jackson john william moore (5 Ergebnisse)

Soft cover. Zustand: Very Good. ORIGINAL 1992 PUBLICATION; Softcover; ex-library; spine reinforced with tape; o/w in very good condition. Book.

[48] pp.; 26 x 23.5 cm.; sewn bound; black-and-white & color; edition size 1500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 19, 1989 - March 11, 1990. Curated and with text by Kerry Brougher. Artists include Francis Bacon, John Baldessari, William Baziotes, Alexander Calder, Willem de Kooning, Richard Diebenkorn, Mark di Suvero, Jean Dubuffet, Tim Ebner, Eric Fischl, Sam Francis, Alberto Giacometti, Hans Hofmann, Jenny Holzer, Neil Jenney, Wassily Kandinsky, Ellsworth Kelly, Anselm Kiefer, Franz Kline, Jannis Kounellis, Fernand Léger, Roy Lichtenstein, Morris Lewis, Henry Moore, Elizabeth Murray, Claes Oldenburg, Pablo Picasso, Jackson Pollock, Robert Rauschenberg, Gerhard Richter, Susan Rothenberg, Edward Ruscha, Joel Shapiro, Alexis Smith, David Smith, Frank Stella, Andy Warhol, Boyd Webb, Terry Winters, and Tom Wudl. Includes a collector's statement and exhibition checklist. Very Good. Dust soiling, yellowing, and light handling wear to dust-jacket. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Zustand: Good. No Jacket. 47 pages : illustrations ; 22 x 27 cm ; ISBN 9780815006831, 0815006837 ; OCLC 1733131 ; LC N6487C64.M376 1973 ; Artists include: Alfred Leslie, Adolph Gottlieb, Sam Francis, Allan Kapnow, Alex Katz, Karel Appel, James Brooks, Albert Burri, Willem de Kooning, Richard Diebenkorn, Jim Dine, Archie Gorky, Marsden Hartley, Hans Hofmann, Paul Jenkins, Lester Johnson, Morris Louis, Joan Mitchell, Jackson Pollock, Marca Relli, William Scoitt, Julian Stanczak, Antoni Tapies, John Chamberlain, Henry Moore, Louise Nevelson, Claes Oldenburg, Gio Pomodoro, Franz Kline, Christo Javacheff, John Mann, Marino Manni, Marcia Millares, Robert Motherwell, Mark Tobey; [Exhibition organized by] the University of Maryland Dept. of Art, University of Maryland Art Gallery, June 22 through September 30, 1973, the Finch College Museum of Art, October 16 through November 25, 1973, Albright Knox Art Gallery, January 8 through February 10, 1974 ; ex-library, marks, stamps, labels ; G. Book.

Hardcover. Zustand: Good. No Jacket. 314 pages ; OCLC 927145016 (online version); art nouveau design with sunflowers and in green and brown on brown cloth ; no dustjacket ; "Reading with appreciation is a fine art. This volume contains some of the gems of literature which the race has learned to love. Some of the 'old fashioned selections' and some of the most charming new short classics, are offered as a basis for study and appreciation. The average pupil will study his reading lesson with zest if he is given some definite work to do. In these studies, the brief introduction to each selection is intended to whet the pupil's appetite.The exercises following each study make his study definite and to the point. Helpful notes are added wherever necessary, and additional readings are given. ; Selections include: The American Boy -- The Light That Is Felt -- The Tiger The Brahman, And The Jackal -- A Kind Word -- Little Brown Hands -- The Lame Man And The Blind Man -- The Owl And The Pussy-cat -- September -- The Arab And His Camel -- The Shepherd Boy And The Wolf -- Needless Pain -- Because He Loves Us -- Marjorie's Almanac -- The Brown Thrush -- Truth -- God Bless Our Flag -- The Quails -- The Discontented Stonecutter -- The Cloud -- All Things Beautiful -- Labor -- The Matsuyama Mirror -- Work While You Work -- The Pen -- The Quest -- God Bless The Commonplace -- A Bright Chinese Boy -- The Grapevine Swing -- Beautiful Joe -- Forget-me-not -- October's Bright Blue Weather -- Daisies -- So Much Of Goodness -- The Breaking In Of Black Beauty -- The Children's Hour -- The Magic Mill -- The Corn Song -- Daniel Webster's First Case -- The Day Is Done -- The Image And The Treasure -- Somebody's Mother -- Look For Goodness -- The Code Barbarian -- The Discontented Pendulum -- True Success -- Which Loved Best? -- Hope -- The Story Of King Midas -- T Is The Last Rose Of Summer -- Home, Sweet Home -- The Fight -- A Simple Recipe -- The Angels Song -- A Visit From St, Nicholas -- Ring Out, Wild Bells! -- Beauty In Common Things -- Letters Of Recommendation -- A Song For Flag Day -- The Stone In The Road -- Answer To A Child's Question -- Paul Revere's Ride -- The Dream Of Home -- The Choice Of Hercules -- Thomas Jefferson's Ten Rules -- After The Shipwreck -- The Lost Camel -- The Planting Of The Apple Tree -- We Should Smile -- The Humbug -- Sky-born Music -- The Pebble And The Acorn -- The Tree -- Service -- The Sleeping Beauty -- A Wholesome Tongue -- The Village Blacksmith -- Genuine Heroism -- The Legend Of Indian Corn -- Robert E. Lee -- The City Mouse And The Country Mouse -- Our Birth--The First Roses -- A Little Sermon -- Four-leaf Clover -- Love's Nobility -- A Prayer -- Casabianca -- Be What Thou Seemest -- Thor And The Giants -- The Spider And The Fly -- The Mouse And The Moonbeam -- The Schoolhouse And The Flag -- The Snow-image -- Index Of Authors ; Numerous Biblical references appear in Searson's Studies in Reading (1923), but the movement is toward secular stories with a moral emphasizing social values. This reader, published after World War I, begins with a poem, "The American Boy." It is a dialogue between a father and son about patriotism. According to the author of this reader, the influence of the story "The Poor Little Match Girl" "founded many an orphan home and organized hundreds of societies for relief of the worthy poor," which indicates an emphasis on philanthropy and social work during the era of the Social Gospel.80% of selections taught traditional values."-- Sharon Vincz Andrews ; signature of a youthful Gerald Grout, later a Kansas Ophthalmologist ; GOOD. Book.

