jacob max 1876 1944 (23 Ergebnisse)

Third Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 218 pages; Description: 218 p. ; 19 cm. Subjects: Middle classes --France --Bourgeoisie. 1 Kg.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Unread copy with pages unopened.; 8vo 8" - 9" tall; 229 pages; Description: 229 p. ; 21 cm. Subjects: Jacob, Max (1876-1944) --Correspondence. Series: Collection Correspondance. 1 Kg.

First Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Unread copy with pages unopened.; 8vo 8" - 9" tall; 124 pages; Description: 124 p. : ill. ; 23 cm. Subjects: Jacob, Max (1876-1944) --Correspondence --Villard, Rene (1875-1940) --Poets, French --20th century. 1 Kg.

First Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Unread copy with pages unopened.; 8vo 8" - 9" tall; 139 pages; Description: 139 p. ; 22 cm. Subjects: Fels, Florent (1893-) --Correspondence --Jacob, Max (1876-1944) --Poets, French --20th century. 1 Kg.

First Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Unread copy with pages unopened.; 8vo 8" - 9" tall; 155 pages; Description: 155 p. ; 23 cm. Subjects: Jacob, Max (1876-1944) --Correspondence --Levanti, Michel --Poets, French --20th century. 1 Kg.

First Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Unread copy with pages unopened. ; 8vo 8" - 9" tall; 145 pages; Description: 145 p. : port. ; 21 cm. Subjects: Salacrou, Armand (1899-) --Salacrou, Lucienne. 1 Kg.

First Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Unread copy with pages unopened. ; 8vo 8" - 9" tall; 124 pages; Description: 124 p ; 23 cm. Subjects: Jacob, Max (1876-1944) --Correspondence --Rimbert, Rene --Poets, French --20th century --Biography. 1 Kg.

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Livre reconditionné de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Refurbished library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

sewn PAPERBACK, very good. INSCRIBED on front endpaper : pour Dante, qui nous manque, de coeur, and SIGNED Neal (recipient is Harvard literary historian Dante della Terza). JACOB, MAX. Max Jacob and Les Feux de Paris. Letters and texts. Presented by Neal Oxenhandler. Berkeley: University of California Press, 1964, 221-307pp., . Introduction and notes in English, texts in French. - University of California, Berkeley. University of California publications in modern philology ; v. 35, no. 4. - CONTENTS: Introduction - Unpublished letters from Max Jacob to Jean Fraysse.--Contributions of Max Jacob to Les Feux de Paris - Appendix.

paperback. Zustand: Molto buono (Very Good). Catalogo della mostra di disegni presso lo Studio 2C di Roma a cura di Carmine Benincasa e Cleto Polcina. Con 12 tavole a colori applicate su fondino giallo e tavole in nero. Biografia e bibliografia. Estratti di lettere dell'Artista e di alcune poesie . 8vo (cm 24x28). pp. 80. . Molto buono (Very Good). . . . Book.

paperback. Zustand: Ottimo (Fine). Prima edizione di 500 es. numerati. Prefazione di Edomond Jabes. Versi in francese Volume n. 178 della collana "Acquario". Libro curato da Vanni Scheiwiller e stampato dalla Monotipia Cremonese il 21 marzo 1989. Copia n. 362. 16mo. pp. 78. . Ottimo (Fine). Piccola etichetta di prezzo in quarta di copertina (Little sticker on back). Prima edizione di 500 es. numerati. Scheiwiller [Novati, 2013] NOVATI, Laura. Giovanni e Vanni Scheiwiller editori. Edizioni Unicopli, 2013. Book.

Brossura. Zustand: Molto buono (Very Good). Catalogo della mostra tenutasi presso Le Point Galerie d'Art Moderne, Roma 26 aprile - 31 maggio 1983. Testi e poesie di Max Jacob. 38 illustrazioni e foto in bianco e nero. Biografia, Bibliografia, Elenco delle opere esposte . 8vo. pp. 28. . Molto buono (Very Good). . . . Book.

Soft cover. Zustand: As New. 70 pages.

Couverture souple. Zustand: Bon. 1ère Édition. Art poétique. Paris, Chez Émile-Paul frères éditeurs, 1922. Édition originale (exemplaire sur vélin mais non justifié). 74 pages. Précieux exemplaire enrichi d'un envoi autographe signé de l'auteur à Alexis Laysens. Format : 16x11 cm. Authenticité garantie. Signé par l'auteur.

4to.; 204 pp., 1 h. Cubiertas originales.

4to (209 x 268 mm), 1 p. With autograph envelope. To the German autograph collector Ernst Fritz Katz in Frankfurt a. M., who had asked for a sample of his handwriting, suggesting in a friendly tone that, if Jacob is well-known in Germany, now Katz is also famous in France: "Si je suis connu à Frankfurt, vous l'êtes à Quimper de Bretagne où j'ai reçu pendant mes vacances votre lettre". Jacob speculates on the age and occupation of his addressee, and closes with a playful "En tous cas vous êtes mon ami ou je suis le vôtre". - Very slight damage to creases, with no loss of text. Margins of envelope slightly creased.

