joe glazer (23 Ergebnisse)

Zustand: Very Good. Signed Copy . Good dust jacket. Signed/Inscribed by author on title page.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Signed Copy . Very Good dust jacket. Signed by author on title page.

Taschenbuch. Zustand: Befriedigend. 209 Seiten Großformat,broschiert,mit Noten,Gitarre +Klavier,Akkorden,Text,aus Raucherhaushalt,sonst gut. Sprache: Englisch Gewicht in Gramm: 614.

paperback. Zustand: Good. Roosevelt University Spiralbound. Spiral comb is partially crushed but binding remains secure. Pages tanned but clean.

Zustand: very good, good. First Printing. 24 cm, 299, illus., discography, index, small scratch and sticker residue to DJ, ephemera laid in.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. Very good in a clear plastic dust jacket. Dust jacket has a glass ring on front panel and some light surface spotting on front panel. Some browning on endpaper edges. Stain at bottom corner of page 52. 208 pages with index. 4to size.

Hardcover. Zustand: very good. Zustand des Schutzumschlags: very good. First Printing. 24 cm, 299, illus., discography, index, slight wear to DJ edges, pencil erasure on title page. Inscribed by the author. Joe Glazer (June 19, 1918 - September 19, 2006), closely associated with labor unions and often referred to as "labor's troubadour," was an American folk musician who recorded more than thirty albums over the course of his career. Some of his more acclaimed songs include "The Mill Was Made of Marble," "Too Old To Work" and "Automaton." He recorded "In Old Moscow" ("My Darling Party Line"), a song which ridiculed the Communist Party USA's Stalinist reversal following the 1939 Molotov-Ribbentrop Pact. In 1954 Glazer released two albums of music from the Industrial Workers of the World, including one entirely of songs by Wobbly songwriter Joe Hill, released by Folkways Records. In 1960 Glazer collaborated with Edith Fowke to publish Songs of Work and Freedom, which included 10 of his original compositions. He went on to dedicate numerous albums to specific trades, including coal mining, newspaper printing, steelwork, textile mills, and woodworking.In 1970 Glazer founded Collector Records, originally to issue his own recordings, and, later, recordings by other performers. Collector's first release was Glazer's 1971 album Garbage and Other Songs of Our Times backed by jazz guitarist Charlie Byrd and his trio. The title track became one of Glazer's most well-known songs after Pete Seeger performed it on Sesame Street and recorded versions of it both for the children's music and environmentalism markets. In 1979, Glazer invited 14 other labor musicians to the George Meany Center for Labor Studies in Silver Spring, Maryland, to share musical and written compositions, and to discuss the effective use of music, song, poetry and chants in labor activism. The three-day event became an annual one, becoming known as the Great Labor Arts Exchange (GLAE). Over the next five years, the concept of "labor culture" and how the labor movement and the arts interacted, which Glazer and others promoted, expanded. In 1984, Glazer incorporated the Labor Heritage Foundation as a parent body for GLAE as well as to curate and promote the culture of the American labor movement.Glazer founded Collector Records in 1970 to distribute his own recordings of labor songs and those of younger and newer performers he had met through his work-many of them through the Labor Heritage Foundation, which he founded in 1978, and its yearly Great Labor Arts Exchange. Some artists, such as Bobbie McGee, went on to become well-known folk singers, but many Collector artists remained at their jobs. Eddie Starr (1956-2003) was a third-generation Illinois steelworker who declined a life on the road as a rock musician, and took a factory job at home to support his family. Kenny Winfree was a textile worker when Glazer heard his bluegrass-style labor songs. He continues to work, now at an aircraft plant in Texas, where he is an active member of UAW Local 848.

Zustand: Good. Good condition. unknown_binding. audioCD. Case Good. Volume 31. Writing on disc. Quality guaranteed! In original artwork/packaging unless otherwise noted.

1960, 1st edition. (4to, wrappers) Near fine. 208pp. Coil bound. Signed by Barbara Cass-Beggs. Former owner's name faintly to cover. Music arrangements by Kenneth Bray; Art work by Hope Taylor.

Zustand: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Hardcover. xvii, 299, [5] p. Illustrations. Discography. Index. This is one of the Music in American Life series. Spiced with colorful anecdotes, leavened with humor, and rich with compassion for the struggles of the rank-and-file worker, "Labor's Troubadour" traces the life and work of labor balladeer Joe Glazer. For more than half a century, armed only with his guitar, reams of songs, and conviction, Glazer has marshaled the power of music to fight for union representation in mills, mines, factories, and offices all over the country. A performer, educator, and "musical agitator for all good causes, " Glazer has sung on picket lines, in worn-out union halls, and at elegant dinners, using humor, irony, and pathos to drive home the message of unionism. With the ease and lan of a seasoned storyteller, Glazer tells of sharing platforms with political powerhouses including Harry Truman, Eleanor Roosevelt, Hubert Humphrey, Adlai Stevenson, George McGovern, John F. Kennedy, Lyndon Johnson, Ladybird Johnson, Jimmy Carter, and Bill Clinton. With sparks of humor, he describes his encounters with Jackie Kennedy, Rudolf Serkin, and other celebrities, as well as his relationships with Walter Reuther, George Meany, Cesar Chavez, Philip Murray, John Sweeney, and other outstanding leaders of the labor movement. During half a lifetime of rubbing shoulders with the powerful, however, Glazer's focus has never wavered from supporting workers' efforts to secure fair wages and decent working conditions. His reward has been to see his music bring unity out of discord, galvanize union support, and lift the spirits of striking workers who were running low on every resource except a shared faith in the strength of unity. In a career that has taken him all over the world to sing, write, and collect songs about the common human condition of working, Glazer has seen songs about the battle for the eight-hour day give way to songs about automation and cheap imports, with a constant refrain of union busters, scabs, solidarity, plant safety, and retirement benefits. Seventy of these songs are included in the book. An enthusiastic recruiter and promoter of new talent, Glazer has also drawn a number of new labor balladeers into the limelight, some of whom he profiles here. A lively and moving testament of "sticking to the union, " "Labor's Troubadour" reveals the powerful role music can play in the serious business of changing the world. Very good in very good dust jacket. Signed by author. Publisher's ephemera laid in. DJ has slight wear and soiling. Pencil erasure residue on half-title. Presumed first edition. First printing [stated].

Card covers. 209,(13)pp. Music Arrangement: Kenneth Bray. 4vo. Covers little bumped, pages browned, else good. ISBN 0486228991.

Zustand: Fair. Signed Copy First edition copy. . No Dust Jacket Signed/Inscribed by author Joe Glazer on front endpage. Spine torn. (Labor Movement, Folk Music, Songbook).

Vinyl-Single. Zustand: Gut. Hülle berieben, Zustand des Tonträgers: Very Good (VG) Zustand des Covers: Very Good (VG) Sprache: Deutsch Gewicht in Gramm: 120.

4to. pp. 208. wrs. spiral-bound. Very good copy. First Edition.

10" vinyl record in original pictorial jacket. and kraft-paper inner sleeve. Disc appears unplayed, with excellent gloss and no visible surface scratches; jacket Very Good but for a horizontal surface scratch at bottom third. Includes descriptive booklet with lyrics. Glazer's pioneering recordings of Joe Hill's iconic labor songs, including "The Preacher and the Slave," "Casey Jones the Union Scab," "The Rebel Girl," "Mr. Block," and others. Glazer was the leading exponent of the labor song tradition during the folk revival, and his interpretations of these songs would not be superceded until Utah Phillips breathed an entirely new life into them in the 1970s.