No Binding. Zustand: Near Fine. 1st Edition. 1988. Flyer, double-sided. 8 1/2 × 14". Near fine. Two rubber stamps, one "TRACE ROBERT WATTS" and the other "DO NOT CONFUSE THIS WITH THE IMPRINT OF A RUBBER STAMP" which is a Bill Gaglione piece. Participants include: Eric Andersen, David Behrman, George Brecht, Robert Delford Brown, Greg Calvert & Juliet Mondot, Buster Cleveland, Peter Cohen, Philip Corner, Bob Daily, Letty Eisenhauer, Robert Filliou, Peter Frank, Ken Friedman, William Gaglione, John Geldersma, Daniel Goode, Coco Gordon, Al Hansen, William Hellerman, Geoff Hendricks, Dick Higgins, Alice Hutchins, Joe Jones, Allan Kaprow, Milan Knizak, Alison Knowles, Pamela Kraft, Jackson Mac Low & Anne Tardos, George Maciunas, Larry Miller, Barbara Moore, Peter Moore, Francois Morelli, Charles Morrow, Haig Oundjian, Rafael Montanez Ortiz, Ben Patterson, Chas. Phillips, Ely Raman, Peter Van Riper, Takako Saito, Paul Ryan, Diane Siprelle, Laurie Steelnik, Allan Tannenbaum, Yasunao Tone, Ben Vautier, Yoshi Wada, John Wilkes, Emmett Williams, and Helen Wong. " FluxLux was a set of written instructions by Watts for his Last Event, a ceremony that he directed Larry Miller and Sara Seagull to execute with Fluxus friends. They, together with Ben Patterson, Joe Jones, Alison Knowles, Dick Higgins, Philip Corner, Yoshi Wada, Rafael Ortiz, myself, and others realized the event. George Brecht, Eric Andersen, Milan Kní ák and Ben Vautier sent scores or texts. A phone call from Al Hansen in Cologne was amplified over the PA system. Francesco Conz came from Italy and Michael Berger from Germany. Many of Bob s former students and my graduate students were all actively engaged in the organization and performance of the various activities and events. It began with Bob s iconic piece 2 Inches on the porch roof, and then helium filled balloons stamped with TRACE BOB WATTS were pushed out of the window of the room where Bob died to float up into the blue sky and join Bob s spirit. It was a fantastically beautiful day. The day was filled with food, music, performance, conversation and fellowship among a great gathering of friends. There was an auction to raise funds for a Robert Watts Scholarship for the Rutgers MFA graduate program that Bob had helped to start. Phil Corner was auctioneer. Joe Jones, Larry Miller and Ben Patterson collaborated to adapt a remote controlled battery-powered boat with a paddle wheel dispenser to spread some of Bob s ashes into the pond. It took some coaxing from them for it to achieve its mission. There was a 21-gun salute with a variety of funny guns and some real ones fired by members of the local gun club. Ben Patterson as Flux Admiral fired the final shot, a rocket from the canon of his USS Robert Watts that he had built and which capsized when launched. As events at the pond drew to a close, a small plane, at Eric Andersen s request, circled overhead with a banner saying "MOON." The pilot waved. We waved back. The day ended with a score sent by Allan Kaprow, What s Watts Watts, where we added up the wattage of all the lights in Bob s house, turning them on as we counted, with Larry Miller announcing the totals, and leaving the house ablaze as we departed into the fading evening light." - Geoff Hendricks, From Job Interview to FluxLux, a 32 year friendship with Bob Watts.