Verlag: Lutheran Theological Seminary, Philadelphia, 1964
Anbieter: Baltimore's Best Books, Baltimore, MD, USA
Hardcover. Zustand: Good. No Jacket. Alumni record. Light wear along the edges. Clean text.
Sprache: Englisch
Verlag: W. W. Norton & Company, New York / London, 2019
ISBN 10: 0393254879 ISBN 13: 9780393254877
Anbieter: Ken Sanders Rare Books, ABAA, Salt Lake City, UT, USA
Erstausgabe
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. C. G. Jung (illustrator). First edition. 271pp. Quarto [28.5cm] 1/4 black paper with blue paper over boards and a gilt title on spine. The boards show very minor edge wear near the foot of the spine. In the illustrated dust jacket, with a 1/4" closed tear to the top edge, and the original seller's barcode sticker on the rear panel. A lavishly illustrated volume of C.G. Jung's visual work, from drawing to painting to sculpture. A world-renowned, founding figure in analytical psychology, and one of the twentieth century's most vibrant thinkers, C.G. Jung imbued as much inspiration, passion, and precision in what he made as in what he wrote. Though it spanned his entire lifetime and included painting, drawing, and sculpture, Jung's practice of visual art was a talent that Jung himself consistently downplayed out of a stated desire never to claim the title "artist." But the long-awaited and landmark publication, in 2009, of C.G. Jung's The Red Book revealed an astonishing visual facet of a man so influential in the realm of thought and words, as it integrated stunning symbolic images with an exploration of "thinking in images" in therapeutic work and the development of the method of Active Imagination. The remarkable depictions that burst forth from the pages of that calligraphic volume remained largely unrecognized and unexplored until publication. The release of The Red Book generated enormous interest in Jung's visual works and allowed scholars to engage with the legacy of Jung's creativity. The essays collected here present previously unpublished artistic work and address a remarkably broad spectrum of artistic accomplishment, both independently and within the context of The Red Book, itself widely represented. Tracing the evolution of Jung's visual efforts from early childhood to adult life while illuminating the close relation of Jung's lived experience to his scientific and creative endeavors, The Art of C.G. Jung offers a diverse exhibition of Jung's engagement with visual art as maker, collector, and analyst. -- from publisher.
Verlag: Crawford House Publishing Australia, Adelaide, 2005
Anbieter: Michael Treloar Booksellers ANZAAB/ILAB, Adelaide, SA, Australien
Erstausgabe
Paperback. Zustand: Near fine. First Edition. Adelaide, Crawford House Publishing Australia, 2005. Quarto, 240 pages with numerous illustrations (many in colour). Colour-pictorial card covers with French flaps; top edge slightly marked; a near-fine copy. Published on the occasion of the eponymous exhibition at the Museum Tinguely, Basel and the Sprengel Museum, Hannover, September 2005 to June 2006.
Anbieter: Douglas Stewart Fine Books, Armadale, VIC, Australien
Belair, South Australia : Crawford House Publishing, 2005, Large quarto (280 x 230 mm), pictorial card covers with French flaps, 238 pp, colour illustrations; a fine copy. 'Published on the occasion of the exhibition. Museum Tingely, Basel: 21 September 2005 to 29 January 2006 ; Sprengel Museum Hannover: 19 February to 5 June 2006'. 'Comprehensive monograph to explore the many facets and avenues not only of John Mawurndjul's work but following up on daily, practical and theoretical issues influencing Australian indigenous art.' (NLA) Contents: "I never stop thinking about my rarrk" / John Mawurndjul in an interview with Apolline Kohen. From Mumeka to Basel: John Mawurndjul's artistic odyssey / Jon Altman. John Mawurndjul - "I've got a different idea" / Luke Taylor. Reverberation of image and essence in John Mawurndjul's bark painting / Judith Ryan. From rarrk to etching / Jean Kohen. How the rainbow serpent became art: a short manual for looking at unfamiliar pictures / Hans-Joachim Muller. Grids, dots and territory / Philippe Peltier. Marks on and of land: the relationship of rock and bark painting to peoples, places and the ancestral past / Paul S. Tacon. Bark painting: a singular aesthetic / Judith Ryan. Perceptible boundaries: aesthetic experience and cross-cultural understanding with a view to John Mawurndjul / Claus Volkenandt. The inevitable collision between politics and Indigenous art / Gary Foley. Karel Kupka in Australia: artist, collector, writer, anthropologist. Aboriginal art from Arnhem Land - why in Basel? / Christian Kaufmann. Appendices: List of exhibited worksArtist's biography. Solo exhibitions, select group exhibitions, awards and grants, collections containing works by John Mawurndjul. Select works from the Kupka collection.