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Verlag: Minerva / Frankfurt a.M., 1965
Anbieter: Koinonia-Oriens Bookseller, Schernfeld, Deutschland
Hardcover. Zustand: Gut. Unveränderter Nachdruck.
Verlag: Minerva GmbH, 1965
Anbieter: books4less (Versandantiquariat Petra Gros GmbH & Co. KG), Welling, Deutschland
Buch
gebundene Ausgabe. Zustand: Gut. Unveränderter Nachdruck. Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. In LATEINISCHER Sprache. la Gewicht in Gramm: 300.
Verlag: Minerva / Frankfurt a.M., 1964
Anbieter: Koinonia-Oriens Bookseller, Schernfeld, Deutschland
Softcover. Zustand: Gut. Unveränderter Nachdruck.
Verlag: Ffm., Minerva,, 1964
ISBN 10: 386598097XISBN 13: 9783865980977
Anbieter: Antiquariat Alte Seiten - Jochen Mitter, Göttingen, Deutschland
Buch
OLn. 2. (Unveränderter Nachdruck). 135/135 S., Die angegebenen Versandkosten gelten bei AbeBooks und ZVAB nur für Bücher bis zum Gewicht von 1000 g (Bücher- / Warensendung). Über höhere Versandkosten bei schwereren Büchern werden Sie von uns informiert. - Wegen der EPR-Bestimmungen liefern wir nicht nach Bulgarien, Estland, Griechenland, Irland, Litauen, Luxemburg, Malta, Kroatien, Polen, Portugal, Rumänien, Schweden, Slowakei, Slowenien und Ungarn. Sprache: Deutsch Gewicht in Gramm: 505.
Verlag: S Giovanni in Fiore, 2005
Anbieter: Plurabelle Books Ltd, Cambridge, Vereinigtes Königreich
Verbandsmitglied: GIAQ
Buch
Paperback. Zustand: Very Good. 260p large format paperback with Burne-Jones illustrated cover, excellent copy, contains papers from the 6th Congresso Internazionale di Studi Gioachimiti. Language: Italian.
Verlag: Bietigheim: Turm-Verlag, 1977
ISBN 10: 3799901825ISBN 13: 9783799901826
Anbieter: Antiquariat Kretzer, Kirchhain, Deutschland
Buch
Zustand: Gut. 154 Seiten. Abweichender Titel auf Titelblatt "Das Reich des Heiligen Geistes". - Schnitte vergilbt. Leichter Rauchgeruch. Wenige kleinere Randbemerkungen in Bleistift. - Davon abgesehen ingesamt gut erhaltenes Exemplar. ISBN: 9783799901826 Sprache: Deutsch Gewicht in Gramm: 355 8° (17,5-22,5 cm). Orig.-Pappband mit Orig.-Schutzumschlag. [Hardcover / fest gebunden].
Verlag: Zentralantiquariat der Deutschen Demokratischen Republik, Leipzig, 1972
Anbieter: Antiquariat am St. Vith, Mönchengladbach, Deutschland
Buch
Pappband. Nachdruck der Ausgabe von 1589. Pp. Stempel auf Innendeckel, sonst tadellos.
Verlag: Hahnsche Buchhandlung, 2009
ISBN 10: 3775210202ISBN 13: 9783775210201
Anbieter: Antiquariat Dorner, Reinheim, Deutschland
Buch
Herausgegeben von Kurt-Victor SElge. Monumenta Germaniae Historica Band 20. Hannover, Hahnsche Buchhandlung 2009. CCXCVII, 467 S., OPappband Gutes Exemplar.
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Verlag: Minerva / Frankfurt a.M., 1964
Anbieter: Koinonia-Oriens Bookseller, Schernfeld, Deutschland
Hardcover. Zustand: Gut. Unveränd. Nachdr. der Ausg. Venedig 1527 Umfang/Beschreibung: 224 Bl. Sprache: Latein Erscheinungsform: Druckschrift.
