jon naar (38 Ergebnisse)

Zustand: Good. Good condition. Highlighting inside.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by Perennial Library, 1990. Octavo. Paperback. Book is like new with light shelf wear. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDCareers Very good. Few creases.

Zustand: As New. 1993. Hardcover. "Includes bibliographical references and index. Commissioning organisation: Jon Naar and Alex J. Naar. ix, 388 p. ill., maps 23 cm. Associated Names: Naar, Alex J. Paperback. As new copy. Clean text. 1st ed.". Not a first edition copy. . . . Books ship from the US and Ireland.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: As New. 1993. Hardcover. "Includes bibliographical references and index. Commissioning organisation: Jon Naar and Alex J. Naar. ix, 388 p. ill., maps 23 cm. Associated Names: Naar, Alex J. Paperback. As new copy. Clean text. 1st ed.". Not a first edition copy. . . .

Zustand: Very good.

Taschenbuch. Zustand: Sehr gut. First Edtion. 215 S. Glossary: S. 206 - 210 Das Buch ist in sehr gutem, sauberen Zustand. Altersbedingt leicht getönt. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9780345274892 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 482.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. In original shrinkwrap.

Soft cover. Zustand: Very Good. The now global phenomenon of grafitti was first captured in New York in early 1973 by the photographer Jon Naar. This book brings to life the gritty, exciting New York of the early 1970s, and the raw visual power of early grafitti. 168 pages : chiefly illustrations (chiefly color) ; 20 x 25 cm. Revised edition. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Soft cover. Zustand: Very Good -. 1st Edition. Glossy illustrated soft-back, clean but extremities and most edges slightly rubbed, bottom fr. outer corner has 15 cm shallow diagonal crease plus small rubbed crease to tip. Unpaginated but has 14 pp. central essay by Mailer with a number of marginal monochrome ills and quotes, both openings have columns of graffiti artists 'names' in white on black alongside pub. details, remainder consists entirely of coloured photos across full opening apart from single pages facing ends of Mailer's text. Rare in UK and apparently scarce in US. 26 cm x 34 cm The paper-back ISBN 0275716100 is not recognized on my HomeBase 3.1 cataloguing system, though a hardback one is (extremely rare).

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. Naar, Jon (illustrator). 1st Edition. Book condition: as new, very scarce signed first edition, filled with photos in b/w and stunning color, many full page, DJ shows no wear, white cloth boards immaculate with bright silver lettering, signed by author/artist on dedication page, foreword by Edwin Jacobs, intro by Corinne Robins, interior flawless with no marks or tears, binding tight, 168 pp., 9 X 11.75 inches, * Postage for oversized and international shipping will be calculated by size and weight. AbeBooks shipping quotes are ESTIMATES only. If actual shipping cost is less than the AbeBooks estimate, it is our practice to REFUND the difference to the buyer. * NOAMZ. Signed by Author(s).

Hardcover. Zustand: As New. Text in english, 4to, hardbound with dust jacket, not paginated, illustrated as new copy.

Rare. First Edition. Dust Jacket in Very Good Condition, Hard Cover Binding and Pages in As Fine Condition. Published in 1974, The Faith of Graffiti marked a turning point in how graffiti was perceived- shifting it from criminal act to cultural expression. The book combined the striking street photography of Jon Naar and Mervyn Kurlansky with a provocative essay by Norman Mailer, who argued that graffiti represented a new, rebellious form of urban art. At a time when such markings were dismissed as vandalism, the book insisted they were messages of identity, visibility, and resistance. Naar's photographs captured New York City's subways, buildings, and alleyways transformed by young graffiti writers. These vibrant, improvised visuals- tagged names, stylized letters, and layered scrawls- offered a raw portrait of the city's social and creative energy. Mailer's text placed these anonymous artists within a broader cultural context, comparing their work to calligraphy and likening their presence to political and existential acts. Half a century later, The Faith of Graffiti remains a foundational document in the history of street art. Its influence is visible in contemporary practices that challenge the boundaries between public and private space, and in the work of artists who, like those early writers, use the city itself as their canvas.

