hermann douglas (21 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Soft cover. Zustand: Very Good. 1st Edition. 116 Pages, Text In English And French, Previous Owners Small Stickers O/W Sound.

Zustand: Fair. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9780805815436.

Paperback. Zustand: Very good. 56 p. (French side 60 p.). 25 cm. 5 graphs in partial colour + numerous tables. Softcover. Light wear. Ink signature at top of English cover. Bilingual text. Ink note on p. 7. Study covered health, education, employment, income status, etc. Appendices.

Softcover. Zustand: Near Fine. First edition. Octavo. 64pp. Stapled wrappers. Wrappers lightly age-toned, near fine. "On James Merrill's *Nights and Days* (article)" by Andrew V. Ettin. Stories and poetry with contributions by John Hermann, William Zander, John A. Lynch, David Cornel DeJong, Robin Magowan, Dorothy Geroch, Andrew V. Ettin, David Farrelly, Don Geiger, Douglas Lawder, Janis Adams, Bruce Berlind, Ralph J. Salisbury, and Hollis Summers. Inscribed by contributor Andrew Ettin to fellow poet Daniel Hoffman on the front wrapper. Additionally, laid in is a lengthy typed and Signed letter from Ettin to Hoffman.

Zustand: New. pp. 238.

Taschenbuch. Zustand: Gut. 15., Aufl. XIX, 844 S. B3024-223 360893037X Sprache: Deutsch.

alle Bücher 8°, 1 x Oppbd, 3 x Oppbd, Os, 2 x, flexibler Kunststoffeinband. Lizenzausgaben, Buch - Ein Mensch Namens Jesus- etwas schief, alle guter Zustand, über 1000 g.

Encuadernación de tapa dura. Zustand: Muy Bien. 1? Edición. Seix Barral. 1965 / 1961. PRIMERAS EDICIONES. Colección: Biblioteca Formentor. 200 + 190 paginas. 19 x 13. Tela editorial tapa dura con dorados en lomo. Corte superior en el mismo tono rojo tapas. Sin subrayados ni anotaciones. Perfecto estado de conservación.

Paperback. Zustand: Brand New. reprint edition. 227 pages. 9.00x6.00x0.50 inches. In Stock.

Taschenbuch. Zustand: Gut. 1.,. 232 Seiten Innerhalb Deutschlands Versand je nach Größe/Gewicht als Großbrief bzw. Bücher- und Warensendung mit der Post oder per DHL. Rechnung mit MwSt.-Ausweis liegt jeder Lieferung bei. Sprache: Deutsch Gewicht in Gramm: 340.

Taschenbuch. Zustand: Neu. Humanitarian Work Psychology and the Global Development Agenda | Case studies and interventions | Ishbel McWha-Hermann (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2017 | Routledge | EAN 9780815349211 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Hardcover. Zustand: Used; Like New. Dispatched, from the UK, within 48 hours of ordering. This book is in mint condition. Both the pages and the cover are completely intact, without zero sign of previous usage.

Hardcover. Zustand: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Zustand: New.

Hardcover. Zustand: Brand New. 227 pages. 9.25x6.25x0.75 inches. In Stock.

Sondereinband. Zustand: Befriedigend. 262 Seiten; außen mit deutlichen Gebrauchsspuren, Markierungen im Text mit Bleistift und Leuchtstift, Artikel stammt aus Nichtraucherhaushalt! BK8089 Sprache: Deutsch Gewicht in Gramm: 364.

8° Klappenbroschur. Zustand: Sehr gut. Weist nur geringe Stand-/Lagerspuren auf. Sehr schönes, innen wie außen sauberes Exemplar. 56 S., Abb., Deutsch 550g.

Hardcover. Zustand: Befriedigend. 15. 844 S. !! Buchdeckel wurde foliert, teilweise schmutzrändig!! Akzeptables Exemplar, deutliche Gebrauchsspuren, Cover/SU berieben/bestoßen, Papier/Schnitt nachgedunkelt, ist aber noch gut zu gebrauchen; Acceptable copy, noticeable wear, cover/dust jacket shows wear, edges/text pages show yellowing/darkening, but still of use. C250506ah26 ISBN: 9783608930375 Sprache: Deutsch Gewicht in Gramm: 500.

Hardcover. Zustand: gut. 1991. Douglas Hofstadter, geboren am 15. Februar 1945 in New York, verbrachte seine Jugend in Kalifornien (davon ein Jahr von 1958 bis 1959 in Genf). Bis 1965 studierte er Mathematik an der Universität von Stanford, danach bis 1972 an der Universität von Oregon in Eugene, wo er 1975 in Physik promovierte. Von 1974 bis 1975 war er Wissenschaftlicher Assistent im Fachbereich Physik der Universität Regensburg und entdeckte dort den sogenannten "Schmetterling von Hofstadter". Douglas Hofstadter hat seit 1988 einen Lehrstuhl für Kognitionswissenschaft an der Indiana University in Bloomington inne und leitet dort das Center for Research on Concepts and Cognition. Von 1984 - 1988 war er Walgreen Professor for the Study of Human Understanding an der Universität von Michigan in Ann Arbor. Gastprofessuren an der Universität Bologna, dem MIT, und dem Collège de France. Neben seinen wissenschaftlichen Studien interessiert sich Douglas Hofstadter leidenschaftlich für Sprachen und beherrscht unter anderem Französisch, Italienisch, Deutsch, Spanisch, Russisch und Chinesisch. Ebenso enthusiastisch widmet sich der Autor dem Klavierspiel, das ihn zu 30 Kompositionen von Klavierstücken inspirierte. Mit seiner 1993 verstorbenen Frau Carol hat er zwei Kinder. Seit dem Jahr 2012 ist Douglas Hofstadter mit Baofen Lin verheiratet. Gödel, Escher, Bach. Ein Endloses Geflochtenes Band. Liebhaberausgabe von Douglas R. Hofstadter (Autor) Übersetzer Philipp Wolff-Windegg, Hermann Feuersee, Werner Alexi, Ronald Jonkers, Günter Jung Zusatzinfo Kopfgoldschn. Denken Escher, Maurits C. Geist Gödel, Kurt Logik ISBN-10 3-608-93367-0 / 3608933670 ISBN-13 978-3-608-93367-3 / 9783608933673 In deutscher Sprache. pages.