Verlag: Venezia, Bertoni, 1605
Anbieter: Silbergaul, St. Gallen, SG, Schweiz
Buch
Hardcover. Zustand: Very Good. 2nd Edition. 4°. 59p. With engraved title and 6 copper engravings. 19th or early 20th century half calf over marbled boards. Second edition. Partly somewhat stained.
Joachim von Fiore. Vaticinia, sive prophetiae. Vaticinii, overo Profetie. Mit gest. Titel und 34 (4 ganzseitigen) Kupferstichen von G. Porro. Venedig, Hieronymum Porrus, 1589. 8°. (70) Bll. Moderner Halbleder. - EDIT16 CNCE 35558 - Adams J 213 - BM Italian 356 - Landwehr REB, 415 - Caillet II, Nr. 5541 - Ferguson 351 - Graesse III, 462 - Brunet col 533 "Bonne édition et que l'on recherche cause des fig". - Erste illustrierte Ausgabe der 30 Papstprophezeihungen. Jede Prophezeiung, gedruckt in Latein und Italienisch, wird von einem emblematischen Kupfer (Papstportraits) von G. Porro begleitet. Enthält auch eine Prophezeiung zum Fall des Osmanischen Reichs mit einem ganzseitigen Kupfer. - Aussen minimal berieben. Im unteren Rand etwas fingerfleckig, in den Rändern gebräunt, stellenweise feuchtrandig. - Auf Titel alter gelöschter Besitzvermerk. - Blindgeprägtes Exlibris auf Vorsatz, weiteres gestochenes Exlibris 'Biblioteca Scati-Grimaldi' auf Titel verso. - Lose eingelegt: Kupfertitel und erstes Blatt der Ausgabe Venedig 1639. - Gebräunt fleckig.
First edition. 4to (207 x 154 mm). (4), 62 leaves. Woodcut of Joachim in his studio. Modern vellum with the old vellum laid down. - ustc 800343; Edit16 32004. Not in Adams. Authorship: "For six centuries until the mid-ninetenth century, the Super Hieremiam was arguably Joachim's most famous and most oft-cited work. When the Venetian editors began to edit Joachim's works in the early 1500s, they chose to publish the Super Hieremiam twice (1516 and 1527), and it was published a third time in Cologne in 1577; Joachim's three major works were printed only once. When the Cistercian Gregory de Lauro set out in the mid-1600s to defend the tarnished reputation of the Abbot, a chief argument was the prophetic accuracy of the Super Hieremiam - that is, Joachim's authorship was taken for granted." (Moynihan 119) In 1859 Karl Friedrich, a student of D. Baur, published an essay which argued that Super Hieremiam could not be written by Joachim. This became a general consensus. From then on the question of authorship remains open.As for authorship, there are now two main schools: for one the text was made by Franciscan spirituals, for the other by southern Italian Florensian monks. R. Moynihan's the solution of the riddle, based on studies of manuscripts, is: "both the Franciscans and the Florensians, at different times [in the thirteenth century, JD], hand a hand in composing Super Hieremiam." (Moynihan 128)Another quotation, this from Julia Eva Wannenmacher: "The Peudo-Joachite Commentary, ?Super Ieremiam? is Joachim of Fiore?s most influential as well as his most neglected work. For centuries, everybody believed it to be Joachim?s ? and maybe only because the ?Super Ieremiam? was so highly popular did Joachim?s authentic writings survive, together with the pseudepigraphic ones. Among the variety of texts which are linked with the name of Joachim of Fiore, the ?Super Ieremiam? plays an eminent role. It is unique not only in the sense that none of the pseudepigraphic works have been transmitted in closer relation to the authentic works ? the word here is intertextuality ?, that none of Joachim?s works, either authentic or pseudeopigraphical, or any other of Joachim?s or Joachite text has been the object of more heated debate than the ?Super Ieremiam?; none has gained Joachim?s name and reputation more friends and disciples, and none more and fiercer enemies." (Research Project "Prophecy, Eschatology and Apocalypse", Universität Erlangen-Nürnberg)Wannenmacher closes her essay "Von Joachim? 'Super Hieremiam'" with a quotation from Ernst Bloch's Erbschaft dieser Zeit (1962, p. 136) - for both, Joachim and pseudo-Joachim, applies: " This is the real audacity of Joachim: He has directed the eyes fixed on the hereafter to an earthly future time and has expected his ideal not in heaven but on earth. He proclaimed the freedom of the new viri spirituales not as freedom from the world, but for a new world." On the people involved in the publishing of Super Hieremiam see our note to Joachim's Liber Concordie.(The first two quotes are from R. Moynihan, The Development of the "Pseudo-Joachim" commentary "Super Hieremiam": New manuscript evidence. In: Mélanges de l'École française de Rome - Moyen Âge 1986-1, p. 109-142.).
