john hertz (28 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New. J Hertz (illustrator). APPEARS UNREAD. Paperback. Covers show minimal shelving wear, otherwise an UNBLEMISHED copy.; 100% Satisfaction Guaranteed! Ships same or next business day!

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Paperback. Zustand: Very Good. J Hertz (illustrator). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Mass Market Paperback. Zustand: New. William Rotsler (illustrator). In shrink wrap.

Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Zustand: Good. 8vo. 71 pp. Text in English. Very good in wraps. Corners bumped.

Zustand: New. pp. 366.

Zustand: New.

Zustand: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Kartoniert / Broschiert. Zustand: New.

Hardcover. Ex-library with stamp and library-signature. GOOD condition, some traces of use. C-02272 9783540624752 Sprache: Englisch Gewicht in Gramm: 1050.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

Hardcover. 327 p. Good condition. The pages are clean and without markings. Slight signs of storage and use. Retired library copy with corresponding markings. Otherwise, a neat copy. 9780201503951 Sprache: Englisch Gewicht in Gramm: 1000.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

Zustand: Gut. Zustand: Gut | Seiten: 376 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Paperback. Zustand: Brand New. 352 pages. 9.25x6.50x0.75 inches. In Stock.

Zustand: New.

Hardcover. Zustand: Brand New. 352 pages. 9.01x5.98x9.02 inches. In Stock.

72 pp.; 27.8 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. Pincus; "The Figurative Style of the Early Sixties: Brice, Lebrun, Warshaw," by Michael Kohn; "The Psychobiological Imperative," by Marilyn Ekdahl Ravicz; "Artist Pages," by Roger Herman, Jacobus Bos, and "My Parents in German," by Jim Morris "Colson's Corner," by unattributed artists. Cover art "Molecule Men" by Jonathan Borofsky. Very Good. Light dust soiling of covers and 1.4 cm. crease/bumping to bottom of publication. 3 mm. tear to top edge of spine. Contents clean and unmarked.

72 pp.; 27.8 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. Pincus; "The Figurative Style of the Early Sixties: Brice, Lebrun, Warshaw," by Michael Kohn; "The Psychobiological Imperative," by Marilyn Ekdahl Ravicz; "Artist Pages," by Roger Herman, Jacobus Bos, and "My Parents in German," by Jim Morris "Colson's Corner," by unattributed artists. Cover art "Molecule Men" by Jonathan Borofsky. Good / Very Good. 2 mm. yellow stain to recto with dust soiling of covers. Additional light soiling across verso. Bumping of corners. Contents clean and unmarked.

28 pp.; 28 x 21.3 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue eight of Real Life Magazine, edited by Thomas Lawson. Contents include: "Edit deAk," an interview by Joan Wallace and Geralyn Donohue; "Democratism or, I Went to See Chelsea Girls and Ended Up Thinking About Jenny Holzer," by Rex Reason; "Documentation," by Ken Lum; "A Critique of Authoritarian Rhetoric," by Richard Hertz; "Stations," by Hans Müller; "Contamination," by John Miller and "Ned Smyth," an interview by Susan Morgan and Dena Shottenkirk. Cover images are details from graffiti in Edit deAk's apartment. Reference : No. 7.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 193, 291. Very Good. Light rubbing and soiling of covers, yellowing of right side edge of recto and left side edge of verso and light bumping of top right corner of publication. Light yellowing of page edges. Contents otherwise clean and unmarked.

