Verlag: Routledge, 2016
ISBN 10: 1138907774 ISBN 13: 9781138907775
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
Verlag: Routledge, 2016
ISBN 10: 1138907774 ISBN 13: 9781138907775
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition.
Verlag: Taylor & Francis, 2016
ISBN 10: 1138907774 ISBN 13: 9781138907775
Anbieter: moluna, Greven, Deutschland
Zustand: New. Jon Foley Sherman is a teacher, scholar, performer, and director. He is co-editor of Performance and Phenomenology (Routledge 2015), and his articles have apeared in Performance Research, New Theatre Quarterly, and Theatre Topics.
Verlag: Routledge, 2016
ISBN 10: 1138907766 ISBN 13: 9781138907768
Anbieter: Reuseabook, Gloucester, GLOS, Vereinigtes Königreich
Hardcover. Zustand: Used; Like New. Dispatched, from the UK, within 48 hours of ordering. This book is in mint condition. Both the pages and the cover are completely intact, without zero sign of previous usage.
Verlag: Taylor & Francis Ltd (Sales) Apr 2016, 2016
ISBN 10: 1138907774 ISBN 13: 9781138907775
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - A Strange Proximity examines stage presence as key to thinking about performance and ethics. It is the first phenomenological account generated from, rather than applied to, performance. Jon Foley Sherman presents a unique perspective on the implications of attention in performance.
Verlag: Routledge Mär 2015, 2015
ISBN 10: 1138805513 ISBN 13: 9781138805514
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - This book offers a timely discussion of the interventions and tensions between two contentious fields, performance and phenomenology. Acknowledging the history and critical polemics against phenomenological methodology and against performance as a field of study and category of artistic production, Performance and Phenomenology provides an introduction to core thinkers and an expansion on their ideas in a wide range of international case studies that map an emerging 21st century terrain of critical and performance practice. Each chapter explores a world comprised of embodied action and thought, addressing the use of dead animals in performance, actor training, the legal implications of thinking phenomenologically about how we walk, and the intertwining of digital and analog perception.