Verlag: Hieronymum Porrum and Giovanni Battista Bertoni, Venice, 1589
Anbieter: Sokol Books Ltd. ABA ILAB, London, Vereinigtes Königreich
Hardcover. Zustand: Very good. PAPAL PROPHECIES AND ORACLES OF THE MIDDLE AGES FIRST EDITION thus. Two works in one. 4to. 1) 72 unnumbered leaves (with additional C4), a-d4, A-O4, (O3,4 blank). 2) pp. 59, [i]. A-F? G? Roman and Italian letter. Engraved title with portrait of Joachim de Fiore, supporting two stone tablets, the title in Latin and Italian, four full page and 30 half page engraved plates by Girolamo Porro of portraits of Popes with Latin captions and Italian translations, extra illustrated with another variant of the portrait of Joachim on C4 tipped in, this one full page, plate of 'Oraculum Turcicum' with caption in Turkish characters and engraved text below, text within typographical border, large woodcut initials and grotesque headpieces; title of second work within fine engraved architectural border, six full page engraved plates by Porro. Liber Georgius W. Dasent. Ex Aul S. Magdalena oxon. 103 ch in C19th hand on fly, early ms shelf mark opposite, engraved bookplate of S.A. Thompson Yates on pastedown, bibliographical pencil note below concerning the binding. Light age yellowing, occasional marginal thumb mark or spot, second title fractionally trimmed at outer margin. Very good copies, crisp and clean, with good margins, the engravings in rich, dark, impressions, in contemporary speckled calf, spine with raised bands, double gilt ruled in compartments with scrolled tools to corners and central fleurons gilt, monogram HD gilt on covers, surrounded with four crossed S tools, a.e.g., joints and corners a little worn, modern brown morocco slipcase. First edition, beautifully illustrated with the fine engraving of Giralamo Porro, of the medieval Papal prophecies, wrongly attributed to Joachim of Fiore, including a final prophecy predicting the fall of the Turkish Empire, the so called Red Apple prophecy. The work contains the commentary on the prophecies by Pasqualino Regiselmo. There were three variants of this first edition according to Edit 16, all line by line copies, and this copy has been extra illustrated with the variant, fine, full page engraved portrait of Joachim writing by divine inspiration; it also has the full page image of the Wheel of the Popes . There follow the 30 prophecies in Latin and Italian, each illustrated by fine emblematic engravings, the Turkish prophecy, with a full page illustration, and Regiselmo s commentary. A series of prophecies concerning the Papacy circulated in manuscript from the late thirteenth to early fourteenth century concerning popes from Pope Nicholas III onwards, in the form of a Latin text which assembled portraits of popes and the prophecies related to them. The texts and illustrations are so closely related they must have been conceived together. The prophecies, based on Greek prototypes, were probably intended to influence one of the ongoing papal elections, possibly written in opposition to the Orsini and their candidates. They are derived from the Byzantine Leo Oracles, a series of twelfth-century Byzantine prophecies that foretell a savior-emperor destined to restore unity to the empire. The series was augmented in the fourteenth century with further prophecies, written in imitation of the earlier, but with more overtly propagandist aims. By the time of the Council of Constance (1414 1418), both series were united as the Vaticinia de summis pontificibus and misattributed to the Calabrian mystic Joachim de Fiore. Each prophecy consists of four elements, an enigmatic allegorical text, an emblematic picture, a motto, and an attribution to a pope. The final prophecy tells the vision of Mehemet II in which he holds a red apple which becomes progressively heavier and heavier so as to be unbearable. It prophesies the capture of Constantinople by the Christians and its later recapture and destruction of the Turks. A very good copy of this finely illustrated work. The second book contains prophetic writings falsely ascribed to Joachim, Anselmus, and other medieval mystics, illustrated with s.
