jakob schillinger (17 Ergebnisse)

Paperback. Zustand: Used-Very Good. Pap. Slight shelf-wear, else very sound.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 120 pages. 8.00x5.50x0.25 inches. In Stock.

Zustand: New. Explores the artistic practices that employ evocation - the calling forth of past emotions, desires, frustrations, and memories - as a mode of connecting past and present. Featuring the work of artists working in a variety of media, this book challenges the conventional approach to history whereby the past is kept at a distance as historical fact. Editor(s): Fassi, Luigi; Gallun, Lucy; Schillinger, Jakob. Series: Whitney Museum of American Art. Num Pages: 120 pages, 40 black-&-white illustrations. BIC Classification: ABA; ACB; AGB. Category: (G) General (US: Trade). Dimension: 214 x 142 x 13. Weight in Grams: 232. . 2010. Paperback. . . . . Books ship from the US and Ireland.

Zustand: New. In.

Zustand: New. In.

Zustand: new.

Zustand: New.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. 78 pages. Exhibition catalog for a show that ran November 11 through December 16, 2017. Features an essay by Jakob Schillinger. Includes numerous color illustrations and information about each artwork. A clean very near fine copy in red cloth boards and in a very near fine dust jacket. Uncommon in commerce.

Zustand: New.

Erste Auflage. 19 x 12 cm. 46 unpaginierte S. OKarton mit OKlappenumschlag. Sehr gutes Exemplar. Erschienen anlässlich der Ausstellung vom 11. - 18. Januar 2014, organisiert von Neue Kunst in Hamburg e.V. in der Galerie Karin Guenther. Alle Seiten vollständig mit ganzseitigen Farbabbildungen versehen.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 328 | Sprache: Englisch | Produktart: Bücher | Critical discourse hardly knows a more devastating charge against theories, technologies, or structures than that of being reductive. Yet, expansion and growth cannot fare any better today. This volume suspends anti-reductionist reflexes to focus on the experiences and practices of different kinds of reduction, their generative potentials, ethics, and politics. Can their violences be contained and their benefits transported to other contexts?

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 328 | Sprache: Englisch | Produktart: Bücher | Critical discourse hardly knows a more devastating charge against theories, technologies, or structures than that of being reductive. Yet, expansion and growth cannot fare any better today. This volume suspends anti-reductionist reflexes to focus on the experiences and practices of different kinds of reduction, their generative potentials, ethics, and politics. Can their violences be contained and their benefits transported to other contexts?

Zustand: Gut. Zustand: Gut | Seiten: 328 | Sprache: Englisch | Produktart: Bücher | Critical discourse hardly knows a more devastating charge against theories, technologies, or structures than that of being reductive. Yet, expansion and growth cannot fare any better today. This volume suspends anti-reductionist reflexes to focus on the experiences and practices of different kinds of reduction, their generative potentials, ethics, and politics. Can their violences be contained and their benefits transported to other contexts?

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 328 | Sprache: Englisch | Produktart: Bücher | Critical discourse hardly knows a more devastating charge against theories, technologies, or structures than that of being reductive. Yet, expansion and growth cannot fare any better today. This volume suspends anti-reductionist reflexes to focus on the experiences and practices of different kinds of reduction, their generative potentials, ethics, and politics. Can their violences be contained and their benefits transported to other contexts?

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Passages: Manuel Borja-Villel on Antoni Tàpies," by Antoni Tàpies; "Passages: Richard Meyer on Anita Steckel," by Richard Meyer; "Passages: Elizabeth Willis on Adrienne Rich," by Elizabeth Willis; "Books: Matt Saunders on 'Kippenberger: The Artist and His Families,'" by Matt Saunders; "Performance: Michael Wood on Fiona Banner's 'Heart of Darkness,'" by Michael Wood; "FilmL Amy Taubin on Benh Zeitlin's 'Beasts of the Southern Wild,'" by Benh Zeitlin; "Film: Dennis Lim on António Reis and Margarida Cordeiro," by Dennis Lim; "Film: Melissa Anderson on Kleber Mendonça Filho's 'Neighboring Sounds,'" by Melissa Anderson; "On Site: Rosalind E. Krauss on William Kentridge's Norton Lectures," by Rosalind E. Krauss; "On Site: Vaginal Davis on Jabberjaw," by Vaginal Davis; "Music: Owen Hatherley on Neneh Cherry's 'The Cherry Thing,'" by Owen Hatherley; "Top Ten," by Patterson Beckwith; "Blow-Up: Taryn Simon and Brian de Palma in Conversation"; "A Progression of Forms: The Art of Daan van Golden," by Richard Aldrich; "1000 Words: Mario García Torres," by Tom McDonough; "Another World: Michelle Kuo talks with David Graeber"; "Declaration of Independent: The 50th Anniversary of the Oberhausen Manifesto," by Eric Rentschler; "The More Things Change: The Art of Roman Ondák," by Ina Blom; "Trace Elements: The Art of Nairy Baghramian," by André Rottmann; "Openings: Pietro Roccasalva," by Jan Tumlir. Reviews by Huey Copeland, Jack Bankowsky, Jakob Schillinger, Hannah Feldman, Isabelle Graw, Jordan Kantor, David Frankel, David Rimanelli, Robert Pincus-Witten, Jeffrey Kastner, Suzanne Hudson, Lloyd Wise, Barry Schwabsky, Johanna Burton, Frances Richard, Donald Kuspit, Ida Panicelli, Emily Hall, Lauren O'Neill-Butler, Eva Díaz, Michael Wilson, Francine Koslow Miller, Ivy Cooper, Michelle Grabner, Jennifer King, Lisa Turvey, Jan Tumlir, Ben Carlson, Sarah Lehrer-Graiwer, Travis Diehl, Zehra Jumabhoy, Jo Applin, Gilda Williams, Lauren Dyer Amazeen, Declan Long, Lillian Davies, John Beeson, Astrid Mania, Noemi Smolik, Quinn Latimer, Yann Chateigné Tytelman, Giorgio Verzotti, Alessandra Pioselli, Astrid Wege, Hans den Hartog Jager, Ronald Jones, Javier Hontoria, Martí Peran, Lee Ambrozy, and Shinyoung Chung. Cover: Fiona Banner.