jacques callot 1592 1635 (74 Ergebnisse)

Hardcover. Quarto, 402 pages. In Good condition with a Good minus dust jacket. Spine is blue with white print. Dust jacket has edge wear, with short open tear to front top edge. Boards in yellow cloth with black print. Text block has brown ribbon marker. Name in ink on front flyleaf, tape stains to endpapers. Illustrated: b&w. Envelope adhered to rear pastedown contains small illustration in two pieces. Text in French. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Netdesk Column QD (ND-QD). 1382004. FP New Rockville Stock.

Pictorial wrappers, very slight wear but fine. On pp. 63-66, 67-75, 76-88 in Konsthistorisk tidskrift / Art Review published by the Society of Art History, 58 (1989):2. Stockholm 1989. 4to. Pp. 47-94. Illustrated. / The paper on Tizian / Rubens in Swedish only, the one on Callot in Swedish with English Summary, the one on Vermeer in English throughout.

4°. 430 Seiten. Original Pappband im OU (etwas bestoßen). OC4-41 Sprache: Französisch Gewicht in Gramm: 3000.

Hardcover. Zustand: Gut. Jacques Callot (1592-1635) war ein Zeichner, Kupferstecher und Radierer aus Nancy/ Lothringen. 12267 [L] Sprache: Deutsch Gewicht in Gramm: 100.

559 Seiten. 4°. Original Pappband im illustr. OU OC4-35 Sprache: Französisch Gewicht in Gramm: 2000.

Other. Quarto, 4 preliminary pages + 24 unnumbered mounted engravings in portfolio. In Good condition with a Poor portfolio. Spine is tan without print. Portfolio edges are torn so that the covers and flaps are separate pieces.The stock on which the engravings are mounted has peripheral toning and is becoming brittle. Illustrated: b&w engravings. Preliminary text in German. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Netdesk Column QA (ND-QA). 1379282. FP New Rockville Stock.

Zustand: Good. Etchings mounted in a 19th Century album .Second states after the addition plate numbers lower right. Some are reverse image. Sheet size 14 x 9 cm. Callot did the drawings in Italy and the etchings in Nancy. Lieure, 479-503.Les Gueux. Suite de 25 planches montées sur f. de vélin en un album in-8 oblong broché. Série complète de la fameuse série des « Gueux » s'ouvrant sur un mendiant portant une banière en lambeaux où se lit : « Capitano des Baroni ». Tirage du XIXe siècle. Estampes sans marges. Format 150 x 100 mm.