Verlag: Venice de Luere, 1519
Erstausgabe
First edition4to (203 x 155 mm). (4), 135, (1) leaves, including final blank. Contemporary limp vellum with spine title in ink, endpapers renewed; faint dampstaining in lower outer corners in first half of volume and in outer margins toward end.Provenance: 16th-century inscriptions on title, one Dono alla Chiesa Parrochiale di Giovi - Ludovico Della Croce nel 1583, the other scored. - Adams J 209.Within a short time, 1516-1527, six book were published in Venice under the name of Joachim di Fiore. Though Joachim is the author of only two of these (Liber concordie and Expositio in Apocalipsim printed together with Liber decem chordarum, 1527), this an astonishing publishing activity. Apart from the Vaticinia none of these books were published again in the 16th century and later, except a ps.-In Hieremiam in 1577. Who had initiated this eleven-year publishing?In an age of religious excitement and the longing for a reformatio, renovatio, or revolutio ecclesiae et mundi, Silvestro Meuccio, a friar of San Cristophoro della Pace in Venice, red a compilation of Joachim's books made by Fr Rusticianus, a Venetian Dominican. Meuccio "became fired with the project of publishing what he took to be the works of Joachim as containing the vital message for his age [.] We know little about Silvestro outside these publications, but he reveals himself in the prefaces he writes and here we also meet three of his circle of friends. Anselmo Vitturnio of Vicenza possibly helped Silvestro in his labours, Filippo of Mantua wrote lucubrationes on the Apocalypse. The third was a hermit mystic, Bernardion Parentiono of Padua, who was the interpreter of God's mysteries to the group [.] A fourth inquirer into Joachimist mysteries was Paolo Angelo, a 'Byzantine stranger'. [.] In his preface to the Expositio in Apocalypsim Silvestro stated the high claim of the Augustinian Hermits [to which he belonged] to be Joachim's new spiritual men quite clearly [.] Silvestro's prefaces reveal a man who viewed the future with deep foreboding [.] The circle of Silvestro looked out upon the world with the eyes of Joachim 'noster divinus magnus modernusque propheta' - expecting at once the bitterest tribulation of all time and the angelic state of reform and peace to follow. [.] they expected the Church to be raised from her ruined state into that contemplative and celibate life which was to be the third status, enduring until the consummation of the ages." So far about the people beyond our book. (Quotes are from M. Reeves, Joachim of Fiore & the Prophetic Future. 1999, 54f.; see also Id., The Influence of prophecy in the Later Middle Ages. A study in Joachimism, London 1993, p. 262ff.)The Liber Concordie of Joachim is called "the groundwork of all his thoughts" by Marjorie Reeves. To complete its title you may take the Incipit of book I. It reads: ". liber primus Concordiarum veteris. s. ac novi testamenti: et de futuris usque in finem temporum". Of course the latter is the gist: replacing the myth of the past by the myth of the future. Books and articles on Joachim stress the changing of history into the history of salvation, describing the paths leading from the end of the 12th century to Thomas Müntzer, Lessing, Hegel, Schelling, Karl Marx, Saint-Simonians, and Auguste Comte. It is often said that the influence of the Liber Concordie on the following centuries is barely assessable.In the history of painting Sandro Boticelli's Nativity "has been called [by Fritz Saxl] one of the greatest documents of Joachimist thought." (Reeves, J.d.F., 93).