Zustand: Good. Letterpress on card stock. 35.5 x52 cm.14" x 19 7/8" broadside. Philip Hofer. Broadside of an Alphabet with quotes by Douglas C McMurtrie, Jean Cocteau and Emanuel Geibel about letters and the alphabet in a variety of languages. Calligraphed by Hermann Zapf and commissioned by Philip Hofer. Printed in 7 colors. The colophon line is in German, and can be translated as "For Philip Hofer in Cambridge, written by Hermann Zapf, Frankfurt am Main 1959". Hermann Zapf (pronounced "tsáff," born November 8, 1918) was a German typeface designer who lived in Darmstadt, Germany and was married to calligrapher and typeface designer Gudrun Zapf von Hesse.Zapf's work, which includes Palatino (1948, named after 16th century Italian writing master Giambattista Palatino) and Optima (1952, a flared sans-serif, released by Stempel in 1958. Zapf disliked its name, which was invented by Stempel's marketers), has been widely copied, often against his will. The best known example may be Monotype's Book Antiqua, which shipped with Microsoft Office and was widely considered a "knockoff" of Palatino. In 1993, Zapf resigned from ATypI (Association Typographique Internationale) over what he viewed as its hypocritical attitude toward unauthorized copying by prominent ATypI members.In 1935, Zapf attended an exhibition in Nuremberg in honor of the late typographer Rudolf Koch. This exhibition gave him his first interest in lettering. Zapf bought two books there, using them to teach himself calligraphy. He also studied examples of calligraphy in the Nuremberg city library. In 1938, Zapf designed his first printed typeface for D. Stempel AG and Linotype GmbH of Frankfurt, a fraktur type called Gilgengart.In 1976, the Rochester Institute of Technology offered Zapf a professorship in typographic computer programming, the first of its kind in the world. He taught there from 1977 to 1987, flying between Darmstadt and Rochester. There he developed his ideas on digital typography further, with the help of his connections in companies such as IBM and Xerox, and his discussions with the computer specialists at RIT. Zapf used his experience to begin development of a typesetting program called the "hz-program", which Adobe Systems acquired and later incorporated in their InDesign program.Expertise by: Dominique COURVOISIER,Expert de la Bibliothèque nationale de France. Membre du Syndicat Français des Experts Professionnels en ?uvres d'art5, rue de Miromesnil 75008 Paris.Provenance: from the estate of Raymond Gid who died Sunday November 12, 2000 in Paris. Born on November 25, 1905, Raymond Gid became first known through his posters, after having studied at les Beaux-Arts. As a film enthusiast, he designed many movie posters, for example Vampyr de Dreyer (photomontage, 1932), Le Silence de la mer by Melville (1949), Les Diaboliques by Clouzot (1955). But a meeting with Guy Levis Mano (editions GLM), editor and typographer, soon directed Gid towards the book. In 1935, he publishes, together with the photographer Pierre Jahan Devot Christ de Perpignan and Chats, Chiens by Ylla. It is an intensive period of his life period: he meets Dufy, Corbusier, Hake, Lurcat and receives the gold medal for a poster at the International exhibition of Paris (1937). He reacts to the Civil War in Spain with a poster " Help to the civil populations ". Together With Father Carre, « bete-a-bon-Dieu » of the Resistance, Raymond Gid began to design liturgical texts. Apocalypse Six (an extract of the biblical text of Saint John) appeard after the war. It is one of his major works, composed in the Peignot typeface, which was designed by Cassandre in 1937. He designs several post-war period posters, for example Week of absent, a simple Lorraine cross surrounded by barbed wire on a dark background. Right from the beginning of the symposiums in Lure (Provence) in 1954, Raymond Gid participates in discussions on typography, particularly with Maximilen Vox, Charles Peignot, Roger Excoffon. Raymond Gid puts on page and illustrates the Dialogues of the Carmelite nuns by Bernanos (1954), then some pages in Caractere Noel 1955, dedicated to his friend Jan van Krimpen, the creator of dutch type faces. He plays with the breathing of the text, in the manner of Mallarme, as in his Book of hours (1959) or his Apocalypse (1964), adapting medieval text to present day tastes. He also designs posters like those for the Club Mediterranee (1961), Bally (1976) or, heavier fare, like that of Amnesty International (1973). During his whole life, Raymond Gid remained attached to the typographical arts. He liked to try out new characters in his compositions, mixing them with his very free drawings, as for example in Messidor published by the Imprimerie nationale (1989). Jean-Francois Porchez, type designer; translated from french by Babelfish and cleaned up a bit. Links Art and Poster Bally posters Chicago Center for the Print Bally posters Poster Auctions International, New York Catalogue from the personal exhibition at the Bibliotheque Forney, Paris, in 1992.