Paperback. Zustand: Very Good. 8 film stills, b/w photos from the film (10 by 8 inches) distributed for publicity etc., CULT CLASSIC. Gor, a powerful criminal brain from the planet Arous, assumes the body of scientist Steve March. Through March, he begins to control the world by threatening destruction to any country challenging his domination. Another brain, Val, works with March's future wife Sally to defeat Gor. Val explains that Gor will be vulnerable when he is forced to leave March at intervals to re-energize. Gor's vulnerable spot, the Fissure of Orlando, is described in a note left by Sally in Steve's lab. A review at IMDB reads: ".you're guaranteed to have a great time! "The Brain from Planet Arous" is such an irresistible camp oldie. The plot is preposterous, the titular monster is a ludicrous creation and the script is chock-full of slightly perverted undertones and insinuations .the whole thing only gets sillier if you think about it, but "The Brain from Planet Arous" definitely comes warmly recommended to all tolerant fans of Sci-Fi nonsense." TRIVIA 1: The special effect for Agar's eyes was achieved by using special contact lenses lined with metal foil. These were used a decade later by actor Gary Lockwood during the second Star Trek TV series pilot episode "Where No Man Has Gone Before". TRIVIA 2 In 1983, Stephen King told Playboy magazine that his novel "Carrie" derived to a considerable extent from a terrible grade-B movie called The Brain from Planet Arous. Slight wear at edges, slight soiling at edges o/w vg with b/w images clean and bright.

(2), 58 s. Illustrerad. Samtida halvfranskt band, omslagen medbundna, rygg och hörn lite nötta, annars bra. Tryckt i en lyxupplaga på 50 ex., detta är nr. 20.

117 pp.; 34.8 x 22.4 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Inaugural issue of XXIst Century Magazine published in Winter 1990 / 1991. Edited by Gini Alhadeff. Essays "Do the Wrong Thing: The Significance of Mr. Lee," by Christopher Hutchins; "Dirty Toys: Mike Kelley Interviewed," by Ralph Rugoff; "Ahh.Youth!' Eight Portraits,"; "The Animal Life of Ideas," by Harold Brodkey; "Writing Japanese: Seven Watercolors," by Ray Smith; "The New Negro, From the Novel 'High Cotton,'" by Darryl Pinckney; "Natural Wonder: Five C-Prints," by Gregory Crewdson; "Poems and Diaries," by James Schuyler; "The Ossorio 'Sails': Seven Drawings," by Dan Flavin; "Men in Camisoles: Five Poems," Elaine Equi; "Marshmallow Bombs / Camerasa and Computers: The New Technology of Invisible Deception," by Fred Ritchin; "Baby Elvis, Baby Marilyn, Lion/Sheep: Three Computer Composites," Nancy Burson; "How do you Get the Blood Stains Out of the Carpet? A Preview of The Cabinet of Dr. Ramirez," by Peter Sellars; "The Talk Show Confidental," by David Rieff; "The Architect as a Figure of Melancholy: A Profile of John Hejduk," by Carter Ratcliff; "Museum for the Subjects Adam and Eve: Ten Drawings," by John Hejduk; "'Real' Furniture: Seven Drawings," by Donald Judd; "The Begging Bowl Diet," by Ariane Zurcher; "Modern Suit, Modern House: Color Photographs," by Adam Bartos; "Inez: The Takeover of an Island in Hawaii for Military Target Practice," by W. S. Merwin; "The Bombing of the American West: Eight Photographs," by Richard Misrach; "A Day on the Klamath River," by Alexander Cockburn; "On Sloth and Other Virtues," by Amy Hertz; "Coney Island: Four Photographs," by Rosemary Warner; "Letters from London, Colony of Pop," by Ian Buruma; "Twenty-Four Postcards from Bhutan," by John Ryle; "The Difference Between the Planet Venus and the Moon: A Conversation," by Ewa Kuryluk and Michael March; "On Record at The Russian Tea Room: Save the Children," by Fran Lebowitz and "Twenty-seven 'Pueblo' and Navajo Religious Objects from the American Southwest." Cover by Mike Kelley. Very Good / Fine. Nominal rubbing of cover edges and 2 cm. mild fold to upper right corner of recto, otherwise Fine. Due to size and weight additional shipping charges may be required.

1919. In-4 oblong, (1)-122 à 156 pp., broché (couverture un peu salie, papier jauni). * Voir photographies / See pictures. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.