joseph biederman (8 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

First Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall. Physical description: 100 pages : illustrations (some colour) ; 31 cm. Subjects: Biederman, Charles. Art, Modern 20th century United States ; Exhibitions. Genre: Art. Language: English. 1 Kg.

Hardcover. Zustand: Very Good. First Edition; First Printing. 8.75 X 2 X 11.25 inches; 1273 pages; illustrations. Access code does not appear to have been used, but we are not sure the website still works. Minor shelf rubbing on the covers. Very Good condition. No noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Paperback. Zustand: very good. Book. 245 x 245 mm, 32 pp. in stapled, printed wraps. Special issue of the groundbreaking art, architecture and literary magazine FORM, which was edited by influential Cambridge academics of the period, and was noteworthy for republishing and translating avant-garde texts. This particular issue is dedicated to the 'Brighton Festival Exhibition of Concrete Poetry'. Features a map and index of the works exhibited (the exhibition was directed by FORM editor Stephen Bann), as well as a translation of 'The first years of Concrete Poetry' by Eugen Gomringer. This issue also includes: an essay by Lewis Shelley on the avant-garde Black Mountain College (the first in a series); an essay by Joseph Albers entitles 'My courses at the Hochschule fur Gestaltung at Ulm', and an essay on 'Albers' 'Graphic Tectonics' by Irving Finkelstein'; 'What is Kinetism?' by Lev Nusberg - translated from his manifesto; 'Symmetry: Nature and the Plane' and 'A Non-Aristotelian Creative Reality' by Charles Biederman; poetry by Anselm Hollo, and a section on 'Great Little Magazines', with this particular issue focused on 'Mecano', which was edited by Theo von Doesburg. Reprinted from 'Mecano' here is 'Two Men' by Kurt Schwitters, 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and 'Manifesto on the Lawfulness of Sound' by Raoul Hausman (translated by Richard Taylor'. Ref: Allen, Artist's Magazines, MIT Press, 2011. p. 261 Condition: crease to front cover as seen, minor toning to covers, internally near fine. Overall very good.

1st Edition. Near fine cloth copy in a poor if somewhat edge-torn (with some loss) and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved; tight, bright, clean and strong. Provenance; the critic and poetry activist Charles Tomlinson's copy; signed and inscribed by the author to him. Physical description: 696 pages, illustrations, 29 cm. Subjects: Biederman, Charles. Art Philosophy. Art History. Art criticism. 2 Kg.