Soft cover. Zustand: Good. 1st Edition. Oversized softcover. Pictorial covers with corners curled, spine worn. Text block complete and holding together, despite the soft-cover binding. Full color photographs throughout, with 16 page essay by Norman Mailer on tan colored paper in the middle section. Measures 10.5 x 13.5 inches. Stated first edition, from 1974. An early study of graffiti as art form. Please email with questions or to request photos. If you see a photo beside this listing, please be aware that it's an ABE Stock Photo (whatever that is) and not a photo of this book. Extra shipping will be necessary for this oversized book.

Zustand: Good. Foto-Dokumentation Mervyn Kurlansky Und Jon Naar (illustrator). Paperback, geà llustreerd met (paginagrote) foto's in kleur, ongepagineerd, folio.; Lichte slijtage randenomslag.

34,5x26,5 cm. (96) pp. Richly illustrated. Soft cover, spine slightly worn.

Softcover. First Paperback Edition, First Printing. Quarto. In Good condition. Green spine with white lettering. Covers have moderate shelving wear, bending wear along the rear cover, and large open tears along the spine head edges. Textblock has mild wear along the edges and mild age-toning along the edges. Signed flat by Norman Mailer on the title page. Shelved Room C. 1391519. Special Collections.

Softcover. Zustand: VG+. First Edition. 4to. 96pp. Printed wraps as issued. Numerous colour plates. Text in English. The most scarce of the variants. This copy has had quite a hard life, there is a split at the bottom of the spine and the covers are worn to corners and edges. It's solid though and in no danger of deterioration. A classic, definitive look at the birth of graffiti as an art form, pairing the fascinating 1974 essay by Norman Mailerâ"National Book Award and two-time Pulitzer Prize-winning author of The Naked and the Dead and The Executionerâs Songâ"with the stunning, iconic photography of internationally acclaimed photographer Jon Naar. Super early and super good.

Soft cover. Zustand: Fair. 1st Edition. Color photographs of New York subway grafitti in the "DROP DEAD" 1970s. A document of the authors' 1972 visit to the city. Endpages feature tag-names of graffiti writers, and a few quotes talking about their work. With 8-page essay by Norman Mailer: "The Faith of Graffiti." Softcover. From the collection of late Berlin action artist, gallerist, urban ecology advocate, mural-art producer and sculptor Ben Wagin. Wear and tear are result of location in the artist's studio, where he often worked with sand, dirt and gold dust. Condition: Fair. Spine sun faded but binding tight and intact. Edges of both front and back cover slightly chipped and creased. Shelf wear on bottom. Water damage back/ bottom of the book left four pairs of pages stuck together in the back that have made some tiny white spots on the photos when separated; despite this no notable odor. Some welling on bottom near back, slight welling top and right corner as well. But overall a decent reading copy of this scarce book.

Soft cover. Zustand: Good. 1st Edition. Pictorial stiff wrappers (softcover), [88] pages : chiefly color illustrations ; 36 cm. Good, bookblock detached from wrappers, for the rest very good, clean, unmarked. First edition.

Foto-Dokumentation Mervyn Kurlansky Und Jon Naar (illustrator). Andreas Landshoff Productions B.V., Amsterdam, 1974. 96 unpaginierte S., kartoniert, quart, (Rücken eingerissen/leicht berieben/Einband mit kleinen Knickspuren)---- Text niederländisch - 698 Gramm.

Leather bound. Zustand: Fine. The limited edition of The Faith of Graffiti, signed by Norman Mailer, Mervyn Kurlansky, and Jon Naar. (illustrator). Limited Edition. Quarto, [80pp], [16pp text]. Full brown leather, title stamped in gilt on the spine, stamped in blind on front cover. Stated "First Printing" on the copyright page. This limited edition preceded the first trade edition, published the same year. Housed in the publisher's brown cloth slipcase. From a limited edition of 350 copies, this being number 272, signed by Norman Mailer, Mervyn Kurlansky, and Jon Naar. This work features 80 photographs by Jon Naar, with design work by Mervyn Kurlansky. "The Faith of Graffiti" examines New York City's graffiti movement as a legitimate and expressive art form rather than mere vandalism. Mailer argued that graffiti represented the voice of urban youth asserting identity and rebellion amid social decay, positioning it within a broader dialogue about art, politics, and public space. Signed.