jack smight (13 Ergebnisse)

Collection of 3 vintage black-and-white studio still photographs from the 1974 film. Sequel to the 1969 hit "Airport," which clinched 9 Academy Award nominations and received one for best actress. After a midair collision wipes out the crew of a Boeing 707, ground control must find a way to guide the disabled plane to safety. This midair disaster film inspired the 1980 parody "Airplane," starring Leslie Nielsen. Set in DC and California, shot on location in California, Utah, DC, and Virginia. 8 x 10 inches and 10 x 8 inches. Near Fine.

Vintage black-and-white still photograph from the UK release of the 1970 US film. Features Stacey Keach. Keach is a traveling executioner with a portable electric chair and receives one-hundred dollars for each execution. Arguably one of the actor's best performances. 8 x 10 inches. Light creasing to the corners, else Near Fine.

Two vintage photographs, a portrait photograph of Jan-Michael Vincent, and a studio still photograph of George Peppard from the 1977 film. Based on the 1969 novel by Roger Zelazny. Four survivors of World War III attempt to drive across the wasteland that is now America in search for survivors. Shot on location in Arizona and California. 8 x 10 inches. Near Fine.

Two vintage studio still photographs from the 1987 film, both showing Billy Dee Williams and Robert Carradine. Two narcotics cops realize there must be a mole in their department after a series of failed undercover operations, and are soon led to believe their own captain might be to blame. Shot on location in Los Angeles. 8 x 10 inches. Fine. Cannon, p. 115.

Vintage pressbook for the 1968 film. One of the best unsung crime films of the 1960s, featuring Rod Steiger as a serial killer and master of disguise, a role which proved to be one of his best. 15 pages, saddle stitched, 12.25 x 15 inches. Near Fine.

Original pressbook for the 1966 film, based on the Lew Archer novel "The Moving Target," by Ross Macdonald. The name of the main character was changed, purportedly at Newman's insistence following the success of his previous two "H" named films, "Hud" and "The Hustler." He followed this one up with the classic Western "Hombre," so he may have been on to something. 11 x 17 inches. 19 pages, saddle stapled, with two advertising inserts, one regarding the release of the soundtrack. Very Good plus, with some light foxing. Grant US. Silver Classic Noir. Spicer US.

Vintage borderless reference photograph from the 1966 British film, showing actress Susannah York. Annotations in manuscript ink on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A roving gambler breaks into a playing card manufacturing facility to mark the cards in order to win big at casinos across Europe. Set in Geneva and Monte Carlo. 8 x 10.25 inches. Near Fine.

Draft script for the 1987 film. As two police detectives begin looking into a murder, signs point them back towards their own department, which they soon learn to be corrupt and heavily influenced by organized crime. Set and shot on location in Los Angeles. White untitled wrappers. Title page present, dated September 14, 1985, noted as UMPTEENTH DRAFT, with credit for screenwriter Gail Morgan Hickman. 137 leaves, with last page of text numbered 136. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with three gold brads. Carlson and Connolly, Destroy All Movies.

Final Shooting script for the 1967 film. INSCRIBED by actor George Segal on the title page: "To Grayson / All Best Wishes." Based on the 1964 novel by William Goldman. A serial killer with an obsession with his dead mother begins taunting the investigator in charge of his case. Set in New York City, shot on location in Manhattan and the New York harbor. Green untitled studio wrappers with a die-cut window in the British style. Title page present, dated June 13, 1967, noted as Final Shooting script, rubber-stamped copy No. 139, with credits for screenwriter John Gay and director Jack Smight. 146 leaves, with last page of text numbered 143. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two gold brads.

Final Shooting script for the 1974 film, copy belonging to character actor J. Edward McKinley, with manuscript marker annotations of "J. Edw. McKinley" and "Passenger" along the top edge of the front wrapper. The script, printed on pink leaves, is preceded by a "Cast" and a "Sets" leaves. Laid in are two, two-page Shooting Call sheets, dating May 20 and 21, 1974. Sequel to the 1969 hit "Airport," based in turn on Arthur Hailey's 1968 novel "Airport." After a midair collision wipes out the crew of a Boeing 707, ground control must find a way to guide the disabled plane to safety. This midair disaster film inspired the 1980 parody "Airplane," directed by Jim Abrahams and David and Jerry Zucker, and starring Leslie Nielsen. Set in and shot on location in California, Utah, Washington DC, and Virginia. Orange titled wrappers, noted as FINAL SHOOTING SCRIPT on the front wrapper, dated April 26, 1974. Title page present, noted as Final Shooting Script, with credits for screenwriter Don Ingalls. 132 leaves, with last page of text numbered 129. Mimeograph duplication, rectos only, with one blue revision page, undated. Pages Near Fine, wrapper Very Good plus, bound with three gold brads.

Collection of 12 vintage studio still photographs and one vintage reference photograph from the 1979 film. Reference photograph is from the film's television premiere (on October 2, 1980 on CBS), with a folded mimeo snipe attached to the verso. A man who has wanted to coach basketball his entire life jumps at the chance to coach a team for a small college in Nevada. He builds a team of players, which includes people brought with him, students at the college, a woman posing as a man, and multiple people involved in criminal dealings. They try to compete against Nevada State to prove themselves. Set in Nevada, shot on location in New York City, California, and Claremont Men's College in Claremont, California. Eleven photographs 10 x 8 inches, two photographs 8 x 10 inches, one photograph 7 x 9.25 inches. Fine.

Zustand: Good. 94 cm. x 69 cm. Actual display poster for the movie. Folded with signs of use, mainly on the edges. Se trata de un cartel de mostrar real de la película. Se doble con signos de uso, principalmente en los bordes.

Six vintage temporary tattoos, issued as a promotional item for the 1969 film by the beloved but short-lived film studio Warner Brothers-Seven Arts. With both the original envelope housing the tattoos and a Warner Brothers-Seven Arts mailing envelope addressed to film critic, photographer, and poet Michael S. Dworkin. The decals (shown in reverse here for the sake of readability) are inspired by the designs for the tattoos sported by actor Rod Steiger in the film, with the promotional copy inviting the recipient to "be your own illustrated man." The only example we have encountered, unsurprising given the temporary nature of the item. Based on three short stories from Bradbury's acclaimed collection, "The Veldt," "The Long Rain," and "The Last Night of the World." Tattoos variously sized between 4.25 x 5.75 and 8.75 x 4 inches. All but one of the tissue guards are still fully attached. Bright and Near Fine. Promotional envelope 5.25 x 10 inches. Chip to the envelope flap and some bruising from having been opened, else Near Fine.