Joy calico (35 Ergebnisse)

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. An excellent copy of this collection of studies on German-Jewish arts and culture. Interior is clean, crisp, and free of marks. Binding is strong and square. Dust jacket is very clean, almost as new. Now protected in Brodart.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2019. Reprint. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780520254824.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

1st edn 1st printing. 8vo. Original laminated boards (Fine), dustwrapper (Fine). Pp. xv + 254, illus with b&w photos and map (no inscriptions).

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. Investigates the meanings attached to the work as it circulated through Europe during the early Cold War in a kind of symbolic musical remigration, focusing on six case studies: West Germany, Austria, Norway, East Germany, Poland, and Czechoslovakia. Series: California Studies in 20th-Century Music. Num Pages: 272 pages, 6 b/w illustrations, 1 map. BIC Classification: 1D; AVC; AVGC; HBJD. Category: (G) General (US: Trade). Dimension: 235 x 160 x 22. Weight in Grams: 506. . 2014. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. reprint edition. 304 pages. 9.00x6.00x1.00 inches. In Stock.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: New. In English.

hardcover. Zustand: Very Good.

Zustand: New. Argues that Brecht's simultaneous work on opera and Lehrstuck in the 1920s generated the concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis. Series: California Studies in 20th-Century Music. Num Pages: 304 pages, 2 tables, 18 music examples. BIC Classification: AVGC9. Category: (U) Tertiary Education (US: College). Dimension: 229 x 152 x 22. Weight in Grams: 472. . 2008. First Edition. Hardcover. . . . . Books ship from the US and Ireland.…

Zustand: New.

hardcover. Zustand: Fine. Zustand des Schutzumschlags: Includes dust jacket.

Hardcover. Zustand: Brand New. 258 pages. 9.00x6.25x0.75 inches. In Stock.

Gebunden. Zustand: New. Investigates the meanings attached to the work as it circulated through Europe during the early Cold War in a kind of symbolic musical remigration, focusing on six case studies: West Germany, Austria, Norway, East Germany, Poland, and Czechoslovakia.Joy.

Hardcover. Zustand: Brand New. 400 pages. 6.54x1.51x9.31 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - From an award-winning author, the first thorough examination of the important influence of opera on Brecht's writings. Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstück in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis.…

Hardcover. Zustand: Brand New. 1st edition. 304 pages. 9.25x6.25x1.25 inches. In Stock.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. BERKELEY: University of California Press, 2008. First edition. First printing. Hardbound. New/New. Purchased new and never opened. FERRY. UNIVERSITY PRESS.

Gebunden. Zustand: New. &Uumlber den AutorJoy H. Calico is Associate Professor of Musicology in the Blair School of Music at Vanderbilt University.Klappentextrnrn Brecht at the Opera looks at the German playwright s lifelong ambivalent eng.

Buch. Zustand: Neu. Neuware - Joy H. Calico examines the cultural history of postwar Europe through the lens of the performance and reception of Arnold Schoenberg's A Survivor from Warsaw - a short but powerful work, she argues, capable of irritating every exposed nerve in postwar Europe. A twelve-tone piece in three languages about the Holocaust, it was written for an American audience by a Jewish composer whose oeuvre had been one of the Nazis prime exemplars of entartete (degenerate) music. Both admired and reviled as a pioneer of dodecaphony, Schoenberg had immigrated to the United States and become an American citizen. This book investigates the meanings attached to the work as it circulated through Europe during the early Cold War in a kind of symbolic musical remigration, focusing on six case studies: West Germany, Austria, Norway, East Germany, Poland, and Czechoslovakia. Each case is unique, informed by individual geopolitical concerns, but this analysis also reveals common themes in anxieties about musical modernism, Holocaust memory and culpability, the coexistence of Jews and former Nazis, anti-Semitism, dislocation, and the presence of occupying forces on both sides of the Cold War divide.…