hendrick goltzius (87 Ergebnisse)

1 Blatt, verso weiß. Zustand: Gut. Darstellung ca. 8,5 x 7 cm, Blatt ca. 30 x 22,5 cm. Brustbild-Portrait, darunter Legende. - Papierbedingt gering gebräunt, ganz leicht aufgewellt, sonst gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 250.

"Apollo Pythius" (The Apollo of Belvedere with the young draughtsman) high-quality facsimile/reprint in giclée print with narrow, white border on 250g Schwarzwaldmühle art print cardboard (30x21cm) after a copperplate engraving published in 1617.

167 Seiten. Mit zahlreichen Abbildungen. Illustrierte Originalbroschur. 20x21 cm Sprache: Deutsch Gewicht in Gramm: 700.

Bassano del Grappa, Minchio, [1990]. 76 pp. B./w. ills. Softcover. 8vo.Catalogue of the exhibition at the Museo civico di Bassano del Grappa, January 19. - April 19, 1990. - Text in Italian.

Kleve, 1982. 167 pp. Ills. Softcover.

Utrecht, Haentjens, Dekker & Gumbert, 1961. 219 pp. B./w. frontispiece (portrait). Orig. softcover (printed wrappers). 8vo. [Diss.] - Light shelfwear.Academic dissertation for the purpose of obtaining the degree of degree of Doctor of Letters at the Rijksuniversiteit Utrecht, March 17, 1961. - Text in German.

175 Seiten. Mit zahlreichen Illustrationen. 4°, Pappeinband mit Schutzumschlag. Einwandfreies Exemplar. Sprache: Deutsch.

Leipzig, Klinkhardt & Biermann, 1976. X,[6],174 pp. B./w. frontispiece (portrait). Orig. publisher's hardcover binding (light gray cloth with blue lettering), d./j. 8vo. Unchanged reprint of the 1921 edition.

Zwolle, Waander & Amsterdam, Rijksmuseum, [2003]. 352 pp. Col. & b./w. ills. Orig. hardcover (gray cloth with silver colored lettering),d./j. 4to.Published on the occasion of the exhibition of the same name in the Rijksmuseum in Amsterdam, March 7-May 25, 2003, and the exhibition 'Hendrick Goltzius, Dutch master (1558-1617). Drawings, prints, and paintings' in The Metropolitan Museum of Art in New York, June 23-September 7, 2003, and in The Toledo Museum of Art in Toledo (Ohio), October 18 2003 - January 4, 2004. - Text in Dutch.

Haag, 1916. XI,104 pp. 15 ills. Softcover. - Spine damaged; sl. worn & soiled. (Quellenstudien zur Holländischen Kunstgeschichte - Heft 9).Van Hall - No.10001.

München, 2016. 118 pp. Col. & b./w. ills. Softcover.Published to accompany the exhibition "Bestechend gestochen. Das Unternehmen Hendrick Goltzius", 11 Aug. - 13 Nov. 2016 at the Kunstmuseum Basel, Kupferstichkabinett.

100p, mostly colour plates from Breen's "MILITARY EVOLUTIONS" and Goltzius1 IMPERIAL ARMY.

Gr.-8°, gebundene Ausgabe, 175 Seiten, SU minimal berieben, sonst in einem sehr guten Zustand. Abgleich des Titelbildes bitte bei nika-books. 9783922909729 Sprache: Deutsch Gewicht in Gramm: 1050.

0. 18 cm. 207 S., überwiegend Ill. brosch. Leicht bestossen und gebräunt. Bibliophile Taschenbücher 386. Sprache: Deutschutsch 0,450 gr.

Pp. Zustand: Wie neu. 175 S. : zahlr. Ill. ; 29 cm neuwertiger Zustand, wirkt ungelesen, minimale Lagerspuren am Schutzumschlag, kleine Bleistiftnotiz im Vorsatz, Seiten zart nachgedunkelt Sprache: Deutsch Gewicht in Gramm: 940.

Hamburg, Kunsthalle. 175 pp. Monochrome ills. Hardcover, d./j.

Haag, 1916. XI,104 pp. 15 b./w. ills. Rebound in cloth. ( (Quellenstudien zur Holländischen Kunstgeschichte - Heft 9).

Zustand: Sehr gut. 4°. 31 x 20 cm. 300 Seiten. Gebundener Original-Pappband. (= Schriftenreihe Museum Kurhaus Kleve - Ewald-Mataré-Sammlung, Nr. 77). 1. Auflage. Katalog anlässlich der Ausstellung im Museum Kurhaus Kleve - Ewald-Mataré-Sammlung vom 8. Oktober 2017 - 11. Februar 2018. Mit zahlreichen Abbildungen. Einband fleckig und berieben. Sehr gutes Exemplar.

