herring john frederick (21 Ergebnisse)

hardcover. Zustand: Good. Herring, John Frederick (illustrator). Small octavo (approx. 5 1/2"wide by 7 7/8" tall) brown printed boards. 28 pages. Includes color plates and black and white illustrations in the text. Light dampstain in bottom margin. Spine repaired with black tape. No dust jacket. 061507C Antiques, Chinaware, Hunting. 010608A.

Paperback. Zustand: Very Good. John Frederick Herring (illustrator). 1st Paperback Printing. Paperback. Favourite British Sausage Recipes. Tasty Dishes With the Great British Banger. A staple of British cooking for centuries, sausages make quick and easy, as well as tasty meals. From traditional favourites to the more unusual this book brings together over thirty delicious recipes. Illustrated. 48 pp. (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions ,and all types of Academic Literature.).

Softcover. Zustand: Fine. Periodical. Stapled wrappers. 112pp. Fine. A collection of poems, letters, essays, and reviews by Simon J. Ortiz, Grey Cohoe, Duane Niatum, Ronald H. Bayes, Sam Ragan, Dan Jaffe, Millen Brand, Sonja Prins, Norman Macleod, Emily Mae Murphy, Carl Rakosi, Soni Martin, Beth Jackson, Eugene Toran, Pinkie Gordon Lane, Margaret M. Shepherd, Kregg Spivey, Ian McDonald, Samuel C. LaFleur, Kenneth Pauli, Kathleen S. Platt, Jay Barrington, James Schevill, Frederick Eckman, Hugh Miller, Van K. Brock, D.V. Smith, Joseph Epolito, Richard Vela, Elvoy Raines, D.M. Pettinella, Mervyn Morris, Don Sears, W.E. Ryan, Mary F. Hatchell, William Lane Hudson, Jr., Grace E. Gibson, R.W. Reising, Gavin Bantock, Jane Mayhall, Murray K. Morton, Dick Barnes, Phyllis Wood, Hugh Macdiarmid, Michael Paul Novak, William Page, Mike Doyle, James Hoggard, Johnnie Herring, Leondard Nathan, Grace Herman, Linda Lloyd, Peter Wild, Walter Griffin, Stephen G. Smith, Paula Rankin, Jean Baptiste, Donald R. Swanson, Vickie D. Green, Tim Tourtellotte, Thomas Michael Fisher, John Filiatreau, William Peden, Brom Weber, Guy Owen, Eric W. Gregory, Joseph Kalar, and Michael R. Brown.

1 Blatt, verso weiß. Zustand: Gut. Bild ca. 15,5 x 11 cm, 21 x 13,2 cm. Brustbild-Portrait im Viereck, darunter Handschrift-Faksimile "faithfully Yours J. F. Herring". Dargestellt ist der englische Maler John Frederick Herring, Sr. (1795 in London - 1865 in Meopham bei Tonbridge). - Minimal stockfleckig. Gering gebräunt. Sonst gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 250.

Softcover. Zustand: Near Fine. Periodical. Stapled wrappers. 100pp. Spine lightly age-toned, corners rubbed, near fine. Laid in is an Inscribed letter by contributor Norman MacLeod and addressed to poet and contributor Daniel Hoffman. Additionally, laid in is an invitation to the fourth Gregory Award being given to Norman Macleod. An interesting association copy. "Amerindian Poetry by Simon J. Ortiz, Ray Young Bear, West Indian Poetry by Ian McDonald, Faustin Charles, Basil McFarlane, Jean Baptiste, Lights from Galapagos by Kregg Spivey, An Introduction by Thad Stem, Jr. to a Poem by Robert McAlmon, R.J. Rundus on the Fiction of Guy Owen, Henry Berry Lowry: Lumbee Symbol by David K. Eliades, Poems by Arthur Gregor, Philip Levine, Endre Ady, Hugh Macdiarmid, Peter Wild, William Stafford, Daniel Hoffman, Nancy Vodvarka, Margaret M. Shepherd, Stanley Noyes, Kurt Johnson, Macleod: American Bunting by Ronald Vela, Grace Gibson, Art by Kris Hotvedt, Von Lehn, Seymour Tubis, Grey Cohoe, Wenceslaus Riley, and Courtney Moyah.".

