joseph strick (10 Ergebnisse)

Two vintage reference photographs from the 1963 film. From the archive of film historian and author Joel Finler. Based on Jean Genet's 1957 play, about the madam of a brothel who is drawn into a political plot to help stop a revolution. 10 x 8 inches. Near Fine.

Final Script for the 1969 film. Originally set to be made by maverick director Joseph Strick, who actually did some location shooting in Tunisia. However, Strick ran into disagreements with Fox executives, and was replaced with George Cukor, who shot the remainder of the film in Hollywood. Set in Alexandria in 1938, a young British schoolmaster named Darley meets Pursewarden, a British consular officer. Pursewarden introduces him to Justine, the wife of an Egyptian banker. Darley befriends her, and discovers she is involved in a plot against the British, the goal of which is to arm the Jewish underground movement in Palestine. Partially shot on location at Ennejma Ezzahra, a palace at Sidi Bou Said, in Northern Tunisia. Blue titled wrappers, noted as Final on the front wrapper and production No. 842, dated July 2, 1968. Title page present, dated July 2, 1968, noted as Final, with credit for screenwriter Marcus. 152 leaves, mimeograph duplication, with blue and pink revision pages throughout, dated variously between 7-15-68 and 11-22-68. Pages Near Fine, wrapper Near Fine, internally bound with three gold brads.

Single Issue Magazine. Zustand: Good. Illustrated by Cosindas, Marie; Fischer, Carl; Gorton, D.; Liebowitz,Meyer; Clark, Gordon; Higgins, Chester Jr.; Strick, David; Migdoll, Herb;Gangl, Ott; Horning, Joseph; Pughe, J.S.; Leyendecker, Joseph Christian;Benton, Thomas Hart; Barberis, Tito; Rothaus, Ede (illustrator). First Edition. 112 pages. Features: Imperial Dentistry; Life with Father - More and more divorced men are demanding the right to custody of their children - with photo of Dr. Joseph S. Bell and his children Gerald and Jennifer; Nice Rolls-Royce Silver Wraith II ad; To Be Young, Rich - And a Spy - Andrew Doulton Lee and John Christopher Boyce passed secret U.S. defense documents to the Russians through the Soviet embassy in Mexico City; Spoleto U.S.A. - Gian Carlo Menotti has made the Italian summer festival a byword for artistic excellence for twenty years, and now he's taking it to Charleston; Color BMW ad features the 530i; Nice one-page color-photo ad for Mademoiselle Magazine; How "Moral" Can We Get? - by injecting human rights into foreign policy, (Jimmy) Carter has revived an old American dilemma; Small ad for the Lotus Esprit; Piracy on the Low Seas - Vessel 'Pirate's Lady' vanishes with Tony Latuso and David Diecidue aboard, after fueling at Apalachicola on the Florida panhandle; Bausch & Lomb ad features Halston designed frames for glasses; Sotheby Parke Bernet ad features photo of Jane Wyeth; White-Water High - a great wave of boating is hitting America's rivers; Suddenly it's Summer - gorgeous beach fashion photos; Summer Rental Redo by Bob Patino and Vincent Wolf; Sunoco ad features their 'Penny Pinching Pump'; Small Beer. Unmarked with average wear. A sound vintage copy.; Folio - over 12" - 15" tall; The New York Times Magazine, May 22, 1977: Werner Herzog - How Men Are Winning Custody of Their Kids Charleston Imperial Dentistry; Life with Father - More and more divorced men are demanding the right to custody of their children - with photo of Dr.