Museum für Volkskunde. Kevelaer. 1973. 18 x 20 cm. 47 (2) Seiten, mit vielen Abbildungen. Original Binding. Illustr. Kartonband. Gut bis sehr gut erhalten. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Zwolle, Waanders Uitgevers, 1993. 543 pp. 390 ills (25 col.). Orig. hardcover (black cloth with silver lettering). 8vo. - Without a dust jacket; small stamp 'doublet'on title page. - Overall a very good copy. (Nederlands kunsthistorisch jaarboek 1991-92, Deel 42-43).Articles in Dutch, English & German by Hessel Miedema, Lawrence W. Nichols, Ilja Veldman, [et al]. Bibliography by Jan Kosten.

Hendrick Goltzius (illustrator). Study of four heads showing different expressions and angles.Made by Johann Georg Hertel after Hendrick Goltzius.Medium: Engraving on hand laid (verge) paper.Sheet size: 21.8 x 28.4 cm (8.58 x 11.18 inch). Image size: 19 x 23.2 cm. (7.48 x 9.13 inch).STUDY-OF-FOUR-HEADS | PCO-A15-32BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Johann Georg Hertel (1719-1785) was a German engraver known for his detailed landscapes and historical scenes.Biography artist: Hendrick Goltzius (1558-1617) was a Dutch printmaker, draftsman, and painter known for his Mannerist style. Condition: good, given age. Light handling marks, some staining, and general age-related toning. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zwolle, Waanders Uitgevers, 1993. 543 pp. 390 ills (25 col.). Orig. hardcover (black cloth with silver lettering), d./j. 8vo. - Top edge of dust jacket very sl. dam. - Overall a very good copy. (Nederlands kunsthistorisch jaarboek 1991-92, Deel 42-43).Articles in Dutch, English & German by Hessel Miedema, Lawrence W. Nichols, Ilja Veldman, [et al]. Bibliography by Jan Kosten.

0. Sprache: Deutschu.

Braunschweig, Klinkhardt & Biermann, 1976, 2 Auflage, 23,5 x 15,5 cm, publisher's cloth with d.w., 174 pp, indexed. (Freitag 3729, reprint of the 1921 edition, oeuvre catalogue, lists 383 items).

Doornspijk, Davaco Publishers, 2013. 466 pp. 207 plts & ills (145 in colour). Orig. hardcover, d./j. (Aetas Aurea. Monographs on Dutch & Flemisch Painting, Vol. XXIII). - - New copy !!This long-awaited volume is a comprehensive study of the paintings of Hendrick Goltzius (1558-1617), the most important artist in the Netherlands at the turn of the seventeenth century. A poem published in Haarlem in 1617 lamented the death that year of the most artful master Hendrick Goltzius, in his life [a] skillful painter, draftsman, and artful engraver. The fact that "painter" heads the list of his accomplishments is significant, for although Goltzius enjoyed international fame as a draughtsman and engraver, to his contemporaries he was equally renowned for his skill in the art of painting, which was considered the highest artistic calling. This volume on his paintings, the first since Hirschmann's short study of 1916, finally completes a full assessment of this artist of Haarlem, whose drawings were the subject of Reznicek's publication of 1961 and whose prints were catalogued by Leesberg in the New Hollstein series that appeared in 2012.The extensive catalogue discusses 59 paintings by Goltzius, and also includes 160 pictures known only from descriptions and 38 rejected works. A lengthy appendix - the result of extensive archival research - includes, in the original language, all known sources that mention Goltzius and every known inventory listing of his paintings. -- The catalogue of accepted works is ordered iconographically, whereas the color plates of Goltzius's entire extant oeuvre are arranged in chronological order, visually demonstrating the development of his career as a painter. In addition to the color plates, 121 black-and-white figures provide material for comparison.

An officer holding a spike with his left hand, the right arm folded on the back. On the background scenes from a battle field. From the New Hollstein, about the series: 'Previously attributed by Bartsch to an anonymous member of the Goltzius workshop, in he manner of Jacques de Gheyn. Here attributed to Jan Muller; on the verso of the proof-impressions in Amsterdam marks in red chalck indicate that this print belonged to the group of proof-impressions of his own prints which Jan Muller kept together during his life'. Sigend on the bottom left: 'HGoltzius excud.' (HG monogrammed); two lines of text in Latin at the bottom: 'Laudata ducibus. consuluisse metu'. On the verso collector's mark Kupferstichkabinett, Staatliche Museen zu Berlin [L.1634 (1921)]; partial watermark l Engraving on paper, trimmed to plate mark; total: 214 x 155 mm; state II/2; in very good conditions; New Hollstein 748, Bartsch 96.

