inuit (18 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: very good. GUEYFIER, Judith (illustrator). Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Zustand: Fair. 1st edn. PB. Spiral. F8. VG. Two versions boud back-to back: English and Inuktitut language and characters. Advice on marketing and self promotion for Inuit artists and craftsmen. Book.

(Magazine) (Near fine) Canadian Magazine Publishers' Association 4to. Illus., B&W and colour photos. Some small scuffing to the top left of the front cover. Previous owner's signature neatly on the top of first page, otherwise the interior is clean without marking.

8°. 32 nicht paginierte Bl. (inkl. Titel) mit 27 ganzseitigen Abbildungen (Photos). IIlustrierter Opbd. mit illustriertem Schutzumschlag. Umschlag mit Einriss (1,5 cm), sonst sehr gutes Exemplar. Erste Ausgabe. Sprache: de.

Soft cover. Zustand: New. 54pp. 4to. English and Inuktitut.

Zustand: Good. Good condition. No date stated. English and Inuktitut. Writing on front cover. (history eskimo anthropology).

[0-662-25944-0] 2001. (Mass market paperback) Fine. ii, 118+. 4to. Coil bound, card covers. Clean, bright comprehensive guide to the development, implementation and assessment of a framework which is based on the values, principles, objectives and needs as identified by First Nations and Inuit communties of Canada. There are 10 individual Fact Sheets also included. Prepared by the FAS / FAE Technical Working Group (accountable to the CPNP / FAS / E (FNIC) National Steering Committee, representing the Assembly of First Nations, the Inuit Tapirisat of Canada, and the First Nations and Inuit Health Branch). Prepared with the assistance of Clay McLeod, LL.B., B.Ed., Continuum: Advocacy and Educational Fieldwork.

Zustand: Gut. 22 Seiten, Illustrationen. Beiliegend zwei Broschüren zum Tema. Einband minimal bestoßen und leicht angeschmutzt. Kleine Abreibung auf hinterem Einbanddeckel. Sonst guter Gesamtzustand. Sprache: Deutsch Gewicht in Gramm: 160 Lex. 8° (=25-30cm), Softcover/Paperback.

1994. North America, Native Americans, art. The Inuit Gallery. Very good - near fine small square pamphlet with price list f masks shown 26 pieces in color photos (plus some shown open).

Soft cover. Zustand: Very Good. 69 plates in very good condition. Pages are clean and unmarked. Catalogue of the exhibit with a separate price list at the back of the book. Staplebound in black card covers with silver titles. Lightly worn around the edges with some creases. Spine is lightly wrinkled. VG. Book.

Contemporary private half vellum binding with gilt title on spine, with striped cloth on sides, in very good condition. Original front wrapper bound up. Please see description or ask for photos.

Hardcover. Zustand: As New. folder. 1 v. (various pagings) : ill. ; 30 cm. Text in English and French. Designed to inform exhibiting institutions of the current program offered by the Inuit Art Section, Indian and Northern Affairs Canada. Includes a description of services available through the Research and Documentation Centre, list of exhibits prepared by the Section.

Albumblatt (1 S quer kl. 8°) mit eigenhändigem Datum, Unterschrift in Tinte signiert 2/5-31.

Zustand: Very good. Two colour print,

Ottawa, Carleton University Art Gallery, 2009, 232 pag., 125 (col.) illustrations, original hardcover with dustjacket, quarto. = Full-page dedication on first free endpaper. Ottawa?s Carleton University Art Gallery holds one of the richest Inuit art collections in the country. This profusely illustrated hardcover publication features over 100 works - each one reproduced in fill colour - ranging from sculpture to drawings and prints, all of which are Sanattiaqsimajut, or things that are finely made. Two major essays discussing the history of the collection and its many narrative threads are accompanied by thirty-three individual texts that take distinctive thematic, biographical and formal approaches. These essays are written by experts in the field including Patricia Feheley, Robert Kardosh, Christine Lalonde, Marybelle Mitchell, Judith Nasby, Crystal Parsons, Leslie Boyd Ryan, Pitaloosie Saila, Norman Vorano, Darlene Coward Wight and Norman Zepp.

