john schmit (9 Ergebnisse)

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Hardcover. Zustand: Brand New. 139 pages. 8.50x6.00x0.50 inches. In Stock.

Gebunden. Zustand: New.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book examines the ways in which a writer's presentation of self can achieve or impede access to power. Conversations about written voice and style have traditionally revolved around the aesthetics of stylistic choice. These choices, while they help establish a writer's presence in a text, too often ignore the needs of written identity as it crosses genres, disciplines, and rhetorical purposes.In contrast to stylistic investigations of a writer's 'voice' and its various components-diction, detail, imagery, syntax, and tone, for example-this book focuses on language variation and the linguistic features of a writer's presence in a text, as well as the establishment of a writer's social, cultural, and personal identity in a given text. The author attempts to explain the methods by which writers present themselves to their audiences. This book will be of particular interest to students and teachers of rhetoric and composition studies, as well as writers more broadly.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | This book examines the ways in which a writer¿s presentation of self can achieve or impede access to power. Conversations about written voice and style have traditionally revolved around the aesthetics of stylistic choice. These choices, while they help establish a writer¿s presence in a text, too often ignore the needs of written identity as it crosses genres, disciplines, and rhetorical purposes. In contrast to stylistic investigations of a writer¿s "voice" and its various components¿diction, detail, imagery, syntax, and tone, for example¿this book focuses on language variation and the linguistic features of a writer¿s presence in a text, as well as the establishment of a writer¿s social, cultural, and personal identity in a given text. The author attempts to explain the methods by which writers present themselves to their audiences. This book will be of particular interest to students and teachers of rhetoric and composition studies, as well as writers more broadly.

[2] pp.; 56 x 21.5 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Double sided oversized flyer / poster / calendar for Yam Festival events presented at Smolin Gallery, New York, May 1 - 31, 1963. Design credited to George Brecht and Robert Watts. Calendar notes events held daily through the course of the month of May. Also indexes "Yam Day" events staged on May 11 - 12 at the Hardware Poet's Palyounse featuring works by George Brecht, Robert Watts, Ben Patterson, Dick Higgins, Mary Ashley, Robert Ashley, Philip Krumm, Carolyn Fozznick, Robert Breer, Earle Brown, Joseph Byrd, John Cage, Barney Childs, Philip Corner, Lucia Dlugosqewski, Robert Filliou, Malcolm Goldstein, Al Hansen, Spencer Holst, Terry Jennings, Ray Johnson, Jill Johnston, Joe Jones, Alison Knowles, Arthur Køpcke, Takehisa Kosugi, Gary Kuehn, Peter Longazo, George Maciunas, Jackson Mac Low, Robert Morris, Robin Page, Yvonne Rainer, Diter Rot [Dieter Roth], Tomas Schmit, Robert Swisshelm, James Tenney, Stan Van Der Beek, James Waring, Diane Wakoski, Emmett Williams, Christian Wolff, and La Monte Young. Reference : No. 75 in "Extra Art : A Survey of Artists' Ephemera 1960 - 1999" by Steven Leiber, Ralph Rugoff, Anne Moeglin-Delcroix, Todd Alden, Ted Purves. San Francisco / Santa Monica, CA : California College of Arts and Crafts [CCAC] / Smart Art Press, 2001, pp. 68. Fair / Poor. Folded once as issued. Losses along edges and closed separation along fold. Discoloration along fold. Moving away from edges the work is in Good condition. See image for accurate rendering of condition issues. Sold "as-is.".