Ergebnisse werden angezeigt für: Hilton Jeremy (21 Ergebnisse)

First edition, first printing. One of 200 copies. Near fine stapled A4 sheets with rust scars.

Vintage black-and-white studio still photograph from the 1981 UK film. Features Meryl Streep as Sarah Woodruff. While shooting a film about tragic lovers, the actors portraying the characters find their relationship begins to parallel their characters. 8 x 10 inches. Near Fine.

Soft. Zustand: Very good-. Illustrated with drawings. (illustrator). This edition consisted of 600 copies of. Very good-. Light markings and mild browning on card covers. Top page edges have a light tan. 100pp.

Soft. Zustand: Very good-. Illustrated with drawings. (illustrator). This edition consisted of 600 copies of. Very good-. Light markings and mild browning on card covers. Top page edges have a light tan. 100pp.

Paperback. Zustand: Very Good. First Limited Edition. Wraps. Dimensions 255mm x 205mm. pp. 38. ISBN:0904524027 Poetry. Original publisher's stapled wraps in saffron yellow lettered Black with saffron yellow pages and a bold abstract pattern on the front cover. Limited Edition of 250 copies. Very good indeed. Covers very slightly creased and marked.

Softcover. Zustand: Near Fine. Magazine. Octavo. 60pp. Rubbed illustrated wrappers near fine. Order form laid in. Contributions by Daniel Hoffman, Robert Bly, Galway Kinnell, Edward Dorn, Gael Turnbull, David Chaloner, Norman Paxton, Jeremy Hilton, Jan Sutch, Peter Roche, Emilie Glen, Djelloul Mabrouk, Robert Lincoln, Louie Gluck, George Quasha, Harold Dicker, Daniel Zimmerman, Eric Sellin, John Heureux, Douglas Blazek, Robert David Cohen, William Collins, Charles Wyatt, Mike Haywood, Henry Graham, and Robert Palmer.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Soft. Zustand: Very good-. Illustrated with drawings. (illustrator). This edition consisted of 600 copies of. Very good-. Light markings and mild browning on card covers. Top page edges have a light tan. 100pp.

Paperback. Zustand: Very Good. First Edition. Wraps. 8vo. pp 20. Original publishers illustrated white covers, lettered black. Poetry. Number 6. Clean, very good. Decent copy.

Zustand: New.

Paperback. Zustand: Very good in wraps. First Edition. 24 x 29cm very good catalogue with colour reproductions, a small curl to top rear wrapper.

Taschenbuch. Zustand: Neu. Neuware - Think of the act of watching, of patient observation, even observance. The act of birdwatching is for Hilton what fishing was for Hughes: the attentiveness spreads out into an appreciation of the sorrow and complexity of a world riven by forced migrations, civil war and state-endorsed ecocide. The transcription of the troubled world is counteracted by the wonder of the surviving fragments of nature: chiefly birds, but these are a metonym for what remains.- Giles GoodlandJeremy Hilton has been publishing poetry since the mid-1960s, and I confess that among the welter of names I had forgotten about him, until this work pulled me up short.- Peter RileyThis is a work that has all the line complexities and metrical vigour of the verse of G M Hopkins, whilst embracing the darker nature of the Elder Eddas: Eddaic crows swarm with fulmars to witness the international refugee crisis created by war. And, like an Eddaic bard, Hilton chooses to observe, rather than engage. This is Guernica in words.- Alec Newman.

Paperback. Zustand: Very Good. First Edition. Wraps. Limited Edition of 240 copies. Poetry. Dimensions 330mm x 210mm. Cover illustration from Ordinance Survey Sheet 107. Original publisher's stapled wraps in blue. Very good.

Zustand: very good. Stephen Gray, John Barrell, Nick Humphrey, Mark Lushington (eds), GRANTA Vol. 68 No. 1231, GRANTA, Cambridge, 1963. 218 x 280. Printed blue and black on white, orange and pink stock. The Modern Art Issue features an Essay on Kinetic Art and Frank Malina by Reg Gadney (cover design also features Galaxy by Malina), alongside 'Notes on Alberto Giacometti' by Stephen Bann, 'Pop Art' by Robert Harvey, 'The Importance of Ben Nicholoson' by Charles Harrison, 'Annie and Child' by Jules Lubbock. The issue also features poems from Thomas Clark, John Roe and Jeremy Hilton. Condition: very good.