Zustand: Good. Black and white engraving. 13.5 x 21.5 cm. Tears in lower margin. Published in The Annals of Sporting and Fancy Gazette; a Magazine, entirely appropriated to sporting subjects and fancy pursuits; containing every thing worthy of remark on hunting, shooting, coursing, racing, fishing, cocking, pugilism, wrestling, singlestick, pedestrianism, cricket, billiards, rowing, sailing, &c. &c. Accompanied with striking representations of the various subjects.Schwerdt, Hunting, Hawking, Shooting, Vol. 1, p.33; OCLC Number: 228676520.

Zustand: Good. Color aquatint. 13.5 x 21.5 cm. Tears in lower margin. Published in The Annals of Sporting and Fancy Gazette; a Magazine, entirely appropriated to sporting subjects and fancy pursuits; containing every thing worthy of remark on hunting, shooting, coursing, racing, fishing, cocking, pugilism, wrestling, singlestick, pedestrianism, cricket, billiards, rowing, sailing, &c. &c. Accompanied with striking representations of the various subjects.Schwerdt, Hunting, Hawking, Shooting, Vol. 1, p.33; OCLC Number: 228676520.

Zustand: Good. Color aquatint. 13.5 x 21.5 cm. Published in The Annals of Sporting and Fancy Gazette; a Magazine, entirely appropriated to sporting subjects and fancy pursuits; containing every thing worthy of remark on hunting, shooting, coursing, racing, fishing, cocking, pugilism, wrestling, singlestick, pedestrianism, cricket, billiards, rowing, sailing, &c. &c. Accompanied with striking representations of the various subjects.Schwerdt, Hunting, Hawking, Shooting, Vol. 1, p.33; OCLC Number: 228676520.

Zustand: Good. Color aquatint. 13.5 x 21.5 cm. Tears in lower margin. Published in The Annals of Sporting and Fancy Gazette; a Magazine, entirely appropriated to sporting subjects and fancy pursuits; containing every thing worthy of remark on hunting, shooting, coursing, racing, fishing, cocking, pugilism, wrestling, singlestick, pedestrianism, cricket, billiards, rowing, sailing, &c. &c. Accompanied with striking representations of the various subjects.Schwerdt, Hunting, Hawking, Shooting, Vol. 1, p.33; OCLC Number: 228676520.

Large folio (60 x 42 cm). Letterpress title with engraved vignette, list of subscribers, winners of the St. Leger 1776-1814, 14 hand-coloured aquatint plates by T. Sutherland and R. G. Reeve after Herring, each with letterpress description of riders and winners of other races and the St Leger stakes for each year. Bound in recent half burgundy morocco with contemporary drab boards with large printed label on upper cover. "Extremely rare" (Tooley). Second edition of Herring's finest work, the outcome of his fascination with horse racing and the St. Leger in particular. "In the writer's estimation, the first series of the St. Leger winners contains the very best of Herring prints [.] they were engraved by Sutherland, a more competent aquatinter and colourist than his successors who handled these race-horses" (Siltzer). Herring spent the first 18 years of his life in London, where his father, an American, was a fringe-maker in Newgate Street. Having married against his father's wishes, he went to Doncaster, where he arrived during the races in September 1814, and saw the Duke of Hamilton's horse, William, win the St. Leger. The sight inspired him to attempt the art of animal-painting, in which he subsequently excelled. He painted Filho da Puta, the winner of the St. Leger in 1815, and for the following thirty-two years painted each winner in succession. "Herring's series of Portraits [.] were painted annually and quickly reproduced in large showy aquatints, the horses made literally glossy by the application of varnish to the paper" (Diana Donald, Picturing Animals in Britain 1750-1850, New Haven, CT [2007], p. 215). This is the second edition of this series of wonderful racehorse portraits. It was first published as a suite of 10 plates in 1824 by Sheardown and Son of Doncaster; S. and J. Fuller of London purchased these in 1827 and continued to publish, periodically, the St. Leger winner series up to 1845. The earlier plates were all re-captioned with Fuller's imprint. Plates watermarked 1825-28; the first plate in the present work, "Filho da Puta", is on paper watermarked 1827. - Very slight offsetting to text. Extremities rubbed; otherwise a superb example of this rare work. - Siltzer 139-146. Mellon Horsemanship, 128.