Soft cover. Zustand: Very Good. «Atuagagdliutit» was established in 1861 by the Danish geologist Hinrich Rink, who believed that the Greenlanders were losing their cultural identity, and that the publishing of a newspaper would be important. From the very beginning Rink had always had plans about publishing a periodical, a sort of newspaper for the Greenlanders. And on January 1st, 1861, publication began. This was an event which had great consequences as this newspaper became with the years invaluable to the Greenlanders who read it. It was called Atuagagdliutit, with a sub title, the whole of which may be translated literally as Reading matter handed out. Reports of various matter which it will be of interest to hear about, or briefly, Free Chronicle of News. For the first few years Rasmus Bertelsen was the editor with Lars Møller as his secretary and technical assistant. Møller then took over as editor and continued as such until 1922. Atuagagdliutit was really a newspaper run on current lines as its title promised. It was both set and printed by Lars Møller, under his own editorship, with articles from his own pen, with numerous illustrations (often hand- coloured) also by himself, and finally bound and distributed by him. Thus he aquired an almost immeasurable influence in the country. Strange as it may seem, this Greenland paper was something of a pioneer in newspaper as it was one of the first in the world to bring regular letterpress illustrations. Atuagagdliutit's finest achievement would seem to be that. quietly and gradually it caused the Greenlanders to grow as a people; it welded them together into a whole. Throughout its many years of publication it helped the Greenlanders to develop from a Eskimo community into a people. (Oldendow: The spread of printing. Western Hemisphere: Greenland). | All in all 32 parts in original wrappers, 20 complete year runs and 3 incomplete. Loose wrappers are mentioned below, else there is occasional rubbing to spines the issues are tight and clean though. 1882-83: 1-12. INSCRIBED by the editor Lars Møller. Wrappers frayed and loose. | 1892-93: 1-12. Torn and fragile, no text loss. | 1905-06: 1-12. | 1917-18: 1-12. | 1918-19: 1-12. Wrappers loose. | 1922-23: 1-12. Wrappers loose. | 1924-25: 1-12. | 1925-26: 1-12. | 1928-29: 1-12. | 1930-31: 1-12. | 1931-32:1-12. Lower wrapper loose. | 1932-33: I-II. | 1933-1934: I-II. | 1934-35: I-II. | 1935-1936: I-II. | 1937-38: I-II. II lacking lower wrapper. | 1939-40: I-II. | 1940-41: I-II. | 1941-42: I-II. | 1942-43: II, lacking I. | 1943-44: I-II. | 1944-45: I, lacking II. | 1945-46: II, lacking I.

Beautiful watercolour of an Inuit seal hunter in a kayak. The drawing shows a hunter carrying a paddle and preparing to strike a seal with a harpoon connected to an inflated bladder. Once attached to the seal, the bladder tires the seal and obliges to it reappear at the surface after a relatively short amount of time. On perceiving the bladder, the hunter rows up to it to kill the seal.Although the artist of the watercolour is unknown, the laid paper on which it is drawn is probably English, with a watermark: M & WE|1839[?]. The last two digits are not entirely clear, but look more like 39 than 20, 29 or 30. The composition is related to an aquatint by M. Dubourg after John Heavyside Clark (1770-1863), published in Edward Ormé's collection Foreign field sports (1813-1814) titled "Greenlanders seal catching". The watercolour and the aquatint could have been based on the same original, but is more probable that the watercolour is a somewhat more artistic drawing based on the aquatint. The artist apparently had a particular fascination for the water; applying numerous parallel strokes to suggest the waves and foam of the sea. Similar to the aquatint, the dress of the hunter does not seem particularly suited to the climate of the arctic. In the watercolour his hat has turned into some sort of turban, which together with the stripes of his coat, brings to mind the orientalist designs fashionable in the eighteenth century. With a few small tears at the foot of the drawing; in very good condition. Watercolour on laid paper (18.5 x 19.3 cm), in a passe-partout (44 x 43.5 cm).