Hollander anthony (58 Ergebnisse)

Zustand: New.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Milton Glaser (illustrator).

Zustand: New.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. Zustand: Fine. [viii], 71 pp., 8vo, card wrapper. The first of seventeen issues only of this poetry little magazine. Fine and fresh copy.

Zustand: New.

Zustand: Good. Good condition. Acceptable dust jacket. Dust jacket price clipped. (Humorous Poetry) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Softcover. Zustand: Fine. [v], 71 pp., 8vo, stapled sheets. Proof sheets for the first of seventeen issues only of this poetry little magazine. Printed on rectos only. Good copy; half title lacking, bottom half of final leaf with list of contributors perished, with loss of several words; light wear and toning to a few leaves. Photocopy replacement of each of the foregoing leaves can be supplied on request.…

Zustand: New.

Zustand: New. In English.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New.

Paperback. Zustand: Brand New. 120 pages. 8.50x5.00x0.20 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Good. 1st Edition. *Veteran-Owned, Family-Run, Small Book Store in the Pacific Northwest* FAST SHIPPING!! Clean text, no markings, tight binding. 113 pp. Milton Glaser (illustrator).

Zustand: New. pp. 280 Illus.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. pp. 280.

Softcover. Zustand: Very Good. First edition. Quarto. 73pp. Stapled pictorial wrappers. Illustrated reproducing black-and-white photographs of Auden. Few faint soil marks to covers, else a very good copy. Special issue, "W. H. Auden 1907-1973," devoted entirely to W. H. Auden. Prints "A Thanksgiving" by W. H. Auden, and a previously unpublished interview with Auden (by Walter Kerr). Also prints contributions, about Auden, by Louis Untermeyer, Randall Jarrell, Henry Moore, Alexander Theroux, Richard Eberhart, Cecil Day Lewis, Hannah Arendt, Elizabeth Bishop, Anthony Hecht, John Hollander, Robert Fitzgerald, Stephen Spender, Tennessee Williams, Charles Osborne, et al.…

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: New. Brand New Original US Edition. Customer service! Satisfaction Guaranteed.

Hardcover. Zustand: Very Good. First Edition. First Edition, 2nd Printing. Not price-clipped. Published by Atheneum, 1967. Octavo. Hardcover. Book is very good. Dust jacket is very good with shelf/edgewear. Great copy of this collection of poetry with drawings by Milton Glaser.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Zustand: New. In English.

Original cloth. Zustand: Sehr gut. 249 / 144 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - In very good condition. - Sehr gut und sauber. - Foreword: Ever since the mid-nineteenth century Dante's American presence has been an imposing one. Among the great foreign writers, perhaps only Shakespeare has affected the course of American literary life as deeply as he. And if one restricts the field to those whose work has had to rely on translation to reach its widest audience, it seems clear that Dante is second not even to Homer and Virgil among the ancients, and certainly not to Cervantes and Goethe among the moderns. Perhaps because we, like the French in this, possess no single generally acknowledged national literary figure, we have tended to look beyond our shores for literary stars of the first magnitude. Whatever the cause, the rediscovery of Dante in the nineteenth century has had profound effect on American intellectual life, both within the academy and in the larger world. Longfellow (whose translation, completed in 1867, was to be a major force in the revival of American interest in Dante), Lowell, Norton, and their friends in Cambridge helped to put the Commedia into the hands of many professors, students, men and women of letters, and "common readers." The founding of the Dante Society of America in 1881 offered confirming evidence of a widening interest in the great poet. Harvard, Dante's most significant early academic home in America, continued in that role (one thinks of the presence of Santayana and Grandgent at the turn of the century); it was also in New England that Dante's influence had first exercised its power on a major American writer, Hawthorne, extending eventually to Eliot and Pound. It is not my purpose to tell again an already familiar tale.* Suffice it to say that the Commedia became a text that almost every American intellectual felt called upon to confront. "Il nostro poeta" the Italians rightly call Dante. He has become ours, too. The Dante beloved of Americans was, indeed, largely indistinguishable from the towering Italian figure, at least if one inspects his first academic incarnation. American scholarship reflected basic intuitions and critical procedures developed across the water, in Italy as well as in England (where among the greater names were those of Moore and Toynbee). "Dantismo americano," a phrase some Italians currently use to designate a critical approach which seems to some of them new, radical, and controversial, is a recent phenomenon. It traces its origin to the work of Charles S. Singleton, which began to appear shortly after the conclusion of the Second World War. Singleton's essential contribution was to present the procedures of poetic signification in the Commedia as deriving from what Dante himself called "the allegory of the theologians." This development was not as utterly revolutionary as Singleton himself apparently believed. He had precursors, distant (e.g., Filippo Villani) and nearer to hand (most significantly, Erich Auerbach). But it remains true that Singleton's focusing of the debate over Dante's mode of meaning became crucial in the self-definition of the next generation of American Dantisti, whether they welcomed or decried the positions taken by Singleton. And there seems to be little reason to believe that the immediate future will witness any significant movement away from a criticism grounded in concerns issuing from this vision of the poem's central mode of signifying. ISBN 9780812281767 Sprache: Englisch Gewicht in Gramm: 540.…

Trade Paperback. Zustand: Good. 1st Atheneum Paperback Edition/Copyright. 119 + pp. A rare, hard-to-find, out-of-print, scarce, true collectible gem! A great copy! A great study or work or reading or research copy! Solidly and tightly bound copy with moderate to extensive overall wear and use. Copy with clean text and crisp pages. 'Not For Resale' stamped on fore-edge. Front cover page edge bent. Creased spine. Milton Glaser (Drawings & Cover Design by); Harry Ford (Design) (illustrator).…

Buch. Zustand: Neu. Neuware - Dr. Hollander is a very straight forward speaker/writer. His approach is very specific and task oriented in order to provide a clear process to the student/family/reader. His examples are clear, factual, even at times a bit dramatic. Because he is a firm believer in a data based approach, he generates a great deal of documentation to illustrate progress. When not generating the amount of success he anticipates, he has a clear method for making constructive changes to the process to bring about the success.…