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Anbieter: Markus Brandes Autographs GmbH, Kesswil, TG, Schweiz
Manuskript / Papierantiquität Signiert
Signed card, 3,5 x 2,5 inch, signed and inscribed in blue ink "To my dear friend, - Philip Cauchard - with every good wish - Edward Everett Horton - Nov-11-45", attractively mounted (removable) for fine display with a photograph, shows Edward Everett Horton in a film scene (altogether 8,25 x 11,75 inch), with very mild signs of wear - in nearly very fine condition. Accompanied by the original envelope.
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Signiert
Unbound. Zustand: Near Fine. Black and white portrait. 8" x 10". Three small bumps on one margin, very near fine. Boldly Signed by Horton and dated in 1946 on a light portion. the wonderfully funny character actor flourish in the 1920s thru 1940s, but is perhaps best-known now as the narrator of Fractured Fairy Tales, and the medicine man, Roaring Chicken, in the television "F Troop".
Verlag: STUDIOCANAL
Anbieter: Versandantiquariat Felix Mücke, Grasellenbach - Hammelbach, Deutschland
Buch
Videokassette. Zustand: Gut. Artikel stammt aus Nichtraucherhaushalt! NB-VHS3457 Altersfreigabe FSK ab 0 Jahre Sprache: Englisch Gewicht in Gramm: 500.
Anbieter: Herbst-Auktionen, Detmold, Deutschland
Manuskript / Papierantiquität Signiert
Edward Everett Horton (1886-1970) amerikanischer Schauspieler, Regisseur und ProduzentGroßfoto (4°, Photo: The Seely Studios of Hollywood, rs. Stempel, kl. Wasserfleck, ca. 1935), mit eigenhändiger Widmung,Empfehlung, Unterschrift in Tinte signiertSchönes Porträt !.
Verlag: Metro-Goldwyn-Mayer [MGM], Beverly Hills, CA, 1946
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage studio still photograph of Edward Everett Horton and Sig Ruman from the 1946 film. Tom Drake stars as a US Army soldier who returns home on leave after several years, unaware his fiancée, Donna Reed, is now engaged to another man she works with at the department store, and sets up a ruse with other co-workers to keep him unaware until he's deployed again. Set in New York City. 10 x 8 inches. Very Good plus, with light edgewear and a half inch closed tear to the center left.
Verlag: Warner Brothers, Burbank, CA, 1937
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Three vintage reference photographs from the 1937 film. One with the stamp of King Features Syndicate to the verso. A bored, apathetic former monarch living in exile in Paris finds his joie de vivre re-ignited by a young chorus girl. Notable for being the only film to officially credit legendary comedian Groucho Marx as screenwriter. Set in Paris. 10 x 8 inches. One Very Good plus, two Very Good, with light fading and edgewear, and one with light soil and dampstaining to the edge, and pen marks through the image.
Verlag: Paramount Pictures, Hollywood, 1933
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Final Draft script for the 1933 pre-Code film. Francois dreams of working as a tour guide in his beloved Paris, but instead works for Bibi, a pimp, who hires Francois to craft alibis for the adulterers who engage in this business. While working the streets, he meets Madeleine, who works as a target for her knife-throwing guardian, Pedro, at the circus. He falls in love with her and must work to win her love and overcome her abusive partner. Set in Paris. White titled wrappers, noted as Final Script on the front wrapper, rubber-stamped production No. 1972, dated July 14, 1933, with credits for screenwriters Fowler and Glazer. Title page integral with the front wrapper, as issued. 163 leaves, mimeograph duplication. Pages Fine, wrapper Very Good, side-stapled.
Verlag: Columbia Pictures, Culver City, CA, 1936
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage double weight press portrait photograph of Frank Capra, by photographer Alfredo Valente, to promote the 1937 film. Mimeo snipe, stamp of photographer Alfredo Valente, filing stamp with annotations in manuscript pencil, dated "6-25-36," and "Kenneth G. Lawrence" stamp, all on the verso. Based on the 1933 novel by James Hilton. Remade in 1973 as a musical, directed by Charles Jarrott, and starring Peter Finch and Liv Ullmann. A British diplomat and his entourage crash in the Himalayas, are rescued and taken to the mystical valley of Shangri-La. Shot on location in Griffith Park, Ojai, Palms Springs, Victorville, and Sherwood Forest, California. 8 x 10 inches. Light edgewear and crease in top right margin, else Near Fine. National Film Registry.
Verlag: N.p., N.p., 1938
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage reference photograph from the 1938 film, showing director Ernst Lubitsch in conversation with actors Gary Cooper and Claudette Colbert on the set, between takes, with a camera crew in the foreground. Based on the 1921 French play by Alfred Savoir. After discovering her multimillionaire fiance has already been married seven times, the daughter of an impoverished marquis decides to develop her own strategy to lock him down. The first of many collaborations between screenwriters Billy Wilder and Charles Brackett, including "Ninotchka" (1939), "Ball of Fire" (1941), "The Lost Weekend" (1945), and "Sunset Boulevard" (1950). Set in France. 8 x 10 inches. Near Fine. Byrge and Miller, The Screwball Comedy Films.
Verlag: N.p., N.p., 1942
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Revised Final Script for the 1942 film. Two blue revision pages dated 8/8/42 paper clipped to the rear wrapper of the script. One the greatest Technicolor musicals produced by Fox in the 1940s, employing Harry James and his orchestra at their peak, and pulling out all the stops on the musical numbers. Featuring Carmen Miranda's version of "Chattanooga Choo-Choo" and the debut of the classic song "I Had the Craziest Dream." Red titled wrappers, noted as Revised Final on the front wrapper, rubber-stamped copy No. 47 and production No. 763, dated June 11, 1942. Distribution page present, with receipt intact. Title page present, dated June 11, 1942, noted as Revised Final. 131 leaves, with last page of text numbered 129. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 6/13/42 and 7/20/42. Pages Near Fine, wrapper Very Good, bound internally with two gold brads.
Verlag: N.p., N.p., 1942
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Archive of 38 letters and nine telegrams to publisher and progressive activist Florence Welch (then Florence Wagner), sent in response to the sudden death of Florence's husband, publisher and artist Rob L. Wagner, in 1942. Almost all letters and many telegrams with Welch's annotations in manuscript pencil, identifying senders. Additionally included in the archive are two photographs, one showing Rob Wagner with an unknown man, and the other showing Wagner's son Thom. Welch worked as a newspaper journalist and activist for women's suffrage in Topeka, Kansas, later moving to California and marrying Wagner, then a prominent artist and magazine writer. In 1929 the pair founded "Script," a left-leaning, weekly literary film magazine. Lifelong Socialists and advocates for progressive causes, the Wagners' "Script" gave a voice to blacklisted screenwriters (including Dalton Trumbo and Gordon Kahn) and prominent leftists, including Upton Sinclair, Max Eastman, and William C. deMille. After Wagner's death Welch would remarry early aviator James L. Breese, living with him in New Mexico and California until her death in 1959. Archive includes telegrams from Director of the FBI J. Edgar Hoover, writer Upton Sinclair, director Ernst Lubitsch, producer David O. Selznick, actors Warren Williams and Charles Coburn, actress Dolores Costello, theatre mogul Sid Grauman, and manuscript letters from actor Edward Everett Horton, journalist George Cecil Cowing, writer Ernie Rydberg, actress Marjorie Noble, Federation of Jewish Welfare Organization president Jay B. Jacobs, journalist and editor Grace Kingsley, and African American actress Mary Alice Smith. Materials Near Fine to Very Good plus, with light creasing and edgewear.