joëlle tuerlinckx (10 Ergebnisse)

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 22 x 29 cm, 200 Seiten/pages - Die Ausstellungspublikation zeigt ausgewählte Werke internationaler Künstlerinnen und Künstler, die sich explizit auf Marcel Broodthaers (1924-1976) beziehen oder im Sinne einer Weiterentwicklung Motive seines uvres aufgreifen. Schon zu Lebzeiten ein überaus einflussreicher Künstler seiner Generation, wird Broodthaers auch von heutigen Künstlern produktiv rezipiert.

Zustand: New.

Soft Cover. Zustand: Fine. First Edition. Newsletter. Stapled document. Text: NL. 12 p.; ill.; A4; 80 g. Perforations. Address sticker on cover, otherwise fine. Magazine/Periodical.

First edition. Softcover. Artist book. Includes some color and numerous black and white images. A fine copy in wrappers.

Hardcover. Zustand: Brand New. 584 pages. 11.61x9.25x9.25 inches. In Stock.

200 pp.; 27.3 x 22.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Schirn Kunsthalle Frankfurt, July 12 - October 1, 2006. Edited by Martina Weinhart and Max Hollein. Essays by Mieke Bal, Ulrike Gehring and Martina Weinhart. Artists include John Baldessari, Robert Barry, James Lee Byars, Joseph Beuys, Stefan Bruggemann, Ceal Floyer, Martin Creed, Spencer Finch, Tom Friedman, Imi Knoebel, Joseph Kosuth, Kazimir Severinovich Malevich, Nam June Palk, Ad Reinhardt, Karin Sander, Joelle Tuerlinckx, Luc Tuymans, Rémy Zaugg. Texts in English and German. Fine / New. In publisher issued shrink-wrap. Due to size and weight of this publication additional shipping charges may be required for international orders.

Buch. Zustand: Neu. Neuware - This artist's book, a catalogue of a museum without walls, reads like an account of a work under construction in response to a commission in a former coalfield. Joëlle Tuerlinckx guides us through the studio's archives, and through the development of a thought process and culminates in the inventory of the M.M. collection ('Musée de la Mémoire' or 'Museum of Memory'). Building on the great classic of the inventory catalogue and encompassing 'all of J.T.'s work', she presents 'a museum in itself'. While the book is originally connected to 'La Triangulaire de Cransac', a monumental work of art in the small town of Aveyron, France, it also puts into perspective the evolution of the museum in its relationship with the artist and the book. Joëlle Tuerlinckx reminds us that if the museum is compared to a book because of its internal organization, then a book can be compared to a museum because of its systematics and its method of contemplating the object. Text in French. Introduction and colophon translated into English.

Soft Cover. Zustand: Fine. Exhibition Catalogue. Text: French. Approx. 20 p.; ill; 18 x 22 cm. Fine. We join the flyer of the exhibition at Wiels, Brussels, 2012. Book.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

TUERLINCKX, Joelle. One Printed Page 2. Contains "the Biggest Surface on Earth Scale 1:1." A computer generated image on paper, diameter 270 mm. Matted in publisher's cardboard portfolio. New York: Library Council of the Museum of Modern Art, 2004. In her films, sculptures, public projects, and extensive publications, the Belgian Conceptual artist Joëlle Tuerlinckx looks at unlikely spaces and substances to pose formal, perceptual, physical and social conundrums. This work was generated from a sample artifact that the artist calls "original momametamaterial"-a sheet of paper covered with a thick layer of powdery gray photocopier toner. Each unique image, signed and dated to the hour, was produced on a series of desktop laser printers over many days. Each reads as a shimmering, minimalist gray abstraction, printed on a circular sheet of paper, or as a gray void, marked by the shifting moiré patterns that in commercial printing may indicate degraded reproduction. Accompanying each piece is a seemingly scientific, highly technical description of the project, written by the artist, with computer-generated diagrams of atomic spheres. The text, sometimes credible, sometimes vaguely preposterous, outlines the complex electrostatic calibrations and other processes by which the artist fabricated "extracts" from a surface that does not exist in nature. One of 200 copies, Print signed on verso by Tuerlinckx and text leaf initialed and dated on each side by her. The print immaculate, slight staining on one corner of the cardboard portfolio.