Paperback. Zustand: Very Good. First Edition. Wraps. 4to. pp 28. Stapled covers. Original publishers illustrated blue covers, lettered green. Experimental poetry. Only 3 copies found at WorldCat (OCLC) the worldÕs largest library catalogue. Limited edition of 240 copies. Very good indeed.

First edition, first printing. Number 6 of 200 copies. Signed by the author and the three illustrators. Inscribed "to my Mother". Handwritten letter from the author laid in.

282 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "Power without authority in art and design education," by R.H. Litherland; "British Sculptors '72;" "Brian Kneale;" "Enemies of Art," by Jeremy Moon; "Correspondence;" "News and Notes;" "Newton Harrison: big fish in small pool," by Jonathan Benthall; "Atget and the City," by John Fraser; "Irish commentary," by Tim Hilton; "Section 10 from 'Mechanism of Meaning' (work in progress 1963-71)," Arakawa in collaboration with Madeline Gins; "Tantra Revealed," by Robert Fraser; "Anthony Caro at David Mirvish," by W. Neil Marshall; "Paris Biennale," by Virginia Whiles-Serreau; "Projection: the new trend at 'Prospect 71,' by Georg Jappe; "Prints supplement," articles by Charlotte Townsend and Chris Fox; "Directory of publishers and presses;" "Directory of galleries dealing in graphics;" "Inn70" "APG." Cover by Arakawa. Very Good. Light rubbing and bumping of cover edges and corners. 11.5 cm., 1.3 cm., and 4 cm. of soiling to verso edges with additional light scratching and rubbing. Contents clean and unmarked.

Zustand: very good. Tony Gould, Reg Gadney, Jim Philip (eds), GRANTA Vol. 69 No. 1235, GRANTA, Cambridge, 1964. 217 x 281mm. 38pp. Printed black and red on white stock with monochrome illustrations and adverts. Titled 'The Election Issue', this issue of Granta features essays on the Conservative, Labour and Communist 'Cases.' Also featured is an essay by Frank Popper on 'Kinetic Art and our Environment' and two contributions from Thomas Clark: a review of William Carlos Williams and Gael Turnball and a poem entitled 'An Attempt in Time'. Issue complete with a variant b&w print insert of the cover image. Condition: Very good.

222 pp.; 31 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Peter Townsend. Essays "Art and Politics in the Russian Revolution - Part I," by Andrew Higgens; "Coldstream 1970," by Norbert Lynton; " Technology and Art 19: Kinetics at the Hayward," by Jonathan Benthall; "The Art Workers' Coalition: Not a History," by Lucy R. Lippard; "Carl Andre: Artworker," Carl Andre interviewed by Jeanne Siegel; "Dissenting Ideologies and the German Revolution," by John Elderfield; "Gene Davis and the Issue of Complexity," by Donald Wall; "Paintings by John Hubbard," by Bryan Robertson; "'A Very Abstract Context,'" by Charles Harrison; "U.S. Commentary," by Dore Ashton; "inn7o," by APG "Supplement: New and Recent Art Books," reviews by Alan Bowness, Andrew Forge, Andrew Higgins, Timothy Hilton, Edward Lucie-Smith, Jeremy Maas, Joseph Masheck, Barbara Reise, Deborah Stott, William Townsend. Cover: Photograph by Jan van Raay of members of the Art Workers' Coalition, including Jon Hendricks and Jean Toche, protesting in front of Picasso's 'Guernica' in New York. Includes a Dwan Gallery half page ad for Robert Smithson's 16mm film on the "Spiral Jetty." Very Good / Fine. Light rubbing of cover edges and small soft fold to lower right corner of front cover. Contents clean and unmarked and pages are tight to the spine.

Draft British script for the 1981 UK film. Based on the 1969 novel by John Fowles. While shooting a film about tragic lovers, the actors find their relationship begins to parallel that of their characters. Blue untitled wrappers. Title page present, dated November, 3, 1979, with credits for screenwriter Harold Pinter and novelist John Fowles. 167 leaves, with last page of text numbered 163. Photocopy, rectos only, with revision pages throughout, dated April 22 1980. Pages Near Fine, wrapper Very Good plus, bound with two gold brads. Criterion Collection 768.

Vintage black-and-white French press photograph from the set 1981 UK film. Shown are director Karel Reisz and actors Meryl Streep and Jeremy Irons conferring on a scene. French press stamp and a copyright sticker from United Artists on the verso. 8 x 10 inches. Near Fine.