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Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- leicht fleckig, sonst gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- slightly stained, otherwise in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- im unteren Außenrand teils leicht fleckig, sonst gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- slightly stained on the lower outer margin, otherwise in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- im Außenrand teils etwas fleckig, sonst gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- somewhat stained on the outer margin, otherwise in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- im Außenrand teils leicht fleckig, sonst gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- partly slightly stained on the outer margin, otherwise in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- teils leicht fleckig, sonst gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- partly slightly stained, otherwise in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- teils leicht fleckig, sonst gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- partly slighlty stained, otherwise in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 40 x 24,5 cm. -- gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: Lenz 1734-45, Regensburg, 1734
Anbieter: Antiquariat Reinhold Berg eK Inh. R.Berg, Regensburg, Deutschland
Kunst / Grafik / Poster
No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).
Verlag: Lenz 1734-45, Regensburg, 1734
Anbieter: Antiquariat Reinhold Berg eK Inh. R.Berg, Regensburg, Deutschland
Kunst / Grafik / Poster
No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).
Verlag: Lenz 1734-45, Regensburg, 1734
Anbieter: Antiquariat Reinhold Berg eK Inh. R.Berg, Regensburg, Deutschland
Kunst / Grafik / Poster
No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).
Verlag: Lenz 1734-45, Regensburg, 1734
Anbieter: Antiquariat Reinhold Berg eK Inh. R.Berg, Regensburg, Deutschland
Kunst / Grafik / Poster
No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).
Verlag: Lenz 1734-45, Regensburg, 1734
Anbieter: Antiquariat Reinhold Berg eK Inh. R.Berg, Regensburg, Deutschland
Kunst / Grafik / Poster
No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In excellent condition. 320 by 210mm (12½ by 8¼ inches).
Verlag: Lenz 1734-45, Regensburg, 1734
Anbieter: Antiquariat Reinhold Berg eK Inh. R.Berg, Regensburg, Deutschland
Kunst / Grafik / Poster
No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches).
Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: Regensburg 1736-1748., 1736
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster Erstausgabe
Prächtiger großformatiger, handkolorierter Kupferstich aus Weinmann's "Phytanthoza iconographia", einem der schönsten Blumen- und Pflanzenbücher des 18. Jahrhunderts. Die Kupferplatten wurden u.a. von Bartholomaeus Seuter, J. J. Haid, Johann Elias Ridinger nach Georg Dionysus Ehret, N. Asamin gestochen. -- Blatt-Maße: ca. 38 x 23,5 cm. -- teils leicht fleckig, sonst gut erhalten. -- "The work may be called the first successful botanical book using color printed mezzotint" (Hunt 2, 494). || || This is an original old colored engraving from Weinmann's "Phytanthoza Iconographia", one of the most beautiful and important Baroque botanical books. It was also the first published work to include engravings by the greatest botanical artist of the eighteenth century - Georg Dionysus Ehret. Weinmann was an apothecary from Regensburg and his collection of plants was the basis of this comprehensive iconography of the flowers, fruit and vegetables in cultivation in early-18th century Europe. Georg Dionysius Ehret's pivotal contribution to the work is nowhere acknowledged as the artist parted with Weinmann after producing 500 designs. The work was financed by Bartholomaeus Seuter, one of the engravers. The plates became an important source for copyists, appearing, for instance, in a number of Meissen designs. -- partly slightly stained, otherwise in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! No copy! - No reprint! -- Lit.: Nissen, BBI 2126. Sprache: Deutsch Gewicht in Gramm: 1550.
Verlag: um 1740., 1740
Anbieter: Treptower Buecherkabinett Inh. Schultz Volha, Berlin, Deutschland
Buch
Blattformat ca. 38,4 x 24,4 cm. - In der Platte rechts unten Signatur H. Außenrand etwas gebräut. Unter Passepartout montiert. Sprache: Deutsch Gewicht in Gramm: 2000.
Verlag: um 1740., 1740
Anbieter: Treptower Buecherkabinett Inh. Schultz Volha, Berlin, Deutschland
Buch
Blattformat ca. 38,4 x 24,4 cm. - In der Platte rechts unten Signatur S. Im Oberrand mit grööseren Feuchtigkeitsfleck. Außenrand etwas gebräut. Unter Passepartout montiert. Sprache: Deutsch Gewicht in Gramm: 2000.
Verlag: Lenz 1734-45, Regensburg, 1734
Anbieter: Antiquariat Reinhold Berg eK Inh. R.Berg, Regensburg, Deutschland
Kunst / Grafik / Poster
No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).
Verlag: Lenz 1734-45, Regensburg, 1734
Anbieter: Antiquariat Reinhold Berg eK Inh. R.Berg, Regensburg, Deutschland
Kunst / Grafik / Poster
No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).
Verlag: Lenz 1734-45, Regensburg, 1734
Anbieter: Antiquariat Reinhold Berg eK Inh. R.Berg, Regensburg, Deutschland
Kunst / Grafik / Poster
No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In excellent condition. 320 by 210mm (12½ by 8¼ inches).
Verlag: Lenz 1734-45, Regensburg, 1734
Anbieter: Antiquariat Reinhold Berg eK Inh. R.Berg, Regensburg, Deutschland
Kunst / Grafik / Poster
No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).
Verlag: Lenz 1734-45, Regensburg, 1734
Anbieter: Antiquariat Reinhold Berg eK Inh. R.Berg, Regensburg, Deutschland
Kunst / Grafik / Poster
No binding. Original copper engraving, printed in colours and finished by hand. Published 1734-45 in Regensburg in the great botanical work "Phytanthoza Iconographia". This was for the first time, that this technique of colour-printing was used highly sucessful used on the continent in a botanical series. Originally this technique was founded by Taylor in Great Britain. Among the artists in this enormous botanical series were Ehret, Haid and Seutter from Augsburg working. On all plates we find their individual initials in the lower right corner. In very good to excellent condition. 320 by 210mm (12½ by 8¼ inches). 320 by 210mm (12½ by 8¼ inches).