Hurd alan (16 Ergebnisse)

Hardcover. Zustand: Good. 2nd Edition. Second revised and enlarged edition. Covers rather grubby but contents in very good bright condition with no inscriptions.

Zustand: Sehr gut. Standard Version. B3993-94 4011976843481 Altersfreigabe FSK ab 12 Jahre Sprache: Englisch Gewicht in Gramm: 206 DVD, Maße: 14.1 cm x 2 cm x 18.8 cm.

Zustand: New. In English.

Zustand: New. In English.

Gebunden. Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - What is a supermaterial A concise definition is by no means obvious, but a clue can be obtained from the topics discussed here. In addition to superconductors, the reader will encounter magnetic effects of many kinds, including giant and even colossal ones, organic conductors, photoconductors, and even 400-year-old Japanese ceramics. Processing is a prominent pursuit in supermaterials research, especially but not exclusively of the superconductors. The papers on characterisation and theory break new ground, particularly in pursuit of new optoelectronic phenomena. The parade of new materials recently synthesised, often containing four or more elements, is surprising. But it is in it reporting of new applications that the book stands out: from circuits to sensors, supermaterials are making their impact on society. …

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - What is a supermaterial A concise definition is by no means obvious, but a clue can be obtained from the topics discussed here. In addition to superconductors, the reader will encounter magnetic effects of many kinds, including giant and even colossal ones, organic conductors, photoconductors, and even 400-year-old Japanese ceramics. Processing is a prominent pursuit in supermaterials research, especially but not exclusively of the superconductors. The papers on characterisation and theory break new ground, particularly in pursuit of new optoelectronic phenomena. The parade of new materials recently synthesised, often containing four or more elements, is surprising. But it is in it reporting of new applications that the book stands out: from circuits to sensors, supermaterials are making their impact on society.…

Zustand: New. Proceedings of the NATO Advanced Research Workshop, held at Giens, Hyeres, France, September 19-23, 1999 Editor(s): Ausloos, Marcel; Cloots, Rudi (University of Liege, Belgium); Pekala, Marek (University of Warsaw, Poland); Hurd, Alan J.; Vacquier, Gilbert (University of Provence, Marseille, France). Series: NATO Science Series II. Num Pages: 228 pages, 35 black & white illustrations, biography. BIC Classification: PHFC; PHK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 240 x 160 x 13. Weight in Grams: 348. . 2001. Softcover reprint of the original 1st ed. 2000. Paperback. . . . . Books ship from the US and Ireland. …

Zustand: New. Proceedings of the NATO Advanced Research Workshop, held at Giens, Hyeres, France, September 19-23, 1999 Editor(s): Ausloos, Marcel; Cloots, Rudi (University of Liege, Belgium); Pekala, Marek (University of Warsaw, Poland); Hurd, Alan J.; Vacquier, Gilbert (University of Provence, Marseille, France). Series: NATO Science Series II. Num Pages: 228 pages, 35 black & white illustrations, biography. BIC Classification: PHFC; PHK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 244 x 170 x 14. Weight in Grams: 1150. . 2001. Hardback. . . . . Books ship from the US and Ireland. …

Zustand: Sehr gut. B4018-248 4011976833468 Sprache: Deutsch Gewicht in Gramm: 83.

Zustand: Sehr gut. HC1-2525-2/8-01386426 Sprache: Deutsch Gewicht in Gramm: 83.

Zustand: Sehr gut. HC1-2503-3/8-01390735 Sprache: Deutsch Gewicht in Gramm: 83.

Vintage studio still photograph from the 1959 film. The first film by Cassavetes, for which he raised the entirety of the production budget himself, the story of three African American siblings in Harlem, two of whom often pass for white. Begun as an acting exercise in a workshop Cassavetes was conducting with Burt Lane, the story was originally filmed in 1958 with completely improvised dialogue and action based on scene outlines created by Cassavetes. After the film was poorly received at its three initial screening by just about everyone Cassavetes knew, he reworked the ideas into a more traditional script with screenwriter Robert Alan Arthur, and reshot the film, replacing between half and two thirds of the original footage and dramatically altering the story. Released in 1959, this version better reflected his vision for the film, and received a critics award when shown at the Venice Film Festival the following year. A watershed moment in American independent films, heralding not just the arrival of a new, iconoclastic director, but the birth of an entire movement. Shot on location in New York. 8 x 10 inches. Near Fine.…

Vintage borderless reference photograph of director Arthur Penn and actress Alexandra Stewart on the set of the 1965 film. From the archive of film historian and author Joel Finler. After angering the Mafia, a stand-up comedian (Warren Beatty) finds himself on the run, taking on an alias and heading to Chicago. The film received spotty reviews upon release, but has since been reconsidered as a cult classic, heavily influenced by the New Wave and presaging Penn and Beatty's collaboration in "Bonnie and Clyde" two years later. Grant US. Spicer US.…

Seven vintage studio still photographs from the British release of the 1959 film. The first film by John Cassavetes, entirely self-funded, about three Black siblings in Harlem, two of whom often pass for white. A watershed moment in American independent films, heralding not just the arrival of a new, iconoclastic director, but the birth of an entire movement. With its roots in an acting exercise from Cassavetes' Drama Workshop, the story was originally shot in 1958 with completely improvised dialogue and action, based on loose scene outlines. After the finished film was poorly received at its initial screenings, Cassavetes reworked the ideas into a more traditional script with screenwriter Robert Alan Arthur, and reshot the film, replacing between half and two thirds of the original footage and dramatically altering the story. Released in 1959, this version better reflected his vision for the film, and received a critics award when shown at the Venice Film Festival the following year. Shot on location in New York. 10 x 8 inches. Very Good plus to Near Fine.…