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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2023
ISBN 10: 3631907605 ISBN 13: 9783631907603
Sprache: Englisch
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 48,49
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In den WarenkorbZustand: New. In.
Verlag: Berlin ; Lausanne : Peter Lang [2023]., 2023
ISBN 10: 3631907605 ISBN 13: 9783631907603
Sprache: Englisch
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
EUR 35,00
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In den WarenkorbFesteinband. Zustand: Wie neu. 251 Seiten ; 22 cm This book retrieves the narrative and social context of Brazilian historical performances and artistic movements to restore, with the support of a vast literature review, aesthetic analysis and the debate around engagement, the due complexity to the multifaceted concept of political theatre. Broadening the perspective, it addresses one of the most significant contemporary resonances of such an itinerary: Augusto Boal's Theatre of the Oppressed, challenging canons of the role of performers and spectators. The research also seeks, by refusing pamphleteering or professorial responses, to shed light on the contested actuality of theatre's social function, especially after the extreme right wave that has been testing the usefulness of traditional institutions. -- Table of contents: 1 The foundations we stand on: theoretical context -- Aesthetics is a political battleground -- Political theatre demands change -- Politics is what lies ahead -- What does engaged theatre engage in? -- Our interlocutors -- 2 Theatre in exceptional times: historical context -- 3 Teatro de Arena and the fantasy of a popular theatre -- Eles ndo usam black-tie: dramaturgy decolonialised -- The subjects of Eles ndo usam black-tie -- Black-tie's contradictions and limitations -- The political reach of Eles ndo usam black-tie -- 4 A Mais Valia vai acabar, seu Edgar and the CPC: allegory of a utopia -- Popular dramaturgy for a critical pedagogy -- The mournful eulogy of Manichaeism -- The pedagogical intention of Mais-Valia -- The dispute over culture and the popular -- 5 Teatro Oficina and O Rei da Vela: crushing illusions -- Is another political theatre possible? -- The dramaturgical project of 0 rei da vela -- The performance and its cultural background -- An alternative to "there is no alternative"? -- 6 A political critique of Forum Theatre -- Political spectatorship -- Politically acting: the curinga -- The emergence of the curinga -- The role of the contemporary curinga -- What now for the Brazilian political theatre? -- Works cited. ISBN 9783631907603 Sprache: Englisch Gewicht in Gramm: 450.
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In den WarenkorbBuch. Zustand: Neu. Neuware -This book retrieves the narrative and social context of Brazilian historical performances and artistic movements to restore, with the support of a vast literature review, aesthetic analysis and the debate around engagement, the due complexity to the multifaceted concept of political theatre. Broadening the perspective, it addresses one of the most significant contemporary resonances of such an itinerary: Augusto Boal¿s Theatre of the Oppressed, challenging canons of the role of performers and spectators. The research also seeks, by refusing pamphleteering or professorial responses, to shed light on the contested actuality of theatre¿s social function, especially after the extreme right wave that has been testing the usefulness of traditional institutions.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 254 pp. Englisch.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
EUR 54,95
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In den WarenkorbBuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book retrieves the narrative and social context of Brazilian historical performances and artistic movements to restore, with the support of a vast literature review, aesthetic analysis and the debate around engagement, the due complexity to the multifaceted concept of political theatre. Broadening the perspective, it addresses one of the most significant contemporary resonances of such an itinerary: Augusto Boal's Theatre of the Oppressed, challenging canons of the role of performers and spectators. The research also seeks, by refusing pamphleteering or professorial responses, to shed light on the contested actuality of theatre's social function, especially after the extreme right wave that has been testing the usefulness of traditional institutions.