introduction burroughs william (19 Ergebnisse)

Paperback. Zustand: Brand New. 208 pages. 7.72x5.04x0.71 inches. In Stock.

Paperback. Zustand: Brand New. 208 pages. 7.76x5.08x0.51 inches. In Stock.

Mass Market Paperback. Zustand: Very Good. Very good condition. Light wear,

Paperback. Zustand: Brand New. 192 pages. 7.72x5.12x0.47 inches. In Stock.

Original Wraps. Zustand: Near Fine. Zustand des Schutzumschlags: No Jacket, as Issued. First UK Paperback Edition. First impression of the first UK paperback edition, with the complete number string sequence on the printer's page including the no. "1": 9 8 7 6 5 4 3 2 1. Originally published by Flamingo in 2000 in hardback. With a fourteen-page introduction by James Grauerholz to the fore. ***Near fine in monochrome-illustrated card covers, with a cover photograph of William Burroughs, taken in 1980, by Robert Mapplethorpe. The covers are clean and unmarked. No reading creases to the spine. No tears. Internally also near fine with no inscriptions. No creases or tears. No fading. Covers bright. Spine tight. ***198mm x 130mm. xx prelim pages including introduction and 273 pages plus two-pages of acknowledgments at the back of the book. ***'"Last Words" is an addition not just to the literature of swansongs but a valid final addition to his extraordinary body of work.' Times Literary Supplement. [Review quote taken from the back cover] ***First impression of the first UK paperback edition, in near fine condition. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Grove Press, New York, 2000. First edition. First printing, with full number line to 1. A fine copy in a fine jacket. A clean copy with price ($25) intact on front flap. Comes with archival-quality jacket protector. Note: Light foxing on top edge of an otherwise fine copy. Introduction by editor Grauerholz.

Hardcover. Zustand: Very Good +. Zustand des Schutzumschlags: Very Good. Introduction by William Burroughs (illustrator). Very Good + copy. (see picture) 76 pages. All clean and tight.Dustjacket has some mild wear.

Paperback. Zustand: Brand New. 306 pages. 8.75x6.00x1.00 inches. In Stock.

Paperback. Zustand: Brand New. 512 pages. 7.64x5.04x1.02 inches. In Stock.

Soft cover. Zustand: Fine. Octavo, iv + 85 pages. Illustrated wrappers (Norman Mustill + Adelaide de Menill) - First edition.

Zustand: Very Good. Second edition hard back binding in publisher's original sky blue cloth covers, white title and author lettering to the spine. 8vo. 9'' x 6''. Contains [x] 334 printed pages of text with monochrome illustrations and photographs throughout. Shallow rubs to the spine tips and corners. Very Good condition book in Very Good condition photographic illustrated dust wrapper with 15 mm closed tear with related creasing to the upper front gutter, rubs to the spine ends and corners, not price clipped 30s. Dust wrapper supplied in archive acetate film protection, this preserves and prolongs the life of the paper, it is not adhered to the book or to the dust wrapper. Member of the P.B.F.A. SAILING BOATS (Yachting).

in-8, broché, 189 pages. Bon état. Collection littérature étrangère. Edition non expurgée. NB. Les commandes et questions sont traitées dans les 24h, les expéditions reprendront le 13 juin. Merci.

Softcover. Zustand: Sehr gut. 1. Auflage. B4 : unpaginated with an essay by William Burroughs, tipped in colour reproductions.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Photographs Walker, Robert (illustrator). 8vo (large). 88 p.p. Cloth. Photographs throughout. Some markings to jacket covers. Light rubbing to spine ends. Overall clean, a fine copy of book.