Zustand: Wrappers gently used. 4to, unpag. 32pp in printed card wrappers, illustrated throughout. Illustrated souvenir program from the film adaptation of Joyce's landmark novel by Joseph Strick. A gadfly director, Strick embraced the challenge of being the first to adapt Joyce's masterpiece into film, taking motivation from the many doubters and naysayers who thought him a fool for trying it. He initially aimed to film the entire novel, word for word, in an epic production that would have run nearly twenty hours. Unable to secure any funding for such a project, he had to reduce it two hours. Shot in contemporary 1960s Dublin with a superb cast of Irish actors including Milo O'Shea as Leopold Bloom, Barbara Jefford as Molly Bloom, Maurice Roeves as Stephen Dedalus, and T.P. McKenna as Buck Mulligan, it took Strick three years to complete the film, which was released in New York in March of 1967. It generated immediate controversy and was censored at the Cannes festival and in Britain, and entirely banned in Ireland until 2000. (Although barred from theatrical release, private clubs were able to screen the film for Irish audiences). Famously, it was the first film in the U.K. to contain the word "fuck." Nor was it especially warmly received by critics or the community of Joyceans. In later years, however, appreciation has grown for Strick's achievement.

Original US one sheet poster for the 1970 X-rated film. Based on Miller's 1934 groundbreaking novel of life and love in Paris, a book initially banned in the US. Miller (Torn) and his wife Ellen (Burstyn) dally in France's finer things, while he tries teaching English at a school in Dijon, takes a boy to a bordello, and aids his asylum-bound friend who's in love with a prostitute. 27 x 41 inches, folded. Studio stamp on the verso. Very Good plus, with small central holes, faint creases. Uncommon.

Vintage borderless photograph from the German release of the 1970 US film, based on the 1934 autobiographical novel by Henry Miller. In this image, Miller, who also had a cameo role, converses with Rip Torn, who portrays him in the film. With a German mimeo snipe and the stamp Cinema International on the verso. Set and shot in Paris. 10 x 8 inches. Near Fine.

Three vintage studio still photographs from the 1970 film, showing actors Rip Torn and Ellen Burstyn. Based on Henry Miller's 1934 novel, a book initially banned in the US. A broke writer travels from New York to Paris, living on the generosity of his expatriate American friends, and spending any money he can get on alcohol and women. Rated X in the US upon release, a rating that was changed to NC-17 in 1992. 10 x 8 inches. Near Fine.

Vintage borderless reference photograph from the set of the 1970 film, showing writer Henry Miller sitting on a balustrade with director Joseph Strick. Annotations in manuscript pencil on the verso. Based on Henry Miller's 1934 novel, a book initially banned in the US. A broke writer travels from New York to Paris, living on the generosity of his expatriate American friends, and spending any money he can get on alcohol and women. Rated X in the US upon release, a rating that was changed to NC-17 in 1992. 8 x 10 inches. Near Fine.

Six vintage reference photographs from the 1967 film. With printed mimeo snipes affixed to the verso. The first film adaptation of James Joyce's influential modernist novel, and one of the only adaptations to take its dialogue directly from the book. The film came under heavy threat of censorship due to profane (for the time) language, and was given an X rating in the UK after director Joseph Strick refused to edit out any of the "offending" passages. Set in Dublin, Ireland, and shot there on location. 10 x 8 inches. Very Good plus, several lightly toned.

Original title card maquette hand lettered by Harold Adler for the 1969 film. Based on the "Alexandria Quartet" by Lawrence Durrell. Harold Adler was a calligrapher who created hand lettered titles on over 100 films, worked frequently with Alfred Hitchcock, and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "Justine" his credits include "Comanche!" (1956), "The Man with the Golden Arm" (1955), "The Seven Year Itch" (1955), "Carmen Jones" (1954), "Psycho" (1960), "The Birds" (1963), "In the Heat of the Night" (1967), and "Finian's Rainbow" (1969). In 2012, an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation, Kansas City. A young British schoolmaster and poet travels to Alexandria, where he meets Justine, the mysterious wife of a banker, whom he discovers is involved in a plot to arm the Jewish underground in Palestine. Shot, in part, on location in Tunisia. 17.25 x 11.5 inches. Black ink on white card stock, with tissue paper overlay. Near Fine, with light toning to the card edges. Manuscript annotations, one noting "original," to the tissue overlay and card.