Print. Zustand: Very good condition. First printing. An aquatint print of the famous British track horse, "Chorister", who won the Doncaster race as a 3 year old. Engraved from the original painting by John Frederick Herring Snr. With original color and full margins around the impression line. 19.5 x 15.5" on 22 x 16.5".

"Extremely rare" (Tooley) 1828 edition of Herring's finest work, the outcome of his fascination with horse racing in general and the St. Leger Stake in particular. "In the writer's estimation, the first series of the St. Leger winners contains the very best of Herring prints . . . they were engraved by Sutherland, a more competent aquatinter and colourist than his successors who handled these race-horses" (Siltzer). This is the second edition of this series of wonderful racehorse portraits. Very slight offsetting to text. Boards darkened and worn at the edges, internally in fine condition and untrimmed. A rare work with beautiful horse plates and detailed information.l Cf. Podeschi 128 (1824 ed. with different title, with 10 plates plus extra plate for 1825); Siltzer 139-146 (various eds.). Contemporary plain boards with publisher's printed label wrapper-title on front board (with same wording and vignette as title-page, but partly reset and with a border of cast fleurons). Rebacked with burgundy half morocco and matching corners. With engraved vignette on the letterpress title-page, 14 hand-coloured aquatint plates by T. Sutherland and R. G. Reeve after Herring, each with information on a separate letterpress leaf. Pages: [17] ll. plus plates.

Zustand: Good. Color aquatint. Framed by Vandevoorde, Paris. 407 x 505mm. sheet size. 311x 400 mm. image size wtihout text.From the series: Portraits of the Winning Horses of the Great St. Leger Stakes at Doncaster.,John Frederick Herring Sr. was an English sporting and equestrian painter. It is said that before becoming an artist, he drove a stagecoach. Whether or not this is true, it is evident from his paintings that he was deeply familiar with horses, their posture and personalities, and the specific details of their surroundings. He specialized in painting English thoroughbred racehorses and farmyard scenes such as these, and they were frequently made into prints. His son, J.F. Herring, Jr., continued the family tradition, painting similar horse and sporting scenes.Charles Hunt was a British engraver of horse and sporting subjects active during the 19th century. He came from a family of engravers and was noted for his fine engravings after Pollard, Alken, Herring and other painters working in the genre.Tooley, 261; Lane, British Racing Prints p.121; Mellon British Sporting and Animal Prints p.94; Siltzer pp. 145-147.

Zustand: Good. Color aquatint. Framed by Vandevoorde, Paris. 407 x 505mm. sheet size. 311x 400 mm. image size wtihout text.From the series: Portraits of the Winning Horses of the Great St. Leger Stakes at Doncaster.,John Frederick Herring Sr. was an English sporting and equestrian painter. It is said that before becoming an artist, he drove a stagecoach. Whether or not this is true, it is evident from his paintings that he was deeply familiar with horses, their posture and personalities, and the specific details of their surroundings. He specialized in painting English thoroughbred racehorses and farmyard scenes such as these, and they were frequently made into prints. His son, J.F. Herring, Jr., continued the family tradition, painting similar horse and sporting scenes.Charles Hunt was a British engraver of horse and sporting subjects active during the 19th century. He came from a family of engravers and was noted for his fine engravings after Pollard, Alken, Herring and other painters working in the genre.Tooley, 261; Lane, British Racing Prints p.121; Mellon British Sporting and Animal Prints p.94; Siltzer pp. 145-147.