Hardcover with Dust Jacket. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First Edition, First Printing. This is the first and only edition of this collaborative work, notable for pairing Walker's vivid, color-saturated street photography with Burroughs's reflections on perception and modern urban experience. Walker (b. 1945) was a key figure in the 1970s-80s color documentary photography movement, associated with William Eggleston and Stephen Shore. His photographs celebrate the chromatic chaos and surreal juxtapositions of city life-especially New York's visual excess. This copy is inscribed by Roger Boulton, publisher at Skyline Press, to Ben Raeburn, legendary publisher of Horizon Press: 'With kindest regards to Ben Raeburn, who has been an inspiration to so many authors, artists and fellow-publishers. Roger Boulton 11 September '84'. This makes it an association copy of the highest order, directly linking two influential independent publishers active in the modern art and literary press scene. Collector Note: Burroughs's participation-providing the introduction-adds substantial literary value and cross-collectibility. His text connects Walker's urban imagery to the same consciousness-expanding aesthetic found in his own fiction (Naked Lunch, The Soft Machine), situating the book within the Beat Generation's visual legacy. Condition: Blue cloth, photographic dust jacket. Fine in a Near Fine jacket. The bindings are tight and square. Text and photographs are clean, bright, and unmarked. The jacket shows a short, closed tear at the upper front edge and mild handling to the rear panel. No additional chips or fading. An exceptionally well-preserved copy. Inscribed by publisher Roger Boulton to Ben Raeburn, founder of Horizon Press, noted publisher of American modernist writers. Oblong 10.5 inches by 8.75 inches. 88 pages of color photography with the introduction and title pages unnumbered. HISTORICAL SIGNIFICANCE - Robert Walker's saturated street imagery captured the theatricality of New York's public life during the postmodern photography era. His work, often compared to Eggleston and Shore, has been exhibited internationally. William S. Burroughs's introduction frames Walker's visual chaos as a metaphor for human consciousness-a notable convergence of photography and Beat sensibility. The personal inscription from publisher Roger Boulton to Ben Raeburn establishes a significant connection between two important figures in late-20th-century art publishing. From the estate of Horizon Books publisher Ben Raeburn that passed to his partner Patricia. Subjects: Robert Walker, William S. Burroughs, New York City, Color Photography, Beat Generation, Independent Publishing, Association Copy, Ben Raeburn, Horizon Press, Photography, Art, Beat Literature, Urban Studies.

Zustand: Very Good. First edition. Paperback. Original red card covers very good indeed with near very good silver foil plastic dust jacket with slight wear and slight perishing to silver.

Hardcover. First UK Edition, First Printing. Octavo, xvi, 351 pages. In Very Good minus condition with a Good plus condition dust jacket. Aged white spine with black and red lettering. Dust jacket is wrapped in a mylar covering, price is uncut "30s net", has mild shelving wear, stains throughout, denting along the head fore corners, a small closed tear along the rear tail edge, and mild age-toning throughout. Boards have light bumping on the head fore corners and bending wear along the spine head and tail edges. Textblock has adhesive stains along the hinges, black stains on the rear end-page, mild wear along the edges, mild age-toning along the edges, and stains along the edges. Signed flat by LeRoi Jones with his chosen name Amiri Baraka on the title page. Shelved Room C. LeRoi Jones would change his name to Amiri Baraka following the assassination of Malcolm X in 1965, a moment of radicalization for the writer. 1391078. Special Collections.

Zustand des Schutzumschlags: dj. Introduction by William S. Burroughs (illustrator). A fine copy in an equally fine d/j. 8vo., black boards in dust jacket; 186 pages Very scarce first edition, first printing. Brion Gysin [1916?1986] was a British-Canadian painter, writer, sound poet, performance artist and inventor of experimental devices. ?The Last Museum? is a fantastical and nearly inaccessible last novel from Gysin, who was a friend of and collaborator with William S. Burroughs, and who here appears to be re-writing Naked Lunch. Derivative, obscure, and filled with in-jokes from another era, Burroughs said that Gysin ?was the only man I ever respected." A very scarce book!.

First English Edition. Fine copy in dust-wrapper "Writings from the crucial period leading up to the publication of Naked Lunch - including an extensive rediscovered section from that novel that has never before been in print" (blurb).