, clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders. …

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume contains the proceedings of the US-Australia workshop on Control and Chaos held in Honolulu, Hawaii from 29 June to 1 July, 1995. The workshop was jointly sponsored by the National Science Foundation (USA) and the Department of Industry, Science and Technology (Australia) under the US-Australia agreement. Control and Chaos-it brings back memories of the endless reruns of 'Get Smart' where the good guys worked for Control and the bad guys were associated with Chaos. In keeping with current events, Control and Chaos are no longer adversaries but are now working together. In fact, bringing together workers in the two areas was the focus of the workshop. The objective of the workshop was to bring together experts in dynamical systems theory and control theory, and applications workers in both fields, to focus on the problem of controlling nonlinear and potentially chaotic systems using limited control effort. This involves finding and using orbits in nonlinear systems which can take a system from one region of state space to other regions where we wish to stabilize the system. Control is used to generate useful chaotic trajectories where they do not exist, and to identify and take advantage of useful ones where they do exist. A controller must be able to nudge a system into a proper chaotic orbit and know when to come off that orbit. Also, it must be able to identify regions of state space where feedback control will be effective. …

Zustand: Used. pp. 352.

Zustand: New. In English.

Zustand: Sehr gut. Standard Version. HC1-25303/8-01389956 Altersfreigabe FSK ab 16 Jahre Sprache: Englisch Gewicht in Gramm: 72 DVD, Maße: 13.4 cm x 1.7 cm x 19 cm.

Zustand: Sehr gut. Standard Version. HC1-2535-6/8-01377822 Altersfreigabe FSK ab 16 Jahre Sprache: Englisch Gewicht in Gramm: 72 DVD, Maße: 13.4 cm x 1.7 cm x 19 cm.

Zustand: Sehr gut. Standard Version. HC1-2537-3 /8-01377988 Altersfreigabe FSK ab 16 Jahre Sprache: Englisch Gewicht in Gramm: 72 DVD, Maße: 13.4 cm x 1.7 cm x 19 cm.

Zustand: New. A Developmental Model of Borderline Personality Disorder is a landmark work on this difficult condition. The book emphasizes a developmental approach to BPD based on an in-depth study of inpatients at Chestnut Lodge in Rockville, Maryland, during the years .

328 pp.; 29.8 x 25 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Large-scale monograph edited and with text by Marianne Stockebrand. Additional texts by Donald Judd, Rudi Fuchs, Thomas Kellein, Nicholas Serota, Richard Shiff, and Rob Weiner. "This handsome publication is the first comprehensive presentation of the Chinati Foundation''s collection in more than twenty years. The book describes how Judd developed his ideas of the role of art and museums from the early 1960s onward, culminating in the creation of Chinati (and including its two predecessors--his buildings in New York and his residence in Marfa). The individual installations at Chinati are presented in chronological order with stunning photography these include work by John Chamberlain, Dan Flavin, David Rabinowitch, Roni Horn, Ilya Kabakov, Richard Long, Carl Andre, Claes Oldenburg, and Coosje Van Bruggen, as well as Judd himself. His installations at Marfa include 15 outdoor works in concrete and 100 aluminum pieces housed in two carefully renovated artillery sheds. The book also features writings by Judd relating to Chinati and Marfa, and a complete catalogue of the collection." --publisher''s statement. Very Good. Light yellowing and dusting of dust jacket and text block edge and light bumping of cover corners. Slight yellowing of page edges. INSCRIBED, DATED, AND SIGNED BY MARIANNE [STOCKEBRAND]. Contents otherwise clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders. …

65 pp.; 27 x 20.4 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; December 1981 / January 1982 issue of Flash Art, edited by Giancarlo Politi and Helena Kontova. Contents include: "Philip Guston," by Dore Ashton; "Le Nouveau Réalisme," by Pierre Restany; "Is There Life After Performance?," by Lynn Zelevansky; "Jirí Kolár," by Thomas M. Messer; "Art and Psychoanalysis," by Peter Fuller; "Flash Art London," reviews by Caroline Collier, Nena Dimitrijevic, Michael Newman; "Flash Art New York," reviews by Barbara Cavaliere, Jonathan Crary, Judd Tully, Lynn Zelevansky, Valerie Smith, Douglas Blau; "Flash Art Germany," reviews by Annelie Pohlen; "Flash Art Spain," reviews by Gloria Moure; "Flash Art Australia," reviews by Jennifer Phipps, Mike Parr, Bernice Murphy "Flash Art Paris," reviews by Marie Boué, Bernard Blistene, Catherine Strasser, Anne Dagbert. Cover: Philip Guston. Very Good / Fine. Light dusting of covers with light edge wear and light sunning of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

160 pp.; 24 x 17 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Kunsthalle Bielefield, Germany, May 5 - July 21, 2002. Traveled to the Menil Collection, Houston, January 31, 2002 - April 27, 2003. Text by Thomas Kellein, with writing by Judd included. "Like no other sculptor today, Donald Judd has informed our understanding of art and its relationship to space. The Panoramas Gallery organized his first solo exhibition in 1957, at a time in which he was still focused on painting, but moving from the flat picture plane towards the third dimension. His cadmium red pictures cut through with stripes or incisions led the viewer to perceive space as a basic fact of sculpture. From there Judd moved toward a complete abandonment of painting, recognizing, in the early 60s, that "actual space is intrinsically more powerful and specific than paint on a flat surface." His switch from painting to sculpture was coincident with a growing interest in architecture and in industrial processes and materials, such as galvanized steel, concrete, plywood and aluminum, which he used to create large, hollow, Minimalist sculptures.This decisive development is documented here for the first time, from the early work of the 1950s up to 1968, the point at which Judd's artistic vocabulary reached its complete formation. Numerous works, including previously unrecorded paintings, sculptures, sketches and works on paper appear here alongside unpublished documents and texts by Judd himself." --publisher's statement. Includes biography and checklist. Printed in color and black-and-white. Text in English. Very Good. Light rubbing of cover edges, four 1 mm. black marks on recto, bumping of top right corner of recto, and bumping of top edge of verso. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders. …

Erste Auflage. 24 x 17 cm 157 S., 1 Blatt. Geprägter OPappband. Sehr gutes Exemplar. Katalog zu den Ausstellungen Bielefeld und Houston, Menil Collection 2002/ 2003. Durchgehend mit Abbildungen versehen.