hubert wilson (28 Ergebnisse)

Soft Cover. Zustand: Good. Softcovers; ex-library; minor shelfwear w/ small creases at corners of wraps and leaves; light soiling of wraps; o/w in good condition.

Zustand: Good. No Edition Stated. 230 pages. No dust jacket. Blue cloth. B&W illustrations throughout. Notable foxing and tanning to endpapers and page edges. Previous owner's inscription to front endpaper. Some gutter cracking. Mild wear and bumping to spine, board edges and corners, with crushing to spine ends. Heavy sunning to spine, with notable scuffing, staining and marking to boards.

Zustand: New. Wilson, Cameron (illustrator). In.

Zustand: New. In.

Zustand: Good. Envoi rapide Bon Etat. in4. 1991. Cartonné jaquette. 191 pages. Good.

[unpaginated]; 25.5 x 20.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held jointly at Kent Fine Art and Curt Marcus Gallery, New York, November 17 - December 31, 1987. Curated and with an essay by Douglas Blau. Artists include Troy Brauntuch, Ralph Albert Blakelock, Thomas Moran, Charles Wilson Peale, Johannes Vermeer, William Merritt Chase, Randy Dudley, Chesley Bonestell, Norman Rockwell, John Bowman, Thornton Oakley, Caspar David Friedrich, James Abbott McNeill Whistler, Cindy Sherman, Hans W. Hannau, Stanford Gifford, William Cameron Menzies, Ricahrd Bergh, Winslow Homer, Joseph M. Newman, Stanley Kubrick, Hugh Ferriss, Arnold Genthe, Mark Innerst, Eugene Medard, Eugene Chaperon, Joseph Wright of Derby, David Deutsch, Thomas Eakins, Charles West Cope, Charles Lewis Fusell, C.E. Swaye, Thomas Anshutz, George Pal, Virgil Mirano, Howard Hawkes, Jack Conway, Charles H. Stephens, Johann Zoffany, John Ferguson Weir, Walter Dorwin Teague, Thomas Cole, Jan Christiaensz, Virgil Mirano, Jack Goldstein, Komar & Melamid, William L. Sonntag, Hubert Robert, Bonfils, Elihu Vedder, Edwin Dickinson, William Bradford, Jospeh Mallord, William Turner, Frederic Edwin Church, Michael Zwack, Arnold Böcklin, Alain Resnais, Karl Friedrich Schinkel, George Caleb Bingham, Thomas Wilmer Dewing, Joseph Hirsch, Fernand Khnopff, James Rosenquist, Giuseppe Pellizza Da Volpedo, Chuck Rogers, Angelo Morbelli, Gustave Caillebotte, Michele Zalopany, Edward Hopper, John Singer Sargent, and Rembrandt van Rijn. Includes an image index. Fair. Water damage to top right corner of second half of the catalogue with light staining and rippling; final four pages are stuck together and previous page was also stuck but has been separated resulting in surface tearing of page. Rubbing of cover edges. 7 mm. tear and bumping to spine and 2 mm. tear to bottom edge of spine. Sold "as-is." Due to the size of this item, additional shipping charges will be required for international orders.

Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. Buchclub-Ausgabe. Pappband mit Goldprägung und Schutzumschlag.

Soft cover. Zustand: New. This volume offers a very readable history that goes beyond the Barclay family to include discussions of political, social and religious issues of the times, as well as significant historical events such as the Thirty Years War and the American War of Independence. Discussions are grouped under: Colonel David Barclay 1610-1686; Robert Barclay "the Apologist for the Quakers" 1648-1690; The Urie Line 1690-1854; David Barclay of Cheapside, second son of the Apologist; the Barclays of the Bank 1728-1933; and the Barclays of Bury Hill 1711-1933. A list of pedigrees, indices to names and places, and a list of subscribers augment this wonderful weave of history and genealogy. (1934), 2003, 2015 6x9, paper, indices, illus., 388 pp [101-B0860].

1st edition. Near fine cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 232 pages ; 21 cm. Notes: Includes bibliographical references (pages 216-225) and index. Subjects: British Broadcasting Corporation; Independent Broadcasting Authority; Great Britain. Independent Television Act; Pressure groups; Television broadcasting; Television Law and legislation Great Britain; Great Britain Politics and government. 3 Kg.

Zustand: New. In.

Original publisher's black cloth hardback, gilt lettering spine, green dustjacket, 8vo: 96pp., 6 contributions. Very fine copy.

Zustand: New. In.

4th edition, not dated but c. 1926. Illustrations and map checked and all present. Prize bookplate on front pastedown. Free endpapers and title page browned. Otherwise generally bright and tidy internally. Binding tight. Blue cloth with black lettering on front board and spine; cloth a little worn. Used - Good. Good hardback (no dust jacket).

