Jacob löw (10 Ergebnisse)

Zustand: Very Good. Publisher's original illustrated card wrap covers [softback]. 8vo. 9½'' x 7''. Contains 64 printed pages of text with monochrome musical scores throughout. Just a little wear to the spine ends and in Very Good condition, no dust wrapper as published. Member of the P.B.F.A. MUSIC [Classical].…

geheftet, ohne Einband. Zustand: gut. Präses: Johann Carl Gebhard Reinhard; Disputatio: 1776-01-16; Widmung an: Hans Gotthelf von Globig; 2 Bl., 24 S, 19,5 x 16 cm, dekorative Vignette, iss. Fußnoten, Einband fleckig, Rand und Ecke leicht beschädigt, Staubrand, papierbedingt gebräunt. Sprache: lat Erstausgabe.…

Zustand: New. In English.

Hardcover. Zustand: Good. 126 pp., illustrations. In German (fraktur font). cover wear, tears at top & bottom of spine 0.0.

Hardcover. Zustand: g-. Third edition. Quarto. [2] 52 double-sided leaves. Rebacked in modern brown leather spine over original period brown leather boards. Gilt lettering and ruling on the spine. Modern endpapers. Profusely illustrated throughout with copperplate engravings. Includes both an initial illustrated title page with copperplate engravings surrounding the text (Ma'aleh Bet Horin) and a printed title page with decorative woodblock borders and the publisher's device. In addition to the Hebrew text, a few sections throughout are in Judeo-German (Yiddish) printed in Vaybertaytsh script. This third edition of the famous Amsterdam Haggadah, found the work reformatted into a smaller size, and saw the title officially changed to Maleh Beit Horin (meaning "house free men"). Most of the same famous copperplate engravings by Abraham ben Jacob (aka Abraham bar Yaccov), that previously appeared in the 1695 and 1712 editions, are retained here. The two images added to the 1712 second edition are included (the illustrated order of the Seder, and the complete ten plagues), but four of the full series of images included in the first two editions are not present. These missing images are Abraham smashing the idols of his father, Moses receiving the Ten Commandments a Mount Sinai, Moses and Aaron coming to Pharaoh, and the Holy Temple in Jerusalem.* In our copy the engraved title and three other other engravings contain contemporary hand-coloring (the rabbis of Bene Brak, the Four Sons, the angels visiting Abraham). The text of this third edition replaces the complete running commentary from Isaac Abravanel of the earlier editions, with 3 additional text commentaries. These include the "Gevurot Hashem" from the Maharal of Prague (Judah Loew ben Bezalel), writings by Rabbi Moshe Alshich, and "Olelot Ephraim", a collection of ethical homilies by Rabbi Shlomo Ephraim Luntschitz. However Abravanel's commentary is present following Yishtabach through the end of the Seder, and in the initial six-leaf section preceding the text of the Passover seder which discusses the laws of Passover. This copy is lacking the original engraved map of the Holy Land at the rear, as it was originally issued. Binding with some rubbing and abrasions to the original boards and spine. Interior with heaving staining to pages throughout, with text still legible. Biding and interior in in good- condition overall. Hebrew title: ???? ??? ?????, ???? ??? ???? ?? ??? Alternate Hebrew title: ???? ?? ???: ????? ??????? ?????? ?????? Publication: ???? ?????, ???????, ???"? Alternate transliterations: Ma'ale Bet Horin, Ma'ale Beit Khorin, Ma'ale Beit Chorin, Ma'ale Beit Horin, Bibliographic references: Yaari 199, Vinograd: Amsterdam 2113, Yudlov 300, Yerushalmi: Plate 75 *This contravenes the statement made by Yerushalmi (Plate 75) that all of the engravings of the previous editions are retained.…

[1] pp.; 27.9 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Two-sided Poster / program for the 3rd Annual New York Festival of the Avant Garde held at Judson Hall, New York, August 25 - September 11, 1965. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Robert Ashley, David Behrman, George Brecht, Robert Breer, Karlheinz Stockhausen, Allan Kaprow, Nam June Paik, Takehisa Kosugi, Jackson Mac Low, Erik Satie, James Tenney, John Cage, Luc Ferrari, Philip Corner, Robert Filliou, Jacob Glick, Don Heckman, Malcolm Goldstein, Al Hansen, Gary Harris, Dick Higgins, Burton Kaplan, Benjamin Patterson, La Monte Young, Wolf Vostell, Dieter Roth, Yoko Ono, Alfred E. Hansen, Morton Feldman and many others. Fair. Folded in three with tears, yellowing, bumping and folding of edges. Tears measure: 1.4 cm., 1 cm., 4 mm., 3 mm., 9 mm., 6 mm., 5 mm with an additional four 1 mm. tears to edges. 1.4 cm. dog-ear to lower left corner and 7 cm. dog-ear to lower right corner with additional folds and bumping to corner. 7 mm. dog-ear to upper left corner and 1.2 cm. fold to upper right corner. …