Zustand: Good. 27 etchings on laid paper. Complete suite of 24: Lieure, nos 379 to 402. Mounted in half calf album with painted border lines. Trimmed inside the plate marks. Sheet sizes between 72 x 95 and 80 x 111mm. Three added states. Manuscript essay on blank page.See detailed description in French by the expert Alain CANO below .Title page is second state of 3. but likely later printings.Royal Collection Trust:Callot produced the series in Lorrain in 1623 after his twelve-year journey in Italy. The prints were very popular and several sets of copies circulated. The copies on this folio were published in Paris by Balthasar Moncornet, possibly in the early 1630s. Cassiano owned sixteen of the twenty-four copied sheets. The Balli have been studied in many occasions: some scholars have considered them as tied to the theatrical traditions, whereas others have seen them as a product of Callot's fervid imagination. They possibly represent a mixture of both. With the exception of the frontispiece, each print depicts two named characters, more or less well-known, with Neapolitan and Tuscan names. Both Callot's and Moncornet's series have titles in Italian, despite being published in France, demonstrating how fashionable Italian subjects were in France. Callot's aim was not to represent specific actors but, through naming figures, to individualise their character traits, appearance and exaggerated poses. Moncornet's prints eliminate some of the buildings in Callot's settings, introducing a more theatrical context.BALLI di SFESSANIARéédition de la série des 24 gravures.Album de 21,5 x 15 cm. Demi reliure à coins de veau blond. Dos plat, orné de fers dorés et à froid. Sur le dos, titre en lettres dorées : BALLI di SFESSANIA.Recueil de 24 gravures de Jacques Callot (La gravure 'Cap Osgangarato - Cap Cocodrillo " étant présentée deux fois, avec de légères différences) auxquelles on joint une gravure supplémentaire intitulée : "Pasquariello Truonno Meo Squaqua.".Ces 24 gravures découpées et réduites en vignettes de 10x8cm sont contrecollées sur papier fort. Certaines présent des traces d'anciennes pliures.Note de l'expert:Il est difficile de dater ces gravures, celles ci ayant été découpées en vignettes, sans aucune précision de date.Jacques Callot a dessiné les 24 sujets en Lorraine en 1623 après son voyage de douze ans en Italie.Les exemplaires de cet in-folio ont été publiés à Paris par Balthasar Moncornet, peut-être au début des années 1630.Les Balli ont été étudiés à de nombreuses reprises : certains chercheurs les ont considérés comme liés aux traditions théâtrales, tandis que d'autres les ont vus comme le produit de l'imagination fervente de Callot. Ils représentent peut-être un mélange des deux. À l'exception du frontispice, chaque tirage représente deux personnages nommés, plus ou moins connus, aux noms napolitains et toscans.Les séries de Callot et de Moncornet ont des titres en italien, bien qu'elles soient publiées en France, démontrant à quel point les sujets italiens étaient à la mode en France.La qualité de la reliure et le soin apporté à préserver les gravures attestent de l'intérêt que l'on portait à ce petit carnet.Sur la page de faux titre, une grande note manuscrite (XIXème siècle) : ." L'invention du Cancan appartient à Callot qu'il n'a peut être lui même fait que perfectionner en le ramassant chez les Gipsies et les bateleurs de l'Italie, qu'il avait eu l'occasion de voir et de présenter.Expertise by Alain CANO (AC).

Zustand: molto buono. Acquaforte originale, foglio di mm. 355x533 compreso il margine bianco di 2 mm ca., battuta del rame completa. Raffigura il combattimento avvenuto nella piana di S.Ambrogio tra le truppe del duca di Savoia Carlo Emanuele I e quelle francesi comandate dal marchese d'Effiat e dal duca du Montmoremcy, i vincitori, che fu decisivo per risolvere il conflitto del Monferrato che opponeva la Francia e la Spagna, impegnate a contendersi l'egemonia dell'alta Italia durante la guerra dei trent'anni. In alto della grandiosa e animatissima composizione figura il ritratto in ovale di Effiat entro trofei d'armi, di scudi e di bandiere. In basso le sue armi araldiche. Sulla destra si vedono il borgo di Sant'Ambrogio e la Sacra di S.Michele. Celebre incisione, annoverata tra i capolavori seicenteschi di quest'arte. Rarissimo esemplare di primo stato su due. Esemplare con l'angolo superiore sinistro ed inferiore destro restaurati. Lieure, Jacques Callot, Oeuvre gravé, vol. III n.663, I/2, RRR (rarissimo). Meaume n.509. Book.

View on the castle of Larchambaut with two resting shepherds in the foreground right. Numbered on the bottom right: '4', titled with inscription in the sky: 'Autre Veue du Chasteau de Bourbon Larchambaut' Etching on paper, trimmed to plate mark: total 73 x 123 mm; some damages on the upper part, nicely drawn.

Zustand: Befriedigend. Format: 16 x 32,3 cm (wie oft bis an die Einfassungslinie beschnitten und alt auf Untersatzpapier aufmontiert, mit getuschter Umrahmung). *Vgl. Lieure 668. - Detailgetreue Wiedergaben der berühmten Radierungen von Jacques Callot, hier mit Titel und Legende im Unterrand, die Verlegerangabe Bonnard am rechten Unterrand ausgeschnitten. Sprache: Französisch Gewicht in Gramm: 1001.

Zustand: Befriedigend. Format: 16 x 32,3 cm (wie oft bis an die Einfassungslinie beschnitten und alt auf Untersatzpapier aufmontiert, mit getuschter Umrahmung). *Vgl. Lieure 667. - Detailgetreue Wiedergaben der berühmten Radierungen von Jacques Callot, hier mit Titel und Legende im Unterrand, die Verlegerangabe Bonnard am rechten Unterrand ausgeschnitten. Sprache: Französisch Gewicht in Gramm: 1001.