Zustand: Good. Color aquatint. Framed by Vandevoorde, Paris. 405 x 505mm. sheet size. 304 x 403 mm. image size wtihout text.from the series: Portraits of the Winning Horses of the Great St. Leger Stakes at Doncaster.,John Frederick Herring Sr. was an English sporting and equestrian painter. It is said that before becoming an artist, he drove a stagecoach. Whether or not this is true, it is evident from his paintings that he was deeply familiar with horses, their posture and personalities, and the specific details of their surroundings. He specialized in painting English thoroughbred racehorses and farmyard scenes such as these, and they were frequently made into prints. His son, J.F. Herring, Jr., continued the family tradition, painting similar horse and sporting scenes.Charles Hunt was a British engraver of horse and sporting subjects active during the 19th century. He came from a family of engravers and was noted for his fine engravings after Pollard, Alken, Herring and other painters working in the genre.Tooley, 261; Lane, British Racing Prints p.121; Mellon British Sporting and Animal Prints p.94; Siltzer pp. 145-147.

Two subscriber's proofs, with title and text in both French and English, aquatint engravings, part-printed in colours à la poupée, and finished with fine original hand-colouring, heightened with gum-arabic, each c.530 x 730 mm., framed and glazed. This dramatic pair amply captures the excitement of this famous race, when the four finest race horses bred in France at the time were pitted against each other over two and a half miles, in three heats. The eventual winner was the 5 year old Rocquencourt, by Logic out of Contrition, owned by the Duc d'Orléans, to whom the prints are dedicated by the publisher, John Moore. Rocquencourt won two of the three heats, in the process achieving the fastest time then recorded for a French horse over the distance, of 4 minutes and 42 seconds. He beat Oakstick, belonging to Lord Seymour, Vendredi, owned by Baron de Rothschild, and M. de Saran's horse, Quine. All four are depicted here in full flight in the first plate, where we also see the crowd of gentry and nobility being entertained by acrobats and other side shows, and at the finishing line in front of the grand stand, the moment when Rocquefort won the last heat by a neck. Charles Hunt (1803-1877) is a very familiar name to collectors in the hugely popular field of sporting prints, here engaged by one of the most prominent publishers of such prints, John Moore, to translate the combined work of the landscape artist, George Bryant Campion (1795-1870), and one of the century's finest portrait painters of horses, John Frederick Herring Snr. (1795-1865).

0. Sprache: Deutschu.

1 vols. 1 vols. This amusing drawing shows two ragged urchins, one of whom is saying to the other, "Jack what wunnerful folks the Mountebanks do be", looking at two extraordinary figures: one, a man in foxhunting garb astride a white horse, is holding a whisky bottle, his head shaped like a crab; his companion, dressed as a trapeeze performer, is standing on a star-spangled ball, which rests on the back of a brown donkey. It is likely that these characters refer to some entertainers of the period, or represent visual puns on proper names. The drawing is executed in ink and watercolors; apart from some fading of the ink and darkening of the paper, the condition is fine.

bezeichnet, datiert und mit einer Dedikation an Arthur Kinnaird; Henry Graves London 1850 [Das imposante Blatt am oberen Rand mit kleiner, geglätteter Quetschfalte und am unteren Rand mit drei hinterlegten Läsuren sowie einer geglätteten Knickfalte. Die Darstellung selbst sehr frisch und von den kleinen Läsuren nicht betroffen.] "The Baron's Charger" original, coloured etching approx. 49x63cm on laid paper (59x71cm) by Robert Graves ARA (1798 in Tottenham - 1873 in London) after a painting by Herring; typographically inscribed below the image, dated and with a dedication to Arthur Kinnaird; Henry Graves London 1850 [The impressive sheet has a small, smoothed-out crease at the top edge and three backed blemishes and a smoothed-out crease at the bottom edge. The image itself is very fresh and not affected by the small blemishes.].

Zustand: Very Good. Oil on Canvas in a painted circle. 16 1/4 x 16 inches. The onset of the Industrial Revolution brought great prosperity to Britain but also nostalgia for the countryside as it once was, untouched by progress. There was a growing demand for paintings of the rural idyll and for scenes depicting farm animals. However, this type of painting also became the ideal genre in which proud owners could display their prized animals. The foundation of the Linnean Society in 1788, named after the creator of the now universal system of nomenclature for plants and animals, expressly encouraged 'the cultivation of the Science of Natural History in all its branches.' Thus, the systematic breeding of the thoroughbred horse, the foxhound and farm livestock encouraged the field of animal portraiture in which famous sires and prize-winning cattle and sheep were presented. Here are two prime examples by Herring Jr. that show this new style. Painting.