holdsworth robert (14 Ergebnisse)

No Binding. Zustand: Very Good. ORIGINAL Article, disbound from journal; no covers; light creasing of upper corners of leaves, o/w in very good condition. Journal.

Achnanthes Brevipes (S. A. The J. of Cell Biology Vol. 37, No. 3) 1968. S. 831 - 837. m. zahlr. Abb. geklammert -2) -Sonderabdruck-.

hardcover. Zustand: Fine.

Soft cover. Zustand: Very Good. iv, 253 pages ; 23 cm ; OCLC 24361427 ; This festschrift contains the following articles: Richard W. Southern, "Intellectual De-velopment and Local Environment: The Case of Robert Grosseteste" (pp. 1-22); Frank Barlow, "A View of Thomas Becket, Saint and Martyr" (pp. 28-31); Christopher Brooke, "Reflections on Late Medieval Cults and Devotions" (pp. 33-45); Henry Chadwick, "Conscience and Social Duty in Early Christian Thought" (pp. 47-62); Richard C. Dales, "Philip the Chancellor on the Eternity of the World" (pp. 63-72); John V. Fleming, "Chaucer on Language, Truth, and Art: A Liar's Paradox" (pp. 73-85); Douglas Gray, "Of swine ne mone had thay no nede: Notes on the Imagery of Light in a Middle English Text" (pp. 87-108); V. H. H. Green, "Cardinal Newman, Mark Paulson, and the Oxford Movement" (pp. 109-24); 0. B. Hardison, Jr., "What the Spirit Said" (pp. 125-33); Denys Hay, "The Geographical Boundaries of the Late Medieval World" (pp. 135-46); Christopher Holdsworth, "Bernard: Chimera of His Age?" (pp. 147-63); George Kane, "Langland's Use of For to" (pp. 165-71); Gordon Leff, "St. Augustine's Concept of Man" (pp. 173-86); James McEvoy, "Robert Grosseteste on Liberty" (pp. 187-208); Barbara Reynolds, "Boccaccio, Admirer of Dante" (pp. 209-21); D. W. Robertson, Jr., "Wisdom and 'The Manciple's Tale': A Chaucerian Comic Interlude" (pp. 223-37); Fred C. Robinson, "A Metronymic in The Battle of Maldon?" (pp. 239-63); and Glynne W. G. Wickham, " 'Speaking Pictures,' Dumb Poesie' & Chaucer's Tregetours: Court Theatre in Chaucer's England" (pp. 245-53). ; interior spine repaired ; else VG. Book.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Hardcover. Zustand: Brand New. 336 pages. 9.22x6.14x1.00 inches. In Stock.

Zustand: New.

Buch. Zustand: Neu. Neuware - 'Richard Wilson's meticulously researched, powerfully argued and brilliantly written account of Shakespeare's 20th-century fascist followers is not just an important but a genuinely essential book.' Robert Shaughnessy, Guildford School of Acting, UKIn this illuminating book Richard Wilson demonstrates how in the 20th century Shakespeare's plays and poems were persistently misread as documents which voiced the fascist sympathies of their author. Wilson argues that the version of Shakespeare this caricature produced - authoritarian, jingoistic, racially intolerant, misogynistic - was viewed with satisfaction by many of the leading figures of the century's cultural establishment in Britain and America, while noting striking cases of the same bias in Germany and France.Some of the names this book focuses on will surprise: many of the right-wing political views or leanings of the prominent figures discussed have been left unexplored or ignored: from A. K. Chesterton, who was both editor of the British Union of Fascists' newspaper Blackshirt and former manager of press and publicity at the Shakespeare Memorial Theatre, to celebrated Shakespeareans such as G. Wilson Knight and writers, artists and theatre practitioners including W. B. Yeats, T. S. Eliot, Edward Gordon Craig and Marshall McLuhan. At a time when democracy is under threat, populism is on the rise and far right views are increasingly prominent in our political discourse, Richard Wilson's book makes an especially vital contribution to Shakespeare scholarship.

Paperback. Zustand: Good. First Edition. 170 pages. Archival black and white photos. Includes: The British Indian Department and the Frontier in North America, 1755-1830; The B.C. Mills Prefabricated System - The Emergence of Ready-made Buildings in Western Canada. Prior owner's small inkstamped name inside front cover else clean and unmarked with moderate wear. A sound copy.; 8vo - over 7¾" - 9¾" tall; The British Indian Department and the Frontier in North America, 1755-1830; The B.C. Mills Prefabricated System - The Emergence of Ready-made Buildings in Western Canada.

Hardcover. Zustand: Very Good. First edition thus. Octavo. 311; 388pp. Folding chart. Bound in buckram with morocco spine label gilt. Front wrap of second volume bound in. Erosion of the spine labels, stains on the boards, else near very good, internally near fine.

[2] pp.; 21 x 25.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; other printing process Exhibition announcement / vinyl sticker published in conjunction with show "Crash: Homage to JG Ballard," held February 11 - April 1, 2010. Artists include Richard Artschwager, Francis Bacon, Hans Bellmer, Glenn Brown, Chris Burden, Jake & Dinos Chapman, John Currin, Salvador Dalí, Giorgio de Chirico, Tacita Dean, Jeremy Deller, Paul Delvaux, Cyprien Gaillard, Douglas Gordon, Loris Gréaud, Richard Hamilton, John Hilliard and Jemima Stehli, Roger Hiorns, Damien Hirst, Dan Holdsworth, Carsten Höller, Edward Hopper, Allen Jones, Mike Kelley, Jeff Koons, Roy Lichtenstein, Vera Lutter, Florian Maier-Aichen, Paul McCarthy, Adam McEwen, Dan Mitchell, Malcolm Morley, Mike Nelson, Helmut Newton, Cady Noland, Claes Oldenburg, Eduardo Paolozzi, Steven Parrino, Richard Prince, Robert Rauschenberg, Gerhard Richter, Ed Ruscha, Jenny Saville, George Shaw, Cindy Sherman, Piotr Uklanski, Andy Warhol, Rachel Whiteread, Christopher Williams, Jane and Louise Wilson, Christopher Wool, and Cerith Wyn Evans. "Ballard''s novels stand among the most visionary, provocative literature of the twentieth century, with his ominous predictions regarding the fate of Western culture and his insights into the dark psychopathology of the human race. This exhibition is a response to the enormous impact and enduring cultural significance of his work, following his death in spring 2009. Highlighting Ballard''s great passion for the surreal and his engagement with the artists of his own generation, Crash includes examples of his specific inspirations as well as works by contemporary artists who have, in turn, been inspired by his vision." -- publisher''s statement. Very Good / Fine. Light bumping of corners, otherwise Fine.