Hoeniger david (11 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

stapled PAPERBACK, very good, attractive copy. HOENIGER, F. DAVID / HOENIGER, J. F. M. The growth of natural history in Stuart England from Gerard to the Royal Society. Charlottesville: Published for the Folger Shakespeare Library by the University Press of Virginia, 1969, 54pp., . Folger booklets on Tudor and Stuart civilization. 9780813902647 ISBN 0813902649.…

Trade Paperback. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Condition: 'Near Fine' Notes: Binding is square and solid. Pages are unmarked, clean and unbent. Floral woodcuts accompanied by Shakespearean poetry. Gerard Brender A Brandis (illustrator).

Zustand: Very Good. 1985. hardcover. Good clean copy with minor shelfwear. DJ has some minor nicks and tears, remains very good. . . . . Books ship from the US and Ireland.

Zustand: Very Good. 1985. hardcover. Good clean copy with minor shelfwear. DJ has some minor nicks and tears, remains very good. . . . .

[0-88984-290-6] 2006. (Mass market paperback) Near fine. 131+. 8vo. Beautifully inscribed by the artist to the title page. More than 60 engravings by Gerard Brender à Brandis of the flowers mentioned in Shakespeare's canon, with quotations as selected and interpreted by F, David Hoeniger, professor emeritus, Department of English, at Victoria College, University of Toronto. Related ephemera laid in. Top corner ever so faintly bumped; otherwise a fine copy.…

Hardcover. Zustand: Very Good. 1st Edition. Large 8vo, xxxvi + pp332 with the 61 illustrations, replicating the original 17th-century coloured drawings of wild birds from the manuscript. Hardcover with dust jacket. Dust jacket in new protective sleeve in very good- condition with a small tear to front side of spine, some smudges and a little toning to spine. Publishers binding of green cloth with black and gilt title label to spine in very good condition with a little creasing to top & tail of spine. Inside all pages in near fine condition, clean, tight, and crisp text block. Pages are bright and unmarked throughout with no previous owner signatures or stamps and the 61 bird illustrations still crisp and vivid. Edward Topsell (1572-1625) was an Elizabethan clergyman famous for writing massive, legendary bestiaries packed with real animals and mythical beasts. He wrote a major manuscript on birds around 1613-1614, which was an English translation and alphabetical abridgment of Italian naturalist Ulisse Aldrovandi's Ornithologiae. However, Topsell never finished it before he died—it only covered birds starting with A, B, and C (stopping mid-way on page 250). The unique, 248-leaf manuscript sat hidden away in the Henry E. Huntington Library in California for centuries. An very good copy of Topsell's rare, incomplete Elizabethan ornithological manuscript, painstakingly transcribed by Thomas P. Harrsison and F. David Hoeniger and printed for the first time. This copy has a good provenance containing the bookplate of Pete Tate, highly respected ornithologist and the preeminent British authority on the history of avian literature, to front pastedown.…

a long-tailes bacteriophage (S. A. Canad. J. of Microbiol. Vol. 17, Nr. 12) 1971. S. 1567 - 1572. m. zahlr. Abb. geklammert -2) -Sonderabdruck-.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:091801669X.…

Hardback. Zustand: Fine. ~Full cream silk in floral brocade pattern, hand-painted with floral design in black by Laurie Richardson. Minor mark to front board from production (glue showing through). With slipcase made by Mary Carrington, cream slub silk to slipcase boards. 4to (19.6 x 27cm). All edges deckled. Sage green handmade paper endpapers with inclusions. Slight starting at gutter after first blank endpage. Frontis. Printed throughout on all-rag handmade paper from the Papeterie Saint-Gilles. Printed from hand-set Libra type and wooden blocks with an 1882 Albion hand-press. Hand-sewn; 'this book was made by hand' (limitation page). Limited edition of 97 copies (the first 10 hors de commerce), of which this is no. 65. Calligraphic signature by Brender a Brandis, the 'bookwright'. Hand-coloured vignette to limitation page, and further hand-coloured vignette to p. 13. Profusely illustrated throughout with over 60 of Brender a Brandis' wood engraved illustrations of flowers from Shakespeare, several depicted in appropriate settings (the ruins of Kenilworth Castle; Anne Hathaway's cottage near Stratford upon Avon) likely based on sketches by Brender a Brandis during his preparatory visit to England as he researched this volume. Illustrations are accompanied throughout by quotations from Shakespeare, with text by Shakespeare scholar F. David Hoeniger giving cultural, historical, and botanical context for the images. Typesetting and layout are rhythmic, clear, and sometimes innovative, as in the split and tilted engraving for Ophelia's crow-flowers and deadnettles. The illustrations are botanically precise and densely intricate: 'Brender a Brandis' delicate illustrations evoke tremendous texture for a medium as difficult as wood engraving, and have a wild, almost Art Nouveau quality' (Toronto Globe and Mail, referring to the 2006 Porcupine Quill trade edition). Gerard Brender a Brandis (b. 1943) came to Canada with his family in 1947 and is now widely acknowledged as one of Canada's foremost contemporary printmakers. Working out of his home studio in Stratford, Ontario, he is known for his involvement in almost every aspect of the creation of his handmade books, from papermaking and spinning and weaving linen for bookcovers through to typesetting, printing, and bookbinding. A Gathering of Flowers from Shakespeare remains among his most significant and best-loved works. Extremely scarce in this original hand-press edition. ~Robust packaging. Overseas orders trackable on request. Used books are exempt from USA tariffs. 1st edn. Hardback. Size: 76pp.…