[3] pp.; 73 x 18.3 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman and Carolee Schneemann. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. 2.4 cm. dog-ear to bottom right corner of recto with bumping, light bumping of bottom left corner, and 1.2 cm. dog-ear to upper right corner with 7.7 cm. area of bumping. Multiple light fingerprint marks on verso.…

[2] pp.; 63.5 x 19 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Two-sided Poster / program for the 3rd Annual New York Festival of the Avant Garde held at Judson Hall, New York, August 25 - September 11, 1965. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Robert Ashley, David Behrman, George Brecht, Robert Breer, Karlheinz Stockhausen, Allan Kaprow, Nam June Paik, Takehisa Kosugi, Jackson Mac Low, Erik Satie, James Tenney, John Cage, Luc Ferrari, Philip Corner, Robert Filliou, Jacob Glick, Don Heckman, Malcolm Goldstein, Al Hansen, Gary Harris, Dick Higgins, Burton Kaplan, Benjamin Patterson, La Monte Young, Wolf Vostell, Dieter Roth, Yoko Ono, Alfred E. Hansen, Morton Feldman and many others. Good. Hand addressed mailed copy. Folded in eight for mailing with mailing marks and mailing wear. Light edge-wear including 1 mm. tear to poster edge. Double parallel fold lines along three of the eight folds. 10 cm. of pencil writing to verso, otherwise clean and unmarked.…

[1] pp.; 58.2 x 27.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman, and Carolee Schneemann. Designed by George Maciunas. Good. Folded in sixteen with wear along fold lines and light soiling on verso along fold lines. 1.6 cm. dog-ear to bottom right corner and bumping of bottom left corner and edge. Light bumping of upper left corner of recto and 6 cm. area of light soiling to verso.…

Second known copy of a pocket-atlas, published at Antwerp but containing a selection of the maps of the Low Countries originally published by Jacob Aertsz. Colom at Amsterdam in 1635 with the title De Vyerighe Colom, the title Colom had first used for his famous pilot guide in 1632, and the name he had given to his Amsterdam printing office, where he worked from 1622 to his death in 1673 as a bookseller, printer and mapmaker. The only other copy known is at the Royal Library in Brussels. The Vyerighe Colom, with 47 maps and 3 plates, and with extensive text in Dutch and French, went through several editions in the 17th century, but it was once thought that all editions before his death in 1673 had been published at Amsterdam by Colom himself. The Royal Library copy, like the present one, contains 39 maps, but each contains one map not in the other, so there are forty in total: the present copy includes "Drentiae", not in the Royal Library copy, which includes "Le terres entre la Meuse Vahal et Rhin", not present here. The maps are also bound in a different order.The present edition is of great interest and gives cause to review Colom's activities. It is printed from Colom's plates, so Colom may have licenced the Antwerp publisher to produce a variant edition of his Vyerighe Colom to broaden his market, possibly reacting to the signing of the Peace of Münster in 1648, which finally ended the Eighty Years' War and opened trade and communication between the northern and southern Low Countries. Jan Huyssens made an entirely new and practical atlas out of Colom's Vyerighe Colom. He omitted all text and the three plates that do not show maps, and selected only maps of general interest, leaving out the map of the ancient Low Countries and such typical Dutch maps as the separate maps of the polders De Zype, Beemster, Wormer, Purmer, Byllemermeer and Waterland, also - at least in the present copy - completely rearranging the maps, more in order of their geographical sequence. The title suggests that Huyssens originally planned to include a text, so the present extremely rare edition may be the only surviving result of an abandoned project.l Koeman & Van der Krogt 365.23 (IIIB, pp. 644-645) (2 copies: the present & Royal Library Brussels); UniCat 99095764 (Royal Library Brussels only); cf. Koeman II, Col 1 (1635 Amsterdam ed.); not in KVK; STCV; WorldCat. Later 17th-century mottled calf, sewn on 4 double cords, gold-tooled spine and board edges. With a double-page letterpress title-page, with a frame built up from typographic ornaments, and 39 unnumbered double-page engraved maps of the northern and southern Low Countries by Jacob Aertsz. Colom, each map coloured in outline. Interleaved with 38 blank leaves and with a manuscript table of contents ([3], [3 blank] pp.) at the end. Pages: Double-page title-page and 39 double-page maps.…