john robert sayers (7 Ergebnisse)

Paperback. Zustand: As New. Paperback. Covers may show VERY minor shelf wear. A previously owned copy that is unblemished and appears unread.; 100% Satisfaction Guaranteed! Ships same or next business day!

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Illustrated by Robert Micklewright (illustrator). First Edition Thus. Nearly as new; F-/F-; classed as a book for whodunnit readers of all ages; ; 8vo 8" - 9" tall; 256 pages.

Paperback. Zustand: New. In shrink wrap.

Vintage studio still photograph of actor/director John Huston from the 1967 film. With one provenance stamp on the verso. Loosely based on the 1953 novel by Ian Fleming. The governments of multiple Countries contact James Bond to investigate why so many of their spies are being murdered. He hires a group of other spies all names James Bond to confuse the organization behind the murders. Shot on location in Scotland, Ireland, and England. 8 x 10 inches. Very Good plus. Weldon 1983.

Four vintage studio still photographs from the 1967 film. Inspired by the 1953 Ian Fleming novel. A spoof of Bond films of the 1960s, made when producer Charles K. Feldman, who had the rights to Fleming's work, could not come to an agreement to create a film parallel to those produced by Albert R. Broccoli and Harry Saltzman at Eon Productions. 10 x 8 inches. Near Fine.

Unpaginated stapled pamphlet of 24pp, small 4to. In fair condition, lightly aged and worn, with slight damage at head of spine. On the second page: 'The arrangement of this Programme has been the work of the Rev. Hugh Ross Williamson.' Programme for the day on front cover, including a talk by 'Mr Robert Speight: "Touring in Canada with Murder in the Cathedral"'. The final event, at 7pm in the Chapter House, is a performance entitled 'The Drama of our Festival years', and the text of this piece makes up 21pp of the pamphlet. This begins with these words, recited by the Archbishop of Canterbury [Geoffrey Fisher (1887-1972)]: 'The Drama of our Festival years. First, that we may remember the makers who have made these plays for us, the latest of them, Robert Gittings, will recite the tribute he has composed to those who went before him the other writers of the Canterbury Plays.' This is followed by a poetic prologue by Gittings, titled 'The Word', the twelve-lines stanzas of which are titled in the margins: Laurence Binyon, T. S. Eliot, Charles Williams, Dorothy L. Sayers, Christopher Hassall, Laurie Lee, Christopher Fry, 'The bringers of gifts in their kind', 'The betrayers of the word in modern life', 'The witness of the Word at Canterbury'. There follow long extracts from Canterbury Plays by Binyon, Eliot, Fry, Gittings, Hassall and Dorothy L. Sayers, with a final page carrying the text of a poem by John Masefield, beneath the text: 'All present are asked to join in singing the following hymn by the Poet Laureate to music written by the late Gustav Holst.' No other copy traced, either on OCLC WorldCat or on COPAC.

Vintage color reference photograph from the 1967 film, showing actress Ursula Andress. Annotations in manuscript ink on the verso. Loosely based on the 1953 novel by Ian Fleming. The governments of multiple Countries contact James Bond to investigate why so many of their spies are being murdered. He hires a group of other spies all names James Bond to confuse the organization behind the murders. Shot on location in Scotland, Ireland, and England. 10 x 8 inches. Near Fine.