Original publisher's green cloth hardback, gilt lettering spine, 8vo: xvi, 208pp., appendices, index. Very fine copy.

Hardcover. Zustand: Very Good. FIRST EDITION with dust jacket - rare and collectable - will send out 1 st class post within 12 hours of receipt of order.

Taschenbuch. Zustand: Neu. Neuware.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

[9707].

Hardcover. Zustand: Fine. 160 p. : ill. ; 24 x 29 cm. Dutch.

Buch. Zustand: Neu. Neuware - Wilson and Glickman's incisive examination of internal security issues in post-war Britain is a fascinating and important historical document that sheds light on a pivotal period in modern British history.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Insgesamt 192 Seiten, mit zahlreichen, teils farbigen und ganzseitigen photographischen Abbildungen und Register. Inhalt: Die Große Chinesische Mauer, das einzige Bauwerk, das noch vom Mond aus erkennbar ist. Die 6000 Kilometer lange Mauer. Von den Urwällen bis zur massiven Steinmauer: 2500 Jahre Krieg und Frieden, Handel und Wandel in China. Eine 6.5 Meter lange Streckenkarte zeigt Kunst- und Baudenkmäler. Schönheiten und Schätze rechts und links der Mauer. Zustand: Schutzumschlag minimal berieben, sonst sehr sauber und bestens erhalten, nahezu neuwertig. Sprache: Deutsch Gewicht in Gramm: 1050 4°(Quart- Format bis 35 cm.) Olivgrüner Original- Ganz- Leinen- Seiden- Einband mit goldgeprägter Rücken- und verzierter Vorderdeckel- Beschriftung und farbig illustriertem Original- Schutzumschlag. Deutsche Erstausgabe, 1. Auflage, übersetzt von Friedrich W. Gutbrod.

In-4, cartonné, 191 pages, nombreuses illustrations en couleurs et en noir. Bon état. Expédition : tarifs de La Poste en vigueur (poids > 1kg).

In-4, toilé, sous jaquette, 191 pages, illustrations in et hors-texte en couleurs et en noir. Bon état. Expédition (tarifs de La Poste en vigueur) : colissimo (poids > 1kg).

Hardcover. Zustand: Sehr gut. Ohne Schutzumschlag. Lex. 8°, 192 S., ill. orig. Pappbd., zahlreiche s/w u. farb. Abb. i. Text u. a. Tafln., insgesamt sehr gutes Exemplar.

hardcover. Zustand: Good.

Softcover. Zustand: Near Fine. Magazine. Cover by Jeanne Marlowe. (20)pp. Single sheets printed both sides and secured with two staples. Folded once for mailing with post office cancel, stamp and mailing label, and some wear at the corner, near fine. An influential mimeograph created by di Prima and LeRoi Jones featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was distributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. This copy is addressed to poet Robert Duncan, the highly influential Black Mountain teacher, contributor to the San Francisco Renaissance and early gay rights pioneer. This issue features contributions from Ruth Krauss, Alan Marlowe, Ferencz McNaughton, Carl Solomon, Hubert Selby, Jr., Herbert Hucke, Gilbert Sorrentino, Allan Kaprow, James Waring, Alex Katz, Howard Schulman, and Anne Wilson.

Hardcover. Zustand: Gut. 1. Alterbedingte Gebrauchsspuren, evtl. auch gutes Mängelexemlar---. nein.

An interesting item, providing a sidelight into the process of Victorian scholarly editing and publication. Fitchew's letter is 2pp, 4to, on the outer pages of a bifolium; the inner pages being filled with notes (citations?) in a minuscule hand, possibly the recipient's. In good condition, lightly aged and worn, and folded for postage. Addressed to 'H. W. Wilson' and signed 'E. H. Fitchew'. The letter begins: 'Dear Mr. Wilson / I think it is possible we may want a little more letterpress, but probably not much. Up to end of pt. 7 we have used 82 slips. I suppose deletion & added matter about balance each other, & we may therefore reckon remainder of book on the same basis. We have 27 slips, which should fill about 56 pp.' He continues in the same vein, discussing preface and index. Ends with discussion of question, 'Would you prefer to add to Chap. IX or only to Chap X?' There is some annotation in the second hand to the left of Fitchew's signature, and beneath it an illegible note in blue pencil. The book in question is 'Nelson and His Times' by Rear-Admiral Lord Charles Beresford and H. W. Wilson, 'With many illustrations mostly from contemporary sketches, selected, arranged, and annotated by Edward H. Fitchew', which was printed by Her Majesty's Printers Eyre & Spottiswoode, and published by Harmsworth Brothers Ltd in 1898. See image of additional annotation presumed by Wilson.