joyce moser (20 Ergebnisse)

Zustand: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly!

Paperback. Zustand: Very Good. 4. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. Good condition. 4th edition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good.

Zustand: New.

Softcover. Zustand: Très bon. Barry Moser (illustrator). Ancien livre de bibliothèque avec équipements. Edition 1999. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 1999. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Zustand: New. In shrink wrap.

Zustand: very good. Moser, Barry (illustrator). Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. First edition thus. Wood engravings by Barry Moser. Foreword by Joyce Carol Oates. 16mo. Cloth moderately dampstained and soiled, a good only copy in a good only dust jacket with corresponding internal dampstains.

Barry Moser (illustrator). Traduit de l'américain par S. Porte. Illustré par Barry Moser. Broché. 90 pages.

Zustand: New. In.

Zustand: New. pp. 618.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Cloth. Zustand: Fine+. Zustand des Schutzumschlags: Fine. Illustrated by Barry Moser (illustrator). First Edition; First Printing. A handsome stated first edition/first printing in Very Fine condition in Fine dust-jacket which shows a bit of sunning on spine and along edges. Beautifully bound in black stamped burgundy cloth; Eleven-year-old Josie and her self-indulgent mother Delia have come to live with great-aunt Esther Burkhardt in upstate New York. Here Josie meets her withdrawn 25-year-old cousin Jared, Jr. , on leave from seminary, who draws Josie into some bizarre sexual rituals. A haunting novel about the pain and helplessness of sexually abused children abandoned by the adults in their lives. First published in the Ontario Review in 1966 ; Woodcuts; 16mo.

Paperback. Zustand: Brand New. reissue edition. 272 pages. 8.50x6.00x0.75 inches. In Stock.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good. Barry Moser (illustrator). First Thus. First Thus, no additional printings stated; SIGNED by illustrator Moser with 23.IX.95 stated on half-title page and SIGNED by Oates on first page of Foreword; 12mo, black cloth; vg+ (spine ends lightly bumped) in vg dj (panels and spine sunned; spine faded; edges bumped and worn). Signed.

Zustand: Comme neuf. Moser, Barry (illustrator). Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. John O'Connor, John Randle, Barry Moser, Carol Grossman, Adrian Wilson, Joyce Lancaster Wilson, Nuiko Haramaki (illustrator). First Edition. Other authors: Phil Abel, Ken Auchincloss, Duncan Avery, Michael Barnes, Geoffrey Beare, William W. Whitney, Kenneth Auchincloss, Wilfried Onzea, Daniel Waters, Adela Spindler Roatcap, Joanne Sonnichsen. Illustrated. With articles by John Randle, Barry Moser, Carol Grossman and many others. Includes: Whittington Press (John O'Connor original linocut signed in pencil; Peter Allen stencilled colour prints); One Tuscany Alley Press (linoleum block illustrations by Adrian Wilson, typejuggler logo by Nuiko Haramaki); Leonard Baskin (poster of King Solomon from the Pennyroyal Caxton Press edition of the Holy Bible); Indian Hill Press (Daniel Waters, cut in linoleum for the patterned paper on the cover); The Book Club of California (Seventy Years, a checklist of the book club's publications); Barbarian Press (Gerard Brender à Brandis wood engraving); Center for the Book Millis College ("A Salon at Larkmead" from the diaries of Martha Hitchcock special collection at the college; Photograph of Porter Garnett, Lillie Hitchcock Coit, Allen Knight and Mrs. Knight by Allen Knight); The Weather Bird Press ("Another Sunset" poem by Mark Nicoll-Johnson). 10" - 13". book.

Zustand: Near Fine. First Thus. Deluxe limited edition, #1 of 5 advance proof copies from a total print run of 350 copies. Signed by Barry Moser on the limitation page at rear. xvi, 282 pp. Small folio, bound in publisher's maroon cloth over quarter tan morocco, raised bands and maroon morocco title label to spine. Very Near Fine with small stain to spine and narrow scuff to rear board. Together with maroon cloth chemise containing additional suite of 52 wood engravings on 13-3/4 x 10 inch sheets, 20 proofs on 11-1/2 x 9-1/2 sheets, and one pencil sketch of Victor Frankenstein on tracing paper, all signed by Moser in pencil below plate. Proofs include 15 views of the monster's face and 5 other illustrations, various inkings. Narrow faint stain to lower edge of one sheet, otherwise clean and bright. Book and chemise housed in publisher's sturdy charcoal cloth slipcase. When Barry Moser began what he came to consider his greatest book, his first instinct was to depict Frankenstein's monster as a metaphor for the horrors unleashed by the modern age, complete with atomic bomb imagery. Realizing that a timeless book had to be less topical, he took his cue instead from the scene in which the monster rescues a young woman from drowning. He is promptly shot by her boyfriend for no better reason than being large and yellow, and Moser later wrote: "In this scene I discovered a monster I know on a first-name basis. His name is Bigotry. His name is Hate. His name is Racism. Ignorance. Intolerance. My family was real friendly with him, and so was I growing up in Tennessee in the '40s and '50s. He wore a white sheet and burned crosses." Most of the book's wood engravings are printed in black and white, but the second volume, in which the monster tells his own story, contains a sequence of 8 color prints partial closeups of the monster's face, as though he were being seen in the dim light of the fire shared by himself and his creator. "Warm colors, these," wrote Moser, "behind black, a metaphor of my sympathy with the monster. A ministration in my struggle as a recovering racist.".