Joan saab (28 Ergebnisse)

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softcover. Zustand: Fine copy. 1st. 4to, 96 pp. Profusely illustrated (illustrator).

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Zustand: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

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Zustand: New. An intriguing look at the changing roles of artists in modern America. Series: Arts and Intellectual Life in Modern America S. Num Pages: 240 pages, 51 illus. BIC Classification: YNA. Category: (U) Tertiary Education (US: College). Dimension: 229 x 152 x 15. Weight in Grams: 318. . 2009. Paperback. . . . . Books ship from the US and Ireland. …

Zustand: New. In English.

Paperback. Zustand: Brand New. reissue edition. 240 pages. 8.60x5.70x0.60 inches. In Stock.

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Taschenbuch. Zustand: Neu. Neuware - Looking behind the scenes at the personalities and policies of such venerable institutions as the Federal Arts Project and the Museum of Modern Art, A. Joan Saab discerns a broad-based democratic modernism inspired by and engaged with the social life of the period. In the summer of 1935 President Franklin Delano Roosevelt established the Federal Arts Project under the aegis of the Works Progress Administration. The project's goal was, in the words of its director Holger Cahill, to 'get people all over the United States interested in art as an everyday part of living and working.' In addition to this endeavor, the project would also provide work for artists who, as a project press release stated, 'had been hit just as hard by unemployment as any other producing worker.' Meanwhile, as director of the newly opened Museum of Modern Art, Alfred Barr was instituting his philosophy of 'democracy in design' through a series of ambitious exhibits that focused on informed consumption in the marketplace. The idea of treating the artist as a 'producing worker' and art as an 'everyday part of living and working' was a novel one in 1935 and illustrated a broad shift in the social roles of both. Prior to the 1930s, art in America had resided principally in the domain of the cultural elite. The upheaval of the Depression era, however, challenged this authority. Throughout the decade, government officials, museum professionals, educators, and artists worked together to determine not only what role artists would play in society but also what forms democratic art would take and how widely it would be disseminated, thus fundamentally redefining the relationship between art and society. This egalitarian artistic movement of the 1930s stands as a significant moment in the ongoing dialogue over the relationship of art and public life that continues today.…

Zustand: New. An intriguing look at the changing roles of artists in modern America.&Uumlber den AutorA. Joan Saab is Associate Professor of Art History and Visual and Cultural Studies and Director of the Visual and Cultural Studies Program at th.

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Hardcover. Zustand: Brand New. sew edition. 176 pages. 10.00x7.00x0.74 inches. In Stock.

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Zustand: New. 2020. Illustrated. hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New. Examines a series of linked case studies that not only highlight moments of seeming disconnect between seeing and believing, including hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, but also offer a sensory history of ways of se.

Hardcover. Zustand: Brand New. sew edition. 176 pages. 10.00x7.00x0.74 inches. In Stock.

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Zustand: New. In English.

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Zustand: New. A. Joan Saab is the Susan B. Anthony Professor of Art and Art History and the Vice Provost of Academic Affairs, University of Rochester, USA. She is the author of For the Millions: American Art and Culture Between the Wars, Objects of Vision: Making Sense o.

Hardcover. Zustand: Brand New. 493 pages. 9.75x6.75x1.25 inches. In Stock.

Zustand: New. 2021. 1st Edition. Hardback. . . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Neuware - Provides an up-to-date overview of the present state Visual Cultural Studies, featuring new original content, topics, and methodsThe Wiley Blackwell Concise Companion to Visual Culture brings together original research by both established scholars and new voices in the dynamic field, exploring the history, current state, and possible future directions of visual cultural studies. Organized as a series of non-traditional keyword essays, this innovative volume engages readers with a diversity of ideas and perspectives to broaden and enrich their understanding of visual culture and its operations.This accessible, reader-friendly volume begins with a brief introduction to the history and practices of visual studies, featuring interviews and conversations with key figures such as W.J.T. Mitchell and Douglas Crimp. The majority of the text explores key concepts within a broad framework of history, ecologies, mediations, agencies, and politics while placing particular emphasis on interdisciplinarity and intersectionality. Essays cover keyword topics including Identities, Representation, Institutions, Architectures, Memes, Environment, Temporality, and many more. Offering a unique approach to the subject, this timely resource:\* Presents new work from a diverse group of scholars with a broad range of social, cultural, and generational perspectives\* Emphasizes the importance of activism and political urgency in humanities scholarship\* Discusses engaging objects and discourses beyond film and art, such as architecture, video games, political activism, and the nonhuman\* Highlights the diverse and interconnecting elements of visual culture scholarship\* Includes case studies and short introductions that provide context and reinforce core conceptsThe Wiley Blackwell Concise Companion to Visual Culture is essential reading for advanced undergraduate students, graduate students, and scholars in the fields of visual studies, art history, film studies, and media studies.…