Etching, with plate number 20, lower left, trimmed to border, This is an early copy of the etching from, 'Capricci di varie figure di Iacopo Callot - The Nancy set'.

Zustand: Good. Etching. 73 X 53 mm sheet size. Mounted on old laid paper. "Jac. Callot in. et fec." beneath the image.

Zustand: Good. Etching. 62 x 40mm sheet size. Mounted on old laid paper. Signed "N. Pecoul F. ex." beneath the image.

Zustand: Good. Etching. 70 X 56 mm sheet size. Mounted on thick paper and then on old laid paper. "Ja. Callot " beneath the image.

Zustand: Good. Etching. 100 x 62 mm sheet size. Mounted on old laid paper.

Zustand: Good. Etching. 96 x 57mm sheet size. Mounted on old laid paper. Similar in style to the series Les Images de Tous Les Saincts et Saintes de L'Année. (Images of All of the Saints and Religious Events of the Year) by Jacques Callot.

0. Sprache: Deutschu.

Zustand: Gut. Format (Plattengröße): 16.2 x 34,2 cm. (Blatt: 30,5 x 45,5 cm). *Vgl. Lieure 667. - Späterer Abzug der berühmten 1630 geschaffenen Radierungen von Jacques Callot auf Büttenpapier, ohne typographischen Titel und Legende im Unterrand. Blatt 1 der Folge von zwei Arbeiten "Les deux grandes Vues de Paris". Späterer Abzug um 1800, wohl herausgegeben von Leloutre, Paris. - Breitrandiges Exemplar in guter Erhaltung, rückseitig mit Montageresten. Minimal gebräunt. Sprache: Französisch Gewicht in Gramm: 1001.

Zustand: Good. Etching on laid paper. Modern copy of the original plate, printed by the Chalcographie du Louvre. With their blindstamp. 23.5 x 32 cm (sheet). Very Good.Ref. Lieure 417.

Zustand: Good. Etching on laid paper. Modern copy of the original plate, printed by the Chalcographie du Louvre. With their blindstamp. 24 x 31.5 cm (sheet). Very Good.Ref. Lieure 1134.

Zustand: Good. Etching on laid paper. Modern copy of the original plate, printed by the Chalcographie du Louvre. With their blindstamp. 31.5 x 24 cm (sheet). Very Good.Ref. Lieure 480.

Zustand: Good. Etching on laid paper. Modern copy of the original plate, printed by the Chalcographie du Louvre. With their blindstamp. 24 x 31.5 cm (sheet). Very Good.Ref. Lieure 425.

Zustand: Good. Etching on laid paper. Modern copy of the original plate, printed by the Chalcographie du Louvre. With their blindstamp. 24 x 31.5 cm (sheet). Very Good.Ref. Lieure 1335.

Zustand: Good. Etching. 7.3 x 8,5cm., on old laid paper. From "Le Nouveau Testament" (The New Testament) series.Reference: Jules Lieure, Jacques Callot: catalogue raisonné de l'oeuvre gravé (San Francisco: Alan Wofsy Fine Arts, 1989).,no. 1421. Second state of 2.

Zustand: Good. Etching. 7.1 x 8,5cm., on old laid paper. From "Le Nouveau Testament" (The New Testament) series.Reference: Jules Lieure, Jacques Callot: catalogue raisonné de l'oeuvre gravé (San Francisco: Alan Wofsy Fine Arts, 1989).,no. 1425. Possibly first state before the text but could have been cut off.

Zustand: Good. Etching. 8,4 x 9.7cm., on old laid paper. From "Le Nouveau Testament" (The New Testament) series.Reference: Jules Lieure, Jacques Callot: catalogue raisonné de l'oeuvre gravé (San Francisco: Alan Wofsy Fine Arts, 1989)., no. 1426. Possibly first state of 2. Tear in upper mrain without loss.

Zustand: Good. Original etching 8.1 x 18.1 cm. Lieure, 1356, 4th state of 4. Partly laid down on mat.

Zustand: Good. Etching from Planche 56. 85 x 52 mm sheet size. Mounted on old laid paper. Lieure, 1029.