introduction vincent scully (16 Ergebnisse)

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Printing. Fine in fine dust jacket (in protector) ; Blue cloth hardcover. Color photos, architectural drawings, bibliography, Work of American architectural firm; 4to (1.04 X 9.48 X 12.36 inches); 224 pages.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Profusely Illustrated (illustrator). Paperback, numerous (full page) illustrations mostly in colour, oblong (circa 22x29cm).

Soft cover. Zustand: Fine. 1st Edition. New York: Universe, 1997. First edition, first printing, with full number line. Softcover with French flaps. Fine copy, clean and tight, with no faults. Quarto, 209 pages, profusely illustrated with photographs, drawings, and plans, including photographs by Grant Mudford. A comprehensive study of the architect's life and work, tracing his career from early projects to his late masterpieces such as the Kimbell Art Museum and the Salk Institute. The condensed volume combines biographical narrative, architectural analysis, and critical commentary. David B. Brownlee is a professor of architectural history at the University of Pennsylvania, and David G. De Long is a professor of architecture at the University of Pennsylvania; both are noted authorities on Kahn. This monograph is considered a cornerstone in the scholarship on Kahn's architectural legacy.

Paperback. Zustand: Brand New. 160 pages. 10.90x7.90x0.50 inches. In Stock.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: Fine Condition. 368 pp., many illustrations some in color. Blue boards with gold stamped letters to the spine. Dustjacket is protected with a mylar cover.

Soft cover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. A comprehensive documentation and analysis of the complete architectural work of Louis I. Kahn published on the occasion of an exhibition organized by the Museum of Contemporary Art, Los Angeles, held at the Philadelphia Museum of Art and other institutions, Oct. 20, 1991-Feb. 1, 1994. 448 pages : illustrations (some color) ; 31 cm. White card covers, unclipped dust jacket. Shelf wear to edges, mark to back cover, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

4to. 272 pp., Numerous colour photos, b/w floor plans, bibliography, Original boards in dustwrapper. Colour and b/w illustrations; a fine copy. . First edition.

Hardcover. Quarto, 351 pages. In Very Good condition minus with a Very Good dust jacket. Spine is black with white print. Price unclipped: "$50.00". Boards in white cloth; light toning to top edge. Illustrated: b&w and color. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex in quarto column. 1407764. FP New Rockville Stock.

Rizzoli, 1985. Paperback / Softcover. 28 x 22,5 cm. Illustrated in color and b/w throughout. 319 pages - NEAR FINE COPY [Architecture / international [Algemene Architectuur] ].

Hardcover. Zustand: Brand New. 608 pages. 11.00x9.75x2.25 inches. In Stock.

First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Boldly signed by Robert Venturi and Vincent Scully on the title page. Fine in a near fine dust jacket. Introduction by Vincent Scully. Rare and desirable signed by both Venturi and Scully. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times).

First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Boldly signed by Robert Venturi who has added a drawing of his mother's house on the dedication page. Fine in a near fine dust jacket. Introduction by Vincent Scully. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times).

First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Presentation copy, inscribed by the author on the front free endpaper, "To Al, Friendship and respect Bob Venturi." FineÂin a near fine dust jacket with a touch of shelfwear. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times).

First edition of this essential document of architectural literature. Octavo, original gray cloth, illustrated. Signed and dated by Robert Venturi on the title page. FineÂin a near fine dust jacket with a touch of shelfwear. As Venturi's "gentle manifesto for a nonstraightforward architecture," Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture" (The New York Times).

First Edition. First edition. INSCRIBED by the author to portrait painter Tom Edgerton, "For Tom Edgerton With my best wishes. Bob Stern 1992." And with Stern's card laid in with Edgerton's name written on it. Fine in dust jacket with minor wear to the front corners and otherwise only the slightest shelf wear. Signed.