4to. 2 pp. With autograph envelope. To his friend and protégé Maurice Morel, known as l'Abbé Morel, concerning a forthcoming publication of selected poems. Jacob asks Morel to insist with their friend, the theologian Jacques Maritain, to keep the inconspicuous title "Poémes choisis inédits" so as not to attract "hate and furor", as well as the information "chosen by l'abbé Morel". The second part of the letter concerns the contract, Jacob's dire financial situation, and the painter Jean Colle, who was currently in London and somehow involved in the projected publication. While there is no publication of Max Jacob entitled "Poémes choisis inédits", it is very likely that the anthology in question is identical with the "Morceaux choisis" published by Gallimard in November 1936. - The devout Catholic Jacob met the future priest Maurice Morel (1908-91) when he was taken in by Father Albert Fleureau in Saint-Benoît-sur-Loire for detoxification in 1921. Jacob dedicated his 1921 poem "Le Laboratoire central" to Morel and encouraged him to follow his second calling as a painter. In his art, Morel was decidedly modern and abstract. He opened the Catholic Church of France to non-figurative art, even facilitating the introduction of modern art to the Vatican Museums. - Traces of folds.

8vo. 1 p. To his friend and protégé Maurice Morel, known as l'Abbé Morel, concerning a manuscript that has been saved from his "shipwreck disaster" and hopes to publish it "as it is" after everything "has been taken" from Jacobs: "Tout est donc au même ! Gloria in excelsis Deo. Merci au Seigneur d'avoir sauvé ce manuscrit de mon désastre de naufrage. Publions le manuscrit tel que puisque je n'ai rien d'autre, tout ayant été pris. Cependant je ne veux pas vendre le manuscrit et perdre mes droits. Que votre éditeur me propose un contrat que j'étudierai". - The touching letter is a testament to Max Jacob's desperate situation in occupied France and the importance of his Christian faith during this period. Whether Jacobs could have actually hoped for a publication under these circumstances is very doubtful. - Traces of folds.

4to. 1 p. Apologizing to his friend and protégé Maurice Morel, known as l'Abbé Morel, for having forgotten an appointment. In a desperate and almost certainly exaggerated apology, Jacob laments his "appalling and tormented existence", his poor health and his "inescapable financial embarrassments" that "absorb" him: "Je ne sais comment m'excuser de n'avoir pas songé à notre rendez-vous. Je vis une existence atroce et tourmenté non seulement par mes malades [!] mais parl'inéluctables embarras financiers qui m'absorbent et nécessitent des courses fatals; il ne s'agit de rien moins que de la rupture de mon contrat et qui est mon unique moyen de vivre". - The "breach of his contract" and only means of livelihood that Jacob mentions in the end of the letter probably refers to his long litigation with an insurance company following a car accident in 1929. In 1932, Jacob finally was adjudged a small life annuity. - The devout catholic Jacob met the future priest Maurice Morel (1908-91) when he was taken in by father Albert Fleureau in Saint-Benoît-sur-Loire for detoxification in 1921. Jacob dedicated is 1921 poem "Le Laboratoire central" to Morel and encouraged him to follow his second calling as a painter. In his art, Morel was decidedly modern and abstract. He opened the catholic church of France to non-figurative art, even facilitating the introduction of modern art to the Vatican Museums. - Traces of folds.

293 x 235 mm. Three-quarter profile, inscribed to the French priest and painter Maurice Morel (1908-91): "A Monsieur l'abbé Maurice Morel / son ami fidèle et reconnaissant / Max Jacob / 7. Sept. 36". - Morel found a mentor in Max Jacob, a Jewish convert to Catholicis who was a close friend of Pablo Picasso and other artistic-literary notables of the period. - With stamp of the photo studio "Photo Photomaton" on verso page.

4to. 2 pp. To a gifted young writer about his vivid imagination: "J'ai été evenement interessé par vos poémes. Je dit proprement 'interessé'. Vous avez une imagination minutieuse, qui descend fort avant dans la reconstitution [.]". - Traces of folds.

1 page, 4to. With an original photograph of Max Jacob by Marcel Béalu. In part (translated): "You will live in sorrow as you live in sin because sin cannot get enough of himself and what cannot get enough of will suffer. Sin cannot control himself and what cannot control himself is troubled. Where there is trouble cannot be quiet and where there is no quiet there is no happiness. Jesus alone will make you get out of sin. So bless his coming in all the ways possible. Bless the coming of Jesus he only comes with love, with all the love of your soulthen the deliverance from sin will come. The city expresses the joy on behalf of all cities and all nations: he just resurrecting the area known. He will resurrect the world after having resurrected himself.Resurrect us by him and with him. Find innocence because innocence is power and strengththe good, is happiness. Yes, Jesus entering in Jerusalem, it is happiness entering our lives for time and eternity. For the time, because the exemption of sin is happiness, for eternity because the one who will receive Jesus on the simple soul of love will live eternal life with Him. That all our minds cry out loud with the disciples: 'Hosanna!' And our bones cry like stonesThe world will respond like the Pharisees, but he cannot silence our joy." In very good condition, with moderate uniform toning, scattered creases, and various small edge tears. Accompanied by a vintage unsigned glossy press photo.

4to. 2 pp. Gefaltet. Cher ami, Moniseiur l'abbé.": [] Comme je veux partir lundi soir par la Bretagne [], je me permettrai de vous confier le portrait de Picasso, car vous etes la seule personne en qui j'ai confance. [].