SINGLE SHEET (190 x 160mm). Ink on paper, two figures on each side, window mounted in simple light wood frame (three discrete, contemporary paper repairs, later tape residue to edges). [N.p., n.d. but An attractive sheet of accomplished ink sketches of lost, monochromatic frescoes by Polidoro Caldara, called da Caravaggio (1499-1543). They are near-contemporary to, and very likely copied from draftsman, painter and engraver Hendrick Goltzius? (1558-1617) 1592 suite of 8 engravings of the lost works. The Roman deities here, Vulcan, Sol, Mercury and Bacchus, along with four others, originally adorned the courtyard wall of St. Paul?s Convent, on the Quirinal in Rome. Acclaimed Dutch engraver, print publisher, draftsman, and painter Hendrick Goltzius travelled to Italy in 1590 - apparently incognito, to avoid having to socialise - and reached Rome in 1591. His engravings of these deities were printed in 1592, prompting the production of copies (by Antonio Caranzano in Rome, 1613, and others). Fairly accomplished, and evidently early, these drawings are very likely after Goltzius? engravings and/or the copies they subsequently inspired, perhaps as a drawing exercise. Goltzius' own sketches of these frescos were executed in chalk, ink and wash on blue paper (see objects N. 014 and N 016, Goltzius' drawings of Vulcan and Mercury respectively; N 013, Pluto from the same series, and Saturn N 011, all at the Teylers Museum, Haarlem). Before his travels to Italy, Goltzius 'showed a preference for pen and ink (and sometimes metalpoint) for drawings preparatory to engravings', but his time there, influenced by the practice of his Italian contemporaries, led to increasing use of 'dry' materials like chalk in his sketches.  After a stint in Raphael?s workshop as a plasterer, a partnership with another of Raphael?s assistants led Polidoro da Caravaggio's artistic career towards the painting of external frescoes in grisaille, which became his particular speciality. Weather, and time have meant that they ?have now entirely disappeared and can only be reconstructed from engravings and drawn copies; but these were once among the best known of all modern works of art in Rome? (Gere) and Polidoro was exceptionally well known in his day.  Roman history appears to have been one of his principal subjects, within which these four figures fit well; rather than friezes, they would presumably have been painted to fill smaller, vertical spaces i.e. between windows. Being external, and so visible, Polidoro?s frescoes were ?freely accessible at any time for anyone to study and copy. In the later sixteenth century and early seventeenth century this was a recognised part of the training of a Roman artist, and it is not surprising that all old collections of drawings include quantities of copies after details of Polidoro?s facades? (Gere). It is tempting to imagine Goltzius' engravings being used as source material for the training of the anonymous artist here, in turn.  Provenance: with the discreet ink stamp of Berlin-based print collector E. Fabricius (d. ca 1920) to the lower corner of the figure of Bacchus on the verso. Fabricius "assembled a collection of prints by Goltzius, Saenredam and other masters of that school, which he sold privately between 1914-18". Lugt L.919ter.  A.M. Kettering, 'Hendrick Goltzius: Painting with colored chalk', Journal of Historians of Netherlandish Art 15:2 (Summer 2023). J.A. Gere, 'Two Copies after Polidoro da Caravaggio' Master Drawings 6.3 (Autumn 1968). .

A woman and a man skating on ice. On the right a tree and some running dogs, on the left a mill and another skater. Signed on the bottom right: 'P.V.W'. On verso traces of music notation, probably transferred while the paper was drying. On the top margin the initials "PVW" in pen and brown ink. Etching Etching on paper with some margins; plate mark: 223 x 172 mm, total: 233 x 183; the plate the artist used was not of highest quality, therefore there are several defects that were made visible while pressing. Not mentioned in Hollstein as a copy of 92 (Saenredam).

Maße: ca. 12 x 19 cm. -- Kupferstich aus dem 16. Jh. Knapp beschnitten und aufgezogen. -- gut erhalten. || Copper engraving from the 16th century. Very rare engraving after Hendrick Goltzius. -- Narrowly cut and mounted on paper, otherwise in good condition. || B. 174, Hollstein 194 I (von II), Leesberg (New Hollstein) 227 II (von III). // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Illustrations of the 'Biblia Sacra', printed on both sides of the sheet. On one side, Christ is taken in front of the crowd; on the other Christ is being tortured as he is tied to a column. Monogrammed at the bottom with 'HG' and 'CVS'. From 'Biblia sacra dat is De geheele Heylighe Schrifture bedeylt in 't Out en Nieu Testament'. Amsterdam: Pieter Jacobsz. Paets, 1657. Woodcut on paper, trimmed; total: 110 x 74 mm; in great condition; Hollstein 47-49. Date of print 1657.