Jason kuo (55 Ergebnisse)

paperback. Zustand: Very Good. Very Good text, Previous owner name inside cover. Light cover/edge wear. Fast shipping from Northern California via US MAIL. Most International orders shipped via DHL/Asendia. Additional postage may be required on oversize books and sets. Please, NO prison orders.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: As New. Still in shrink wrap.

Zustand: Very Good. Very Good condition. Volume 3. (art, pottery, ceramics, asia, china).

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780986021664. …

Hardback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Very good hardback copy in very good dustjacket. xii, 196pp, illustrated.

softcover. Zustand: Sehr gut. 342 p. ISBN: 9780986021664 Sprache: Englisch Gewicht in Gramm: 499.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. In English.

Zustand: New. In English.

hardcover. Zustand: Very Good.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: very good.

Paperback. Zustand: Brand New. 180 pages. 11.50x8.25x0.75 inches. In Stock.

Hardcover. Small Quarto, ix, xxiii, 264 pages. In Very Good condition with a Very Good dust jacket. Spine light grayish beige with black lettering. Exterior has very slight wear including mild sunning to the spine and minor edge wear. Boards have very slight wear including sparse faint scuffs and minimal sunning. Slight cocking to the spine. Text block has mild wear including slight age toning to the edges. Profusely illustrated. Inscribed by the author. Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire about rates. NOTE: Shelved in Netdesk Column L (ND-L). 1398811. FP New Rockville Stock.…

Zustand: Very Good. Same day dispatch. Lovely copy.

4°. 92 S., 98 Objekte alle mit ausführlicher Beschreibung u. Abbildung. OKart.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Gebunden. Zustand: New. KlappentextrnrnThe aims of this volume are to reflect on the fundamental issues in the theory and practice of connoisseurship of Chinese painting in particular and those of connoisseurship of art in general. One of the most important challenges .

Buch. Zustand: Neu. Neuware - The aims of this volume are to reflect on the fundamental issues in the theory and practice of connoisseurship of Chinese painting in particular and those of connoisseurship of art in general. One of the most important challenges facing art historians and museum professionals today is that graduate schools have produced art historians with serious weakness, particularly a lack of direct firsthand experience with works of art in the original. If we base our construction of art history on works of calligraphy and painting and on the inscriptions, colophons, and seal impressions that accompany them, we must first make sure of their authorship and identity. 'This fascinating book, the first one in which connoisseurship in Chinese painting and in European painting are discussed together, enables us not only to confront several approaches in the authentication of Chinese painting, but also to benefit from the Western art studies in connoisseurial analysis and the complex nature of copywork.' -Michèle Pirazzoli-t'Serstevens, formerly Curator of Far Eastern Art of the Musée Guimet, Paris, currently Directeur d'études, École Pratique des Hautes Études, Paris, author of La Civilisation du Royaume de Dian à l'époque Han, La Chine des Han:histoire et civilization, Giuseppe Castiglione (1688-1766): Peintre et Architecte à la Cour de Chine, and editor of Storia Universale dell'Arte : La Cina.'These thoughtful essays, addressing a range of historical, cultural, and philosophical issues, should remind all of us that the objectness of objects is the starting point from which all else follows.'-Peter Sturman, Chair, Department of the History of Art and Architecture, University of California, Santa Barbara, and author of Mi Fu: Style and the Art of Calligraphy in Northern Song China.'Connoisseurship is the most fundamental yet often overlooked aspect of art history: it has the ability to affirm or completely change our understanding of an art work, the artist's oeuvre, or even art history itself. This volume is the first extensive investigation of Chinese connoisseurship as a general and theoretical discipline.'-Pauline Lin, Bryn Mawr College, has published articles in The Review of Politics and Dictionary of Literary Biography: Classical Chinese Writers and is working on a book, Nature Inside Out: The Culture of Landscape from the City of Ye (196-240).'Connoisseurship is the necessary base of art history, for until we know who made what when, we cannot engage in interpretation of paintings. Bringing together scholars from diverse backgrounds, this volume provides the necessary basis for the most important task facing art historians today, the creation of a true world art history.'- David Carrier, Champney Family Professor, Case Western Reserve University/Cleveland Institute of Art and author of Sean Scully, Museum Skepticism: A History of the Display of Art in Public Galleries, and A World Art History.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Zustand: Very Good. 1st Edition.

Zustand: New. &Uumlber den AutorBritta Erickson (Editor) Britta Erickson is an independent scholar and curator, who received a PhD in Chinese art history from Stanford University. She currently serves as artistic director at INK Studio, a Beijing gal.

Gebunden. Zustand: New. KlappentextrnrnVisual Culture in Shanghai, 1850s-1930s is a study of formal and informal meanings of Haipai ( Shanghai School or Shanghai Style ), as seen through the paintings of the Shanghai school as well as other media of visual representa.