First edition 4to (205 x 152 mm). aa8 bb-qq4: (8), 59, (1) leaves. Woodcut illustrations. - Adams J-210; Edit16 32012; ustc 800293.Super Prophetas, as David A. Morris entitles our book instead of Super Esaiam Prophetam, thus following most of the manuscripts, "may well have been compiled over a period of multiple decades, and possibly by multiple Florensian authors, starting with the Praemissiones . and reaching a more or less final form by 1268".Morris stresses the importance of the pseudo-Joachite works, which "are vital to understanding Joachim's legacy, especially as they were believed to be genuine form the Middle Ages to the nineteenth century . Super Esaiam Prophetam" as it is called, is striking because it was one of the earliest of Joachim's works to be sent to the printer's press and . it is the only major pseudo-Joachite work of the thirteenth century to contain numerous striking immages, commonly called "figurae" .As presented in the 1517 imprint, Super Esaiam Prophetam is a composite work, consisting of four distinct, but interrelated texts. These include:A figure collection know to the literature as the Praemissiones .An imcomplete Isaiah commentary that breaks off at chapter 11 .A sprawling work that encompasses the largest share of the complex, from folios 11r to 51r in the Venice edition, bearing a running title, "De oneribus Sexti Temporis". What follows is an extended sequence of diagrams, running from folios 13r to 28r in the Venice imprint, which list all the cities and regions of the known world, accompanied by relevant prophecies . This geographic sequence then gives way to a lengthy explication of other prophetic burdens, running from folios 28v to 49v, with the incipit, "Ecce in provinciis istis".A short treatise, running from folios 49v to 59v, on the seven ages of the Church and their relationship to the seven churches and the seven seales of the Apocalypse ." (D. A. Morris, In Search of Pseudo-Joachim of Fiore: Understanding the so-called Isaiah Commentary, Franciscan Studies vol. 73, pp. 255-274.
Verlag: Bernardinus Benalius, 1525
Anbieter: Blackwell's Rare Books ABA ILAB BA, Oxford, Vereinigtes Königreich
with woodcut border on title, repeated with variations at beginning of text, two woodcuts and several woodcut diagrammatic illustrations, woodcut initials of various sorts including 2 historiated, ff. [xx], 62, 4to, [bound with:] Liber co[n]cordie novi ac veteris Testamenti: nunc primo impressus et in lucem editus. [colophon:] Venice: Simon de Luere, 13 April 1519, woodcut initials, 3 diagramatic illustrations in text, 1 full-page, ff. [iv], 135, lacking the terminal blank, contemporary Venetian calf, blind roll tooled borders on sides, with a central lozenge design, edges tooled in blind (gauffered without the gilt), titled in ink on foredge ('Joachim in Hieremiam'), traces of 4 ties, skilfully rebacked, repairs to corners, &c, very good. First edition of both works, and a rather lovely volume. 'Dante voiced the general opinion of his age in declaring Joachim one "endowed with prophetic spirit." But he himself always disclaimed the title of prophet. The interpretation of Scriptural prophecy, with reference to the history and the future of the Church, is the main theme of his three chief works: "Liber Concordiae Novi ac Veteris Testamenti," "Expositio in Apocalipsim," and "Psalterium Decem Cordarum." The mystical basis of his teaching is the doctrine of the "Eternal Gospel," founded on a strained interpretation of the text in the Apocalypse (14:6). There are three states of the world, corresponding to the three Persons of the Blessed Trinity. In the first age the Father ruled, representing power and inspiring fear, to which the Old Testament dispensation corresponds; then the wisdom hidden through the ages was revealed in the Son, and we have the Catholic Church of the New Testament; a third period will come, the Kingdom of the Holy Spirit, a new dispensation of universal love, which will proceed from the Gospel of Christ, but transcend the letter of it, and in which there will be no need for disciplinary institutions' (Catholic Encyclopaedia). The commentary on Isaiah (which features the woodcut of the seven-headed dragon) is wrongly attributed to Joachim. (Adams 211 and 209).
Zustand: Gut. Wiss. Buchges., Darmstadt 1966. 212 S. Gr.-8°. Ln. 94065 / 30689 Mit Ausnahme von Direkt-Recycling Materialien erfolgt der Versand ohne Einsatz von Kunststoffen. Sprache: Deutsch.
Verlag: Roma, Istituto storico italiano per il medio evo, 2018., 2018
Anbieter: Antiquariat Thomas Rezek, München, Deutschland
Gr- 8°. CDXXIX (429) pp., 36 illustrations on plates Original softcover Fonti per la Storia dell'Italia Medievale, Antiquitates 49. Introductory volume, text in German. In 2019 three volumes with the Latin text were published, this is the introduction only! - Fine, crisp, uncut and unopened.
Oxford, [etc.], 1972. XX,350 pp. 47 b./w. ills on plts. Hardcover, d./j. - Top edge foxed. (Oxford-Warburg Studies).
Verlag: Econ Verlag, Düsseldorf, 1971
ISBN 10: 3430168503ISBN 13: 9783430168502
Anbieter: Any Amount of Books, London, Vereinigtes Königreich
Buch Erstausgabe
8vo. pp 215. Original publisher's grey cloth covered boards with white title label at spine. Orange and grey illustrated dust jacket. Copiously illustrated in black and white throughout. First German edition of 'War and Peace in the Global Village' (full text in German). ISBN: 3430168503 Some fading to front/rear pastedowns and endpapers, a little light foxing to page edges, dust jacket very slightly edgeworn in places. Very good indeed/very good indeed.
Verlag: Toronto, PIMS 1986. ix, 114pp. 1986, 1986
Anbieter: Bennett and Kerr Books, ABINGDON, Vereinigtes Königreich
Pb, sl browned. Studies & Texts 78.
Verlag: presso Christoforo Tomasini, in Venetia, 1646
Anbieter: Libreria Ex Libris ALAI-ILAB/LILA member, Roma, Italien
Cartonato coevo alla rustica con titolo ms. al ds. (minime tracce d usura). Firmetta di appartenenza cancellata al frontis. Lievi aloni all angolo inferiore di qualche carta ed uno strappo riparato senza alcuna perdita a p. 3, altrimenti esemplare in ottimo stato di conservazione. Rara edizione illustrata dei Vaticinia , raccolta di predizioni criptiche riguardanti il Papato ascritte tradizionalmente al teologo mistico del XII Secolo Gioacchino da Fiore. Br. Libr. I, p. 458. Altre edizioni in Caillet, Dorbon-Ainé e Bibliotheca Magica della Casanatense. 4to (cm. 22,5), 96 pp. (recte 88) con 34 grandi xilografie allegoriche di vaticini n.t. (perlopiù a piena pagina). Marca tipografica al frontespizio. Testo in italiano e latino.
Verlag: Girolamo Porro, Venice, 1589
Anbieter: Rodger Friedman Rare Book Studio, ABAA, Tuxedo, NY, USA
Zustand: Very Good. First printing of some material. Quarto (21 cm); [140] pages, including 34 allegorical copperplate engravings with facing-page explanations. Text within typographical borders; in Latin and Italian. Woodcut decorated initials and tail-pieces. Manuscript marginalia in very neat and readable contemporary hand. Bound in plain vellum, titled in ink on spine (faded). Lower portion of spine ruptured in two places and along joint. Pages thumbed but unblemished, plates are crisp and contrasty. References: Adams J-213; Landwehr, French, Italian, Spanish and Portuguese emblem books 415. A first-wave example of baroque book illustration, and a stylistic breakthrough for the illustrator (and printer) Girolamo Porro, this strange book occupies an undefined space between emblem book and prophecy, between folklore and political propaganda. Although the text is attributed to Joachim of Fiore, a 12th-century cleric, there is no connection, and the life of Joachim by the Neapolitan humanist Gabriele Barrio is equally fanciful. The text relies rather on a manuscript tradition of "prophecies" that always postdated the events they predict (but were attributed to an earlier speaker, such as Joachim, to make them seem premonitory), apocalyptic warnings, and moral advice couched in oracular statements by the popes of the Church. The allegorical emblems by Girolamo Porro are truly imaginative and mystifying. The series of illustrated "prophecies" also includes an "Oraculum Turcicum," predicting the fall of the Turkish empire, engraved with a caption in Turkish characters, transliterated into the Roman alphabet in the lower part of the plate, and translated on the facing page. Commentary on each prophecy is provided by Pasqualino Regiselmo, who also wrote the dedicatory